剪刀之神又回来了
昨天发老黄的时候不小心将它献祭了,剪刀之神终于剪了自己
毕竟是我的第一个 10K、20K、30K 的帖子。
为了永久纪念,公开以下我生成舞蹈的跨模型丝滑参考提示词,没有啥复杂教程,也不搞片流量的复杂理论,一张图,1段参考视频-白模更加,加上提示词:
Video1 serves strictly as the dance motion and camera reference. The character from Image1 performs the entire dance routine within the scene shown in the image, keeping the scissors from Image1 carried on their back unchanged, and following the exact movement sequence and timing of Video1—including arm movements, hand gestures, footwork, weight shifts, body turns, and pauses. The performance is rhythmic and expressive, perfectly synchronized with the audio beats in Video1. Do not reference the character's appearance, outfit, or background from the video.
Open directly with the starting dance pose from Video1. The output duration matches the reference dance, maintaining the original movement speed, amplitude, and beat.
The camera movement follows Video1, while the background and lighting remain stable. Clothing and hair sway naturally with the dance, and the scissors on the back move naturally and with realistic physics along with the character's movements.
No subtitles, no background music.
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🎧 RWACast Ep.1: Pre-IPO Onchain: What You're Actually Holding When You Buy a Pre-IPO Token
"Some of them buy real shares. Some hold fund units. And some have nothing at all. They just make you a promise."
This week on RWACast, we sat down with Robert, Executive Director at Tiantu Asset Management HK (SFC Type 9, ex-ISI), to unpack how the pre-IPO allocation market really works, and why most onchain buyers can't tell which of the three kinds of pre-IPO tokens they own.
If you've bought a pre-IPO token, or you're about to, you shouldn't miss this episode.
🎙 w/
@Kristian_cy
Mandarin with English subtitles.
🧵 Episode Timeline:
00:00 Welcome to RWACast with Robert, Tiantu Asset Management HK
00:27 Robert's background: ISI, Evercore, Tiantu
04:17 Where pre-IPO returns come from: access first, price second
08:01 How a star deal flows from the cap table down to the market
13:50 When secondary beats primary: $8B round vs $5.5B employee shares
15:31 Where deals break: structure and hidden fees, rarely valuation
22:20 Economic exposure vs legal ownership, and the TRS nobody notices
28:47 Three kinds of pre-IPO tokens: real shares, fund units, or a promise
32:24 Can a company block a token of its own shares?
37:25 What's the fair price: last round, secondary, broker quote, perp
43:40 Conflict of interest: one platform doing everything, no SEC
47:31 The unsolved problem: distribution
50:04 CFIUS, SpaceX excluding China
59:31 Moving tokenization earlier: Anthropic from under $10B to $1T+
1:07:56 Hong Kong: regulatory innovation and the sandbox window
1:15:34 Final thoughts: platforms have to be the referee
Full episode in the comments 👇
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Seedance 2.0 via dola.
Prompt :
15-second vertical 9:16 Japanese 2D anime short, satisfying cleaning transformation. Hand-drawn cel animation look, clean black ink outlines, vivid colors, soft cel shading, manga-style editing with speed lines, halftone screentone dots, sparkle effects and white impact flashes. Studio-quality anime production, smooth motion, 24fps. Subject: a worn, dirty shoe insole (brown-gold stains, footprint imprint) lying on a brushed stainless steel counter, shot from directly above. An anime-style hand (no face, no body, only hand and forearm visible) holds a small black spray bottle with a green cap. Cool silver background with soft window light and tiny water droplets. Shot 1: Locked top-down shot, 3 seconds. The dirty insole lies on the steel counter, a hand presses it flat. Dust motes float, subtle halftone vignette at the corners, thin speed lines drift in from the edges. Shot 2: Close top-down shot, 3 seconds. The spray bottle sprays a fine mist onto the insole, thick white foam bursts outward and spreads across the surface, bubbles catching sparkles. A one-frame white impact flash with radial ink lines on the first burst of foam. Shot 3: Tight overhead shot, 3 seconds. The hand rubs the foam in circular motions, the brown-gold dirt dissolves into the white foam and streams toward the edge in curling ink-like swirls. Dynamic motion lines follow the hand. Shot 4: Overhead shot, 3 seconds. A rinse of clear water washes the foam away, the insole is flipped over in one quick whip motion, revealing a bright clean white surface. Glittering sparkles and shine streaks pop across it. Shot 5: Slow push-in from above, 3 seconds. The spotless white insole gleams on the steel counter, the hand sets the bottle down at the corner. Final sparkle burst, soft glowing light, manga-style screentone vignette, held for the last beat like a manga cover panel. Audio: crisp spray hiss, fizzing foam crackle, rhythmic scrubbing, flowing water, a bright sparkle chime on each shine effect, soft upbeat Japanese lo-fi beat underneath. No speech, no singing. Avoid: faces, realistic live-action look, 3D render, text, subtitles, logos, brand names, extra fingers, deformed hands, flicker. 15-second vertical 9:16 Japanese 2D anime, satisfying cleaning transformation, top-down shot. An anime-style hand (no face) sprays foam onto a dirty brown shoe insole on a stainless steel counter, scrubs the foam in circles, rinses it, and the insole turns bright clean white with sparkle effects. Manga-style speed lines, halftone dots, and a white impact flash on the first foam burst. Audio: spray hiss, foam crackle, scrubbing, water, light sparkle chimes, soft lo-fi beat. No faces, no text, no logos.
