The most surreal thing of our trip so far. Currently driving towards Louisiana and the radio station we were listening to started talking about our trip and played Ella Langley especially for us😭😭😭
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North Korean migrant workers in suits arriving in Moscow to work construction is one of the most surreal sights I've seen in years
My robot got signed by Jensen Huang today
Still can’t believe I got to attend NVIDIA GTC Taipei, watch Jensen’s keynote in person, and have him sign the companion robot I’ve been building.
What a surreal experience.
@nvidia @NVIDIARobotics
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Sleepover at dad’s house🤣 It never isn’t surreal to be able to witness this incredible slice of Americana. Just an absolute honor. 🇺🇸🇺🇸🇺🇸
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B. J. Novak reveals how he got involved in “The Devil Wears Prada 2”: “It was really surreal and one of those things that falls from the sky.”
LO MÁS SURREAL QUE VERÁS HOY
La seiyuu Sumire Uesaka (voz de Nagatoro y Alya en Roshidere) participando en la lucha libre de Japón repartiendo catedra.
Double page spread illustration for a children's book.
Left Page: Minimalist background. Tim is holding a photo of his dad, looking inspired. Text bubble: "I want to draw my dad, cool like SUPERMAN!"
Right Page: A chaotic kitchen scene. Tim's dad is wearing a business suit but with red superhero underwear worn OUTSIDE his trousers and a makeshift cape (a kitchen towel). He is floating slightly off the ground, concentrating hard, shooting silly red "laser beams" from his eyes directly onto a carton of milk in a saucepan on the stove. Smoke is rising from the milk. The kitchen is messy. The magic brush Sora is floating nearby with a confused "loading" symbol on its screen. Tim is peeking from behind a door, eyes wide. Text: "Sora thought hard... ZAP! “Oh my! Dad’s lasers are heating the milk!”"
Style: Whimsical watercolor, dynamic and silly, surreal humor.
--ar 4:3
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Double page spread illustration for a children's book.
Left Page: Minimalist background. Tim is pointing excitedly, shouting a command. Text bubble: "Sora, draw a SEA-HORSE!"
Right Page: Full surreal underwater scene. A literal brown farm horse is wearing oversized scuba diving goggles, flippers on its hooves, and a snorkel, awkwardly swimming deep underwater among colorful corals and confused fish. The horse looks bewildered. Tim is in a small corner, laughing hysterically. Text: "“No, no!” laughed Tim. “That’s a HORSE in the SEA!”"
Style: Whimsical watercolor, bright blue and orange tones, humorous and surreal illustration.
--ar 4:3
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title: Draw it Wrong, Sora!
subtitle: Tim's magically messy art adventure.
by 宝玉
Whimsical watercolor illustration style. A joyful scene where the boy Tim is laughing, holding the magical glowing paintbrush Sora. Around them, drawings are coming to life chaotically: a fish with bird wings flying, a square sun, and a tree growing upside down. The style is colorful, playful, and slightly surreal, like a child's imagination exploding.
Title font is playful, hand-drawn, large, at the top.
Subtitle is smaller, underneath the title.
Text texture looks like crayon.
--ar: 2:3
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Another version
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A sweeping, wide-angle cinematic photograph capturing a surreal time-warp across [SCENE]. The composition seamlessly blends two distinct time periods: [ERA_CONTRAST] (e.g., "the 1920s versus present day", or keep default as "roughly 100 years ago versus the modern era").
The Historical Side (Left/Background): This section features period-appropriate architecture, materials, and fashion distinct to the past era's version of this location. Think historical building materials (stone, wood, aged brick), traditional or vintage attire specific to that time, period-specific vehicles or conveyances, and analog signage or lighting (gas lamps, lanterns, early electricity).
The Modern Side (Right/Foreground): This section showcases contemporary life: modern infrastructure, glass and steel architecture, current fashion trends, advanced technology (smartphones, LEDs), electric vehicles, and vibrant digital signage.
THE CRUCIAL FUSION (Center & Interactions): The core of the image is the seamless merge. The boundary between eras dissolves completely. Structures should morph physically from old to new (e.g., a stone pathway turning into asphalt, an old gate transforming into a modern entrance). Most importantly, emphasize direct visual interaction between the eras: Figures from the past interact with the modern world—a person in historical attire looking with wonder at a smartphone held by a modern tourist, a vintage vehicle driving alongside a modern sports car, or musicians from different eras playing together. The lighting blends dramatically from warm, historical tones to cool, modern neon.
Technical Specs: Photorealistic, 8k resolution, highly detailed, dramatic cinematic lighting, wide-angle lens, deep depth of field.
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SCENE: University of Oxford
Era Comparison: 1300s and present day
--ar 4:3
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