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The Seahawks respond as Urijah Ostalaza threads the needle to Malachi Gutierrez for 6️⃣ 2026 @NFLFLAG Championships on ESPN/NFLN find a league near you

A 12-year-old boy whose emotional plea for help finding a treatment for his rare bone cancer touched millions has sadly passed away. In a heartbreaking Facebook tribute, Will's mother shared that he "entered the presence of Jesus" just after midnight on her birthday: "At 12:45am(central time)today, on my birthday, our precious Will took his final breath on this earth and entered the presence of Jesus." "What a beautiful gift that God gave me today on my birthday….a celebration that there is no more cancer and Will entered into the kingdom of Heaven!!!! What better gift could I have received than to know my baby boy is sitting with Jesus and is cancer free…." Will pleaded for his video to reach President Donald Trump and HHS Secretary Robert F. Kennedy Jr. to help to find a treatment for his rare form of osteosarcoma, not only for himself, but for other children battling the devastating disease. "Even if this won't work out for me, if this drug can get out in the future, it'll help hundreds of other kids. I really want it to get out in time for it to help me too. So y'all, please do whatever you can to get it out." Will's plea eventually caught the attention of Dr. Mehmet Oz, administrator for the Centers for Medicare & Medicaid Services, who helped connect Will's medical team with the doctors developing the experimental treatment.

Agencies charge $2,000/mo for AI ad creative. Higgsfield + draft mode discipline = $29. The full 32-minute build, chaptered: 0:00 — Intro: the sister-trap premise and the storm-at-sea kill 4:28 — Stage 1: the script Claude actually writes for you 5:24 — Stage 2: the asset factory inside Cinema Studio 10:36 — The naming trick that saves 400 wasted generations 11:25 — Stage 3: the pirate cabin, shot by shot 14:01 — The talking parrot fix that made the scene alive 15:41 — Directing a cannonball through a sea battle 18:01 — The ship blast that transitions into the desert 18:46 — Full pirate scene playback: wet-deck fall into the ocean transition 19:45 — Desert scene: ostrich riders and dust transitions 30:00 — Full jungle sequence playback 31:30 — The twist ending that reframes the whole film The frame this post opens with (agencies at $2,000/mo for AI ad creative, a $29 stack on the other side) is the pitch. What Adil actually shows is one operator building a 32-minute cinematic short across three settings, solo, in Krea Cinema Studio with Claude writing every prompt. The whole build is on screen, timestamp by timestamp. The turn comes at 10:36. He names every asset, tags them the same in Krea Cinema Studio and Claude, and the scene generator auto-matches inputs by those tags. That's why the pirate captain keeps the same face 20 minutes later. Skip this step and you burn 400 generations wondering why the model keeps drifting. At 17:19 he stops typing and draws. He sketches where the cannonball lands and where the crew stands, then feeds the picture to Claude. One drawing beats ten sentences. Every failed batch you avoid is credits back in your pocket. The whole thing runs on draft-first discipline. Batch cheap in low-res, iterate the prompt in Claude, commit to 4K once. That's how one person out-produces the retainer. He did it alone. In Krea. With Claude.