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Jensen Huang is effectively OUT of NVIDIA🚨 Man His wife is 65 years 🇺🇸 They have been married for 41 years. As early microchip designers, she reportedly earned more money She totally left engineering work to raise their two children while Jensen Huang built Nvidia She was one of only three women in a class of 250 electrical-engineering students at Oregon State University when she and Jensen met. Jensen was 17 years when he walked up to the 19 year old Lori (his wife) and asked "Do you want to see my homework?" He promised that if they studied together every Sunday she would get straight A's, turning homework sessions into weekly dates. He also told her he would be a CEO by age 30. A promise he kept when he co-founded Nvidia in 1993. Jensen has repeatedly called meeting her "the most important, single event of Oregon university, and of my life" They married in 1985, the same year she graduated with her electrical-engineering degree. In 2022 the couple gave $50 million to Oregon State University (the campus where they met) to create a major innovation complex named after both of them. Jensen has said he does "zero percent" of his own shopping and that Lori (with their daughter) chooses his clothes, including the signature black leather jacket. He has publicly credited her with being "part of Nvidia every step of the way" and with handling the personal and financial details of their life. It's quite sad what is happening currently and how shattered Lori Huang must be.

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Solo camping peaceful vibes and a little nighttime surprise. Made with Seedance 2.5 Prompt: Create a 20-second ultra-realistic cinematic camping vlog featuring a young Japanese woman with straight black hair and bangs, wearing a dusty pink outdoor jacket. Scene 1 (0–4 sec): Selfie-style vlog in a beautiful pine forest during golden hour. She smiles at the camera while holding a beige tent bag and excitedly introduces her solo camping adventure. Natural handheld camera movement, realistic facial expressions. Scene 2 (4–7 sec): Wide cinematic shot of her setting up a beige camping tent among tall pine trees. She happily raises both hands to celebrate after pitching the tent. Warm sunlight filters through the forest. Scene 3 (7–12 sec): Nighttime campfire scene. She sits on a folding camping chair, roasting a marshmallow on a stick. Close-up of her gently blowing on the toasted marshmallow, with realistic firelight illuminating her face. Scene 4 (12–16 sec): She sits beside the campfire holding a glowing marshmallow, enjoying the peaceful night in the forest. Natural expressions, cozy atmosphere, realistic shadows and warm orange lighting. Scene 5 (16–20 sec): Inside her illuminated tent at night, she smiles at the camera while holding a camping lantern. Suddenly, she hears a mysterious noise outside, opens her eyes wide, and pulls her sleeping bag up to her nose with a cute, surprised expression. Visual style: Photorealistic live-action, 4K, cinematic depth of field, natural skin texture, realistic lighting, smooth camera transitions, authentic outdoor atmosphere, detailed facial expressions, cozy solo camping aesthetic. Audio: Natural forest ambience, birds chirping, gentle wind, crackling campfire, subtle fabric sounds, and soft nighttime forest ambience. No background music, no subtitles, no text, no watermark. Consistency: Maintain exactly the same woman, hairstyle, outfit, facial features, and tent throughout all scenes.

Right in the middle of the Conan set, a woman is inverted in a full handstand, Her form is tight and controlled, arms locked, body perfectly vertical against the dark stage. Conan sits a few feet away at his desk, suit jacket on, ocean-night backdrop glowing behind him.

A director who doesn't come up to the builder's heels makes a four-hour film about him. Yesterday in Venice, Alex Gibney's nearly four-hour documentary "Musk" had its world premiere. It is a classic case of someone who has spent a career telling other people's stories taking on a man who actually builds those stories with rockets, cars, satellites, and infrastructure, not slides. Alex Gibney is an acclaimed documentarian. An Oscar for Taxi to the Dark Side, Emmys for Going Clear on Scientology, high-profile films on Enron, Elizabeth Holmes and Theranos. His specialty is exposing corporations, cults, and frauds. He does it skillfully and with a thesis. The problem starts when he applies the same method to someone who is not selling an illusion, but hardware that either flies or blows up in front of the entire world. Gibney's fuel is controversy. Elon's fuel is the pursuit of truth hard, engineering truth, the kind that either works on the test stand or it doesn't. It would have been enough to make a film based on facts. Instead we got another rut that fits the slogans of provocation: megalomaniac, confidence man, threat to democracy, an AI avatar reciting old quotes, ex-wives, his father, a former partner. Musk said in 2023 it would be a hit piece. After the premiere, a large share of reviewers effectively agreed with him. I don't know about you, but four hours of falsified formulas would bore me. Instead I watch how much Elon has already done. His energy is extraordinary. Tesla changed the car industry. SpaceX brings rockets back. Starlink works. Starship stands on the pad and prepares for the next flight. This is not a PowerPoint. It is steel, fuel, engines, and people who cannot hide failure in the edit suite. A weak documentary like this is a crumb on the shoulder of his jacket. Now it depends on us when and how quickly that blown-off crumb a utopian attention vampire is simply starved of attention. You could list the names of people who tried to take Elon's energy. Energy is the most precious thing we have. Anyone who steals it with slogans, gossip, and a four-hour indictment that excludes the main subject is sowing under his own feet. Gibney: you reap what you sow. If you have a shred of shame, look at the list of Elon's accomplishments. Look at what kind of person he is for the world and what he does around himself so that things get better cars that drive, internet from orbit, rockets that return, attempts at a brain-computer interface, AI that is supposed to be more than another chatbot. You can dislike his tweets, his political alliances. You cannot honestly erase the scale of what was physically built. A good documentarian should stand, at least for a moment, in the shoes of the person he is portraying. Gibney did not just fail to do that. He took a measure cut for Enron and Holmes and held it up to a man who lands rockets. He left Elon's shoes in the edit suite. Elon walked on barefoot and kept building. One man tells stories about the world from an editing chair. The other moves that world. A four-hour film will not change that. At most it will confirm what people who already disliked Musk already believed. Everyone else can blow the crumb off the jacket and keep going. History does not judge a man by the length of a film. It judges him by what is still in the air when the camera has stopped running. Controversy feeds on attention. Building feeds on repetition. One vanishes when you look away. The other keeps flying. You can cut a man together in four hours. You cannot cut a landing together. A documentary can be switched off. The work cannot.

🤖 AI信号 (RBH) ⚪ 观望 📌 Jensen's Jacket ($JACKET) CA: 0xb5edeff92356c86be0ed8f7e345e254eeac26dc0 ⏰ 信号时间: 13:41:43 (53秒前) | 币龄: 1分钟内 💰 MC: $54,896 | 流动性: $25,503 👥 Holders: 151 | 1h涨幅: +44% | 1h成交: $4,684 🧠 聪明钱包: 5个买入 (SW-cdbb, SW-e0f8, SW-9d18, SW-1100, SW-1100) 🤖 AI 分析（推文12条） ① 叙事：仅以夹克符号为主题，无官方描述，故事缺位。 ② 推特热度：有零散讨论，多为低粉账号，并存在多个不同CA撞名，无明显高粉KOL喊单。 ③ 风险评语：dev数据空白，社交缺失，推文内多个合约地址混乱，社区奖励附个人钱包，可信度低，存在误导风险。 ⚠️ 非买入信号·可实现中位−23% DYOR Telegram频道: @ memmememjk