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C Ye @C_Ye__ & Britney’s Drama reminds me another story back in 2023. It’s kinda like Deja Vu. Britney leveraged her fame and connections to bully an unknown small-time poker player. I’ve seen many hustler players backing Britney. A lot of them were coerced into supporting her, yet none stepped up to speak up for C Ye. To me, this is grossly unfair and amounts to collective bullying. Most of them don’t even know what really happened. They may simply fear that if they fail to back her, she will get them banned from Hustler @HCLPokerShow since she is the “Queen” of hustler. XD This happened in 2023 at the Bicycle Casino in Los Angeles. Britney set up a game with Peter. She personally brought in two players, Hank and Jimmy, and asked another host, L, to bring five more. (L is just a codename — he is a very well-known Chinese host, but he prefers not to have his name mentioned here.) Most importantly, Britney bought action in all of the players — every player’s wins and losses ultimately ran through her. Charles the Prince also played in the game for about an hour and had action in Hank as well. That means both L and Charles were financially exposed to Hank’s play that night. To this day, L still believes that Hank and Britney were together at the time. The players on L’s side ended up losing. But when it came time to settle up, Britney refused to pay, claiming that someone had stolen chips from the table. The game itself balanced, though — every number was accounted for. Since Britney had action in all of the players, the “stolen chips” story looked less like an explanation and more like an excuse to avoid settling. And when people pushed back, she firmly denied owing the debt. Alan, an Australian regular who used to play at the Bike, happened to be there that night, and he took the matter into his own hands. He spent 36 hours on it. For the first 20-plus hours, he negotiated with the casino and obtained everyone’s deposit and withdrawal records along with the surveillance footage. The review showed that the person who had actually taken the chips was Hank — one of Britney’s own players, and reportedly someone very close to her at the time. Alan handed all of the evidence to Britney. She still refused to pay — and even after all of this came out, she kept up her good relationship with Hank. Only after their relationship later ended did she start distancing herself from him and publicly criticizing him, as if she had never had anything to do with him. Later, L — who was in Vegas at the time — called Britney and warned her that the police would be involved if the payment wasn’t made. Meanwhile, Alan and several other pros were right there at the Bike. Alan never left — he stayed the entire time for one purpose: to get his money. He was relentless. In the end, Britney had no choice but to pay up. Start to finish, the whole thing took 36 hours.

Baddie from Korea Seedance 2.5 on OpenArt Prompt 👇 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. A light summer breeze moves her hair as she starts walking down the lane. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. The cat walks away and she laughs before continuing. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. She brushes the leaves away while her friend zooms awkwardly toward her face. She looks directly into the camera and says: "Seriously?" — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. She finishes the pastry while watching bicycles and neighbors passing through the lane. A gentle breeze moves her hair. She casually fixes her ponytail and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a small playful smile and says: "Come on." She keeps walking down the sunny lane while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: birds, summer insects, footsteps, bicycle bells, distant scooters, leaves moving in the breeze, bakery sounds, neighborhood conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, feminine, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Seedance 2.5 Prompt: Create a 30-second ultra-realistic candid home-video sequence of a young Korean woman in her early 20s living an ordinary late morning in a quiet Korean residential neighborhood. SUBJECT: Young Korean woman, natural everyday appearance, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail with wispy bangs. Faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, simple black cord necklace. Warm, relaxed personality. Keep her face, body, hairstyle, clothing, and appearance perfectly consistent throughout. SETTING: Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity. VISUAL STYLE: Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated. TIMELINE: 00:00–00:05 — Outside her small house, she sits on a low concrete wall adjusting her messy ponytail. Wind moves loose strands of hair. She casually smiles while the camera struggles to lock focus. 00:05–00:10 — She walks into a narrow residential alley. A stray cat approaches. She crouches naturally, pets it and gently feeds it. Autofocus shifts imperfectly between her face and the cat. 00:10–00:15 — In a small front yard, she hangs laundry on a clothesline. Fabric moves naturally in the breeze while sunlight and cloud shadows subtly change the exposure. 00:15–00:20 — She sits on a quiet terrace with a simple ceramic coffee cup, casually watching the neighborhood and brushing loose hair behind her ear. Handheld side angle with natural camera drift. 00:20–00:25 — Close side profile. Someone off-camera casually greets her. She turns, smiles warmly, raises her hand and naturally says, “Annyeong.” The camera reacts slightly late. 00:25–00:30 — She walks slowly down a tree-lined residential lane holding her coffee. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off. AUDIO: Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, footsteps on concrete, laundry moving on the clothesline and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design. GOAL: Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.

