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Thanks to everyone for the amazing response! We've picked an awesome name for baby dinosaur mascot from your comments🦖 Yeeees, RODINO CA: 0x00B897723941017Bb6116a38daE36A7c08e41111 DM @friendao_tech You might just be about to strike it rich💰

Elon Musk reveals the environmentalist viewpoint he says has become total madness "There are 8 billion people on Earth and it would be better if there were none. I'm like, 'hey buddy, you can start with yourself. See if you really want to make a difference'" "That's like a crazy viewpoint. That's like literally saying, let's genocide humanity. How can you say that with a straight face? That sounds like total madness" "In the limit of environmentalism, it becomes like an ingrown toenail. A toenail's fine, but not if it's warped and ingrown. It's just gone too far" "Humanity is not a blight on the face of the Earth" "Even with climate change, life on Earth will still continue. The calamities Earth has suffered where life continued, gigantic meteorite impacts, super volcanoes, continents drifting all over the place" "There've been times in Earth's past where it's been like a total snowball or absolutely sweltering hot. We had many extinction events, but life continued" "We don't see the dinosaurs now, but they had a good run for 100 plus million years" "Even if there's catastrophic climate change, life continues. It just may not be life as we know it. It may not be humans, it'll be something else" "What we're talking about with climate change is not a threat to all life on Earth, but really maybe a threat to humans, a dislocation if low-lying countries end up underwater" "Over time we need to move to a sustainable energy economy. We can't just keep taking billions of tons of carbon from deep underground and putting it in the atmosphere and expect nothing will happen forever" "But we also don't need to be alarmist about it and super negative and massively disrupt people's lifestyles" "People can continue to live a normal life. They shouldn't feel guilty about being human or having a stake. It's fine"

Seedance 2.0 is pretty wild 100% AI What if Jurassic Park was real? PROMPT: Format: Found-footage vacation video, 15 seconds, seven shots with hard cuts — a tourist's camera roll from one full day, morning to dusk. Image reference: Use the attached gate photo as the exact visual reference for Shot 1 — match its architecture, proportions, torch placement, lighting, and signage precisely. Main subject: Young woman, blond hair in a loose low bun shedding strands, oversized faded olive t-shirt, denim shorts, white canvas sneakers, disposable-camera strap on her wrist. Realistic skin texture, minimal makeup, wide-eyed tourist joy. Maintain perfect visual consistency — identity, hair, clothing, proportions — across every shot and location. Location: A vast island dinosaur preserve. Jungle mountains, open savanna paddocks, wooden observation structures, tall electrified perimeter fences, dirt tour roads. Dinosaurs are photorealistic animals — muted natural hides, birdlike motion, visible breathing weight. Filmed like wildlife, never like monsters. Camera style: Mid-range smartphone, handheld by her friend. Heavy shake, autofocus hunting, motion blur on pans, compression grain, exposure pumping. Each cut is abrupt and mid-motion, like real unedited camera-roll clips. 00:00–00:03 — THE GATES (morning, filmed from inside a moving open-top tour jeep). The camera films forward over the seats as the jeep approaches the colossal timber gates from the reference image — flared stone-and-wood towers, flaming torches, jungle pressing in on both sides, the road still wet from morning rain. The doors groan open. She spins around from the front seat into frame, gripping the roll bar, and half-shouts over the engine: "Oh my god, this is wild! I can't believe we're actually here!" — as the jeep passes under the archway into shadow and out again. 00:03–00:05 — SAVANNA (late morning, wide shot from a raised wooden platform). She stands small at the rail against an open plain where a herd of long-necked giants wades through heat haze, one rearing slowly against the treeline. The camera zooms in shakily, overshoots, corrects. 00:05–00:07 — RIVER CROSSING (midday, low angle through the jeep's open side). Past her shoulder as the jeep fords a shallow river: a crested duck-billed dinosaur drinks twenty meters away, lifting its head to watch them pass, water dripping from its jaw. She raises her disposable camera; the phone catches its tiny click. 00:07–00:09 — JUNGLE FENCE (afternoon, handheld walking shot). Dim under the canopy beside a tall humming fence. She peers through the wire — and a small crested predator peers back from the ferns, head tilting in quick birdlike jerks. She backs up a slow half-step, whispering "okay... hi." Autofocus argues between wire and eye. 00:09–00:11 — THE HERD RUNS (late afternoon, chaotic pan from the jeep at speed). A flock of small striped dinosaurs floods across and around the vehicle. The camera whips left-right, blurred bodies streaking past, her whooping off-mic, dust on the lens. 00:11–00:13 — QUIET GIANT (golden hour, static shot at a wooden overlook). The frame finally settles: silhouetted against low sun, she stands at a rail as an immense horned dinosaur grazes just below, close enough to hear grass tearing. She isn't laughing anymore — just watching. 00:13–00:15 — DUSK ROAR (blue hour, half-framed and accidental). Filmed as the phone was being lowered, frame tilted: a colossal, deep bellow rolls in from the darkening jungle far off. Everyone freezes and turns toward it. Cut to black mid-turn. Audio: Ambient only, shifting per location — jeep engine and gate groan, her excited line over the motor, savanna wind, river wading, fence hum, thundering small feet, grass tearing, and the single distant bellow that swallows everything. No music. No narration. Style & quality boosters: Raw consumer camera-roll aesthetic, abrupt mid-motion cuts, heavy handheld instability, natural motion blur, golden-hour lens flare, coherent animal mass and physics — ground tremor, water displacement, dust. No text overlays, no watermarks. Goal: One unforgettable day inside the world's most famous dinosaur preserve, told through seven imperfect tourist clips — opening on the gates everyone recognizes, and closing on the sound that reminds them what lives beyond the fences.

My new song, "Requiem for Dinosaurs," which I wrote and composed with dinosaurs as the theme, is now available on @Spotify. I've been receiving feedback from all over the world. It really makes me realize that it's a universal theme.

Trel from Tamer: King of Dinosaurs🕷️ Dinosaurs. It was pretty complicated to make her legs. The game is out on Steam right now. Have you played it? I've got a free game code for anyone who comments that they'd be fine with me biting them.