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Solo camping peaceful vibes and a little nighttime surprise.
Made with Seedance 2.5
Prompt:
Create a 20-second ultra-realistic cinematic camping vlog featuring a young Japanese woman with straight black hair and bangs, wearing a dusty pink outdoor jacket.
Scene 1 (0–4 sec): Selfie-style vlog in a beautiful pine forest during golden hour. She smiles at the camera while holding a beige tent bag and excitedly introduces her solo camping adventure. Natural handheld camera movement, realistic facial expressions.
Scene 2 (4–7 sec): Wide cinematic shot of her setting up a beige camping tent among tall pine trees. She happily raises both hands to celebrate after pitching the tent. Warm sunlight filters through the forest.
Scene 3 (7–12 sec): Nighttime campfire scene. She sits on a folding camping chair, roasting a marshmallow on a stick. Close-up of her gently blowing on the toasted marshmallow, with realistic firelight illuminating her face.
Scene 4 (12–16 sec): She sits beside the campfire holding a glowing marshmallow, enjoying the peaceful night in the forest. Natural expressions, cozy atmosphere, realistic shadows and warm orange lighting.
Scene 5 (16–20 sec): Inside her illuminated tent at night, she smiles at the camera while holding a camping lantern. Suddenly, she hears a mysterious noise outside, opens her eyes wide, and pulls her sleeping bag up to her nose with a cute, surprised expression.
Visual style: Photorealistic live-action, 4K, cinematic depth of field, natural skin texture, realistic lighting, smooth camera transitions, authentic outdoor atmosphere, detailed facial expressions, cozy solo camping aesthetic.
Audio: Natural forest ambience, birds chirping, gentle wind, crackling campfire, subtle fabric sounds, and soft nighttime forest ambience. No background music, no subtitles, no text, no watermark.
Consistency: Maintain exactly the same woman, hairstyle, outfit, facial features, and tent throughout all scenes.
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11/12|The Odyssey:p5.js 程序化故事预告
用 p5.js 做有《奥德赛》氛围的英文故事视频,剪成一分钟内的快节奏预告,加英文字幕;可以配旁白。
需要:p5.js 代码运行、逐帧渲染/录制、剪辑和字幕;选择旁白时再接 TTS。
完整 Prompt:
Use p5.js to make an atmospheric story video inspired by the mood of The Odyssey, in English; voiceover is welcome. Turn it into a fast-cut trailer under one minute and add English subtitles.
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@elonmusk Told Grok to add subtitles. Done in seconds. Might not need Photoshop or CapCut anymore👀✨️
you can now make 10 minute editorial explainer videos with Higgsfield
research, generation, voiceover, and subtitles are all built into the skill
it works in Claude and ChatGPT, and natively in Supercomputer (with free LLM)
try it here:
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Seedance 2.0 on higgsfield
Prompt:
A photorealistic smartphone selfie vlog that looks exactly like a real mobile phone recording. A young woman (image = her face and hair) visits a cozy thrift store on a sunny afternoon, filming everything herself with a handheld smartphone in selfie mode. The video features natural hand shake, realistic autofocus, slight exposure changes, authentic smartphone stabilization, and true-to-life colors. Smiling at the camera, she says, "Today's thrift store challenge—I'm only buying the first cute thing I find!" She walks through colorful racks of vintage clothes, shelves of accessories, plush toys, and home décor until she spots a random adorable oversized hat. Laughing, she immediately tries it on in front of a mirror, making funny poses and bursting into genuine laughter at how silly she looks. She decides to buy it, walks out of the store holding a small shopping bag, proudly shows her surprise find to the camera, smiles brightly, waves, and says, "See you in the next vlog. Bye!" before reaching toward the phone to stop the recording. The video should feel completely real with natural human movement, consistent facial features, realistic hand interactions, authentic thrift store lighting, no beauty filters, no CGI, no AI-plastic appearance, no subtitles, no logos, no watermark, and no background music—only real store ambience, footsteps, quiet conversations, clothing rustling, and natural environmental sounds.
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I just created this 36-second video in just five minutes with a simple prompt using Agent Mode in Grok Imagine
All it took was a simple prompt, and it was made in just five minutes
With a single image, it can generate matching scenes from different angles, build a full visual storyline, and even add subtitles. Grok Imagine Agent is one of the best tools for visual storytelling
It's amazing how quickly you can now bring an idea to life just by expressing it in a few words
The barrier between imagination and creation is getting smaller every day
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Backrooms Full Movie in HD (Subtitles Included)