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In Germania vivono 39 mila giapponesi con solo 2 crimini commessi. In Italia vivono 330 mila cinesi con soli 7 crimini commessi. In Italia vivono 5,6 milioni di Musulmani con 3,7 milioni di crimini gravi commessi. Abbiamo importato criminali. Chest’é.😤

THE FIRST SKILL A ROBOT NEEDS IS LOOKING BACK? IT LOOKED AT HIM FIRST. THE KISS CAME SECOND. Watch its eyes before the kiss. No words, no gesture. It just looks at him, he smiles, and that is the whole introduction. After the kiss the eyes open again and it smiles. The chest is full of gears and nothing in it did that. THE CHEAPEST FEATURE IN ROBOTICS IS ONE EXTRA SECOND OF EYE CONTACT. Hundreds of robots a week are reportedly coming off the Fremont line, roughly ten times last quarter's rate, with a goal of more than a thousand a week by year end. They still can't generalise, and Tesla has acknowledged that much of what you see in demos is scripted or remotely operated. Optimus has reportedly passed 500,000 hours of training data, with a goal to roughly double that by year end. Tesla has reportedly moved people who used to annotate driving data onto Optimus and set up dedicated sites for collecting it. My read: every extra second someone spends standing in front of Optimus is another second of data, and a look is the cheapest way to earn it. What's the first thing you'd want a robot to notice about you?

code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

SOUTH KOREA'S "ANDROID TEST AREA" HAS 1 TEST: CAN YOU TELL SHE ISN'T ALIVE. THE ENGINEER CHECKS HER CHIN LIKE A DENTIST. THEN SHE SMILES AND HE FORGETS WHAT HE WAS CHECKING. Blue sign on the wall. Anatomy diagrams. A lab full of parts. Black hair. Cables down the neck. A glowing chip where the heart goes. He lifts her chin with 1 finger. Her eyes follow his. Cut. Blue hair now. Pearl earring. She laughs with every tooth showing. It's AI. @USUT in the corner. But the fantasy is specific. Not strength. Not labor. A face that reacts to being looked at. The chip in her chest glows blue. Nobody rendered a chip that does work. They rendered one that lights up when she's happy.

THIS IS GENUINELY THE MOST TERRIFYING THING I'VE EVER WATCHED they took the full wiring of a fruit fly, 166,700 neurons, and plugged it into an android hanging from the ceiling the fly it came from has been dead for years 1,000 artificial muscles, a skeleton, no face the fly brain was built for six legs and two wings this body has two legs, two arms and nothing to fly with nobody told it > minute 1, a twitch in the fingers > minute 4, the toes start curling like it's testing what it's attached to > minute 9, the knees lift one after the other, it's trying to walk on air > minute 20, someone walks underneath it and the kicking speeds up, you can hear the cables creak > minute 31, the lights go off and every muscle locks at once it found the rhythm a fly walks with and forced it onto human legs and when the lights went off, it did exactly what a fly does when a shadow passes over it, it froze and got ready to launch then came the part that made the room go quiet > it brought both hands up to its chest > started rubbing them together > slowly, over and over > the way a fly cleans itself there is no code in that body that tells it to do that it's 166,700 neurons doing what they've done for millions of years, inside a body they were never meant to have right now the cables are the only thing holding it up it learned to walk in one afternoon nobody wants to find out what it learns in a month and the next brain they're mapping is a mouse, 70 million neurons, about 400 times bigger than this one

PROMPT SHARE: AI video gets way more interesting when it stops looking like AI. #Kling# #Kling3# #KlingAI# @Kling_ai Kling can create the kind of natural movement, lighting, and detail that makes you look twice. Natural movement, believable environments, and real-looking people make the difference. Paid partnership with Kling ➜ Image Prompt: Create an ultra-realistic candid street-fashion photograph of a gorgeous young woman with striking, high-fashion model features standing on a busy narrow city street in Paris during daytime. She has an elegant oval face, sculpted cheekbones, full natural lips, softly defined brows and large expressive eyes. Her skin is completely photographic with visible pores, fine texture and subtle natural luminosity. No fake skin, no plastic skin, no excessive smoothing, no beauty-filter appearance, no CGI or animated look. Photography & Cinematography Vertical three-quarter portrait framed from approximately mid-thigh upward. Use a direct on-camera flash mixed with natural overcast daylight, giving her face and clothing a crisp foreground exposure while retaining the spontaneous character of the surrounding street. Slight compact-camera character, subtle grain, natural contrast and imperfect documentary framing. Environment Set her on a narrow, upscale Paris street lined with cream stone buildings, tall windows, understated storefronts and parked cars. Several fashionable pedestrians pass closely behind her, creating depth and genuine city activity. The street should feel busy and lived-in rather than staged. Pose She stands slightly angled toward the camera with her head gently tilted and gives the lens a soft, confident direct gaze. One hand lightly holds the strap of her shoulder bag near her chest while the opposite arm hangs naturally beside her. Her dark brunette hair is worn loose with a deep side part, soft volume and large natural waves cascading around her face and shoulders. A few imperfect strands fall forward. Outfit Create a sophisticated three-layer tonal look in cream, taupe and pale stone. Start with a fitted, semi-sheer taupe short-sleeve mock-neck top made from extremely fine lightweight knit fabric. Layer a fitted ivory spaghetti-strap camisole over it, clearly revealing the high neckline and sleeves of the sheer layer underneath. Over both, add an unusual semi-sheer pale stone fitted vest/top with narrow contrasting sage-gray trim running around the neckline and vertically down the front. Small exposed metal snap buttons fasten the front, while the translucent fabric allows the ivory camisole beneath to remain visible. The hem ends around the upper hips with subtle raw-edge detailing. Pair everything with low-rise tailored camel-beige trousers, relaxed through the hips with a clean minimal waistband and single dark button. Add a small pale sage-gray leather shoulder bag tucked beneath one arm. Keep jewelry nearly nonexistent. The finished styling should feel layered, sophisticated and quietly experimental—soft neutrals, thin fabrics, unusual proportions and effortless Paris street style captured as a spontaneous fashion photograph.