More on the pelican on the bicycle test from @simonw: I uploaded the source here so it's playable in the browser, forkable etc. Look out for GTA Hobbiton dropping before GTA VI :)

We're starting to leave the territory where you'd test an LLM by e.g. "create an svg of pelican on a bicycle". As one idea to generalize it, I was interested what Opus 5 would do if I gave it the first paragraph of the Lord of the Rings, a 1M token budget (~$10) and asked for three js render of it. Opus went off for ~2 hours and wrote 5500 lines of code that (procedurally) rendered the story. It's kind of janky but fun. But it's a bit mindboggling that the LLM has to place and orchestrate various polygon assets in (x,y,z) coordinates and write code that animates it all, and that it even does anything at all. I also like this kind of examples because no one in their right mind would ever spend the time to write something this custom but LLMs have all the stamina and patience in the world, so it's an example where we go from "no one would ever do this" to "sure, why not, it's ~free". There might be a lot more. But I'm excited about creating hyper custom worlds that you can imagine dropping players into, e.g. here to participate in the LoTR story as a spectator NPC, or one of the characters, or etc. Something like an ephemeral GTA of X on demand. Last thought is that the domain of worlds/games exposes a weakness in LLMs: they can't easily audit their work because they aren't able to efficiently and natively perceive videos or play games within them. Here, Opus 5 had to very slowly and painstakingly take screenshots at different points, and it messed up a few times and created a bunch of jank. An example of raw capability (multimodal, gameplay) that I think is still quite lacking.

Claude Fable 5 imagines attending an art gallery exhibit titled “Pedaling Pelican,” showing (what it imagines to be) attempts by earlier LLMs at drawing SVG images of a pelican riding a bicycle.

Claude Fable 5 draws a pelican on a bicycle, but the pelican and its bike are a large stone sculpture in the Backrooms between two non-Euclidean hallways in a short but endlessly looping clip of VHS found footage

Gemini Omni Flash on Pollo AI. Prompt: Main Subject: The same young Korean woman appears throughout the entire video. Early 20s, natural everyday appearance, faded charcoal-gray sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair styled in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain identical facial features, hairstyle, body type, clothing, accessories, and overall appearance in every shot. Do not change identity, outfit, age, or styling between scenes. Location: An authentic Korean residential neighborhood during a peaceful late morning. Narrow concrete alleys, low-rise homes, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, and quiet residential surroundings. No shops, cafés, advertisements, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Authentic slice-of-life moments captured naturally rather than staged. Genuine body language, believable human motion, strong environmental authenticity, and rich everyday details. Prioritize realism over beauty and natural behavior over performance. Camera Style: Early-2000s consumer DV camcorder footage. Feels like a friend casually recording everyday moments. Heavy handheld shake, imperfect framing, autofocus hunting, lens breathing, occasional motion blur, rolling shutter artifacts, mild digital compression, faded colors, soft contrast, subtle sensor noise, exposure fluctuations between sunlight and shade, and delayed camera reactions. No stabilization, no cinematic camera movement, no modern color grading, no commercial polish. Continuity Requirements: All scenes occur during the same late morning in the same neighborhood. Maintain consistent lighting, weather, clothing, hairstyle, and environmental continuity throughout the entire video. 00:00–00:02 Outside a modest house entrance. She sits on a low concrete wall adjusting her ponytail with both hands. A gentle breeze moves loose strands of hair. She smiles naturally while the camcorder struggles to maintain focus. 00:02–00:04 Walking through a narrow residential alley lined with potted plants and concrete walls. A stray cat approaches. She crouches down and gently pets it while the camera framing drifts slightly off-center as the operator tries to keep up. 00:04–00:06 In a small front yard beside her house, she hangs laundry on a clothesline. Fabrics sway softly in the breeze. Exposure subtly changes as clouds briefly pass overhead. 00:06–00:08 Seated comfortably on a quiet terrace holding a ceramic coffee cup. She watches the neighborhood and casually brushes hair behind her ear. Loose handheld side-angle framing with natural camera drift. 00:08–00:10 She walks slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only. Morning birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, occasional cat sounds, footsteps on concrete, laundry moving on clotheslines, and subtle residential ambience. No music, narration, voice-over, or cinematic sound design. Goal: Create a highly believable early-2000s Korean home-video recording captured casually by a friend during an ordinary late morning. The footage should feel warm, candid, imperfect, and deeply authentic. Emphasize genuine human behavior, environmental realism, imperfect camera operation, and strong continuity. Avoid cinematic aesthetics, influencer-style content, commercial production value, dramatic storytelling, or modern social-media visuals.

Seedance 2.0 on OpenArt AI Prompt: Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. 00:02–00:04 The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. 00:04–00:06 She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. 00:06–00:08 Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. 00:08–00:10 On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. 00:10–00:12 Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late. 00:12–00:15 Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.