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"I thought he just pushed him... what actually happened, I guess, was a screwdriver in the guy's chest," a woman who witnessed the stabbing of a Jewish man in New York City told CBS News' @annaschecter Raul Morales, 51, has been charged with attempted murder as a hate crime, assault as a hate crime, and criminal possession of a weapon for stabbing 50-year-old Moshe Grunhaus on Thursday. Morales also faces several charges in connection with the stabbing of Chok Sung, a 57-year-old Asian man, but he is not facing a hate crime charge in this instance. Both victims are expected to survive, and Grunhaus's former Rabbi says he is "in good spirits."

The suspect accused of stabbing an Asian man in the back with a knife and a Jewish man in the chest with a screwdriver near Central Park faces multiple charges – including committing a hate crime. @AaronKatersky reports.

🫀 7 Signs Your Heart May Need Attention 1.Chest pressure or pain 2.Shortness of breath 3.Unusual fatigue 4.Swelling in your legs or feet 5. Racing or irregular heartbeat 6.Dizziness or fainting 7.Reduced ability to exercise Some heart problems develop quietly. Know your numbers. Know your risk.

A compact bag can replace overstuffed pockets and still keep your look clean. Adjust the strap for underarm, shoulder, or chest-style wear depending on your outfit and routine. Add one to your daily carry today.

离谱！打死我都想不到，有公司愿意把这种东西公开出来。 AI 视频圈最没用的就是"只放成片"，成片可以随便给人看，但工程文件是命根子。 Higgsfield 这次把 Originals 的工程文件全开源了： 每个镜头的完整 prompt、角色参考图、音频母带、生成参数，点开项目全能看。 我翻了一圈，学到了很多： 角色先做成一整套参考图锁一致性，每个镜头单独一个文件夹，哪个镜头坏了只重跑那一个。 看完你就明白了，大片是把 AI 当真剧组管出来的，写一条 prompt 等奇迹这种事从来不存在。 挑了个我最喜欢的镜头，提示词原文长这样： Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below: Prompt: Slow-motion handheld close-up, 16:9. Shaky organic handheld shot shoving in close on an older grey-haired man in a soaked white shirt and tie, chest-deep in churning green-grey flood water clutching a glass bottle, mouth open mid-shout — while all around him a dense crowd churns: a woman shoves past his shoulder, two men wrestle a floating chair behind him, someone falls backward into the water beside him sending up a slow sheet of spray, more panicking bodies wade and thrash in the background. In slow motion water explodes across the whole frame, droplets suspended everywhere. Dynamic jostling handheld movement at water level in the thick of the crowd. Sickly institutional palette — seafoam green, cream, muted teal, cold reflective water. All faces anatomically correct, stable, realistic, genuine emotion, no warping. Heavy coarse analog 35mm film grain baked into every frame, thick and consistent, grain crawling over highlights and shadows, like a scanned celluloid film print, never clean, never digital-looking. Flat overhead fluorescent light, dramatic slow-motion intensity, cinematic photorealistic, ultra-detailed.

he held world records, the fastest finswimmer alive, and the day it counted he swam the wrong direction. down into a sunken bus, in cold sewage he could not see through, pulling strangers up one at a time until the lake took the lungs that made him a champion… september 16, 1976. a trolleybus carrying around ninety-two people went off a dam near yerevan and dropped into the reservoir, sinking about ten meters down, twenty-five meters from shore. shavarsh karapetyan had just finished a 20 km training run with his brother when he watched it go under. he swam out, went down, and kicked the rear window in with his feet. the water was near black. he worked by touch, diving to the bottom again and again, bringing one body up each trip and handing it to the boat. he pulled up close to forty-six people. twenty of them lived. the reservoir was fouled with sewage. the glass cuts and the filthy water in his chest turned into blood poisoning and pneumonia, and he spent about forty-five days in a hospital bed. when he came out the lungs that had made him the fastest swimmer on earth were scarred for good. he was twenty-three, and his career was finished. here is the part that stayed underwater longer than any of them. for about six years the state said almost nothing. no headline, no ceremony worth the name. only in 1982 did a newspaper finally print what happened at the lake, and then the mail came, tens of thousands of letters from people who had never been told. there is a minor planet out past mars now, 3027 shavarsh, named for a man his own country could not be bothered to mention for six years. in 1985 he passed a burning sports complex in yerevan and went in again, and came out burned. twenty people walked off that shore alive. the man who put them there lost the lungs that made him the fastest swimmer on earth, and waited six years for anyone to say it out loud.

Bret Weinstein said something that won’t leave my head: For the first time in 300,000 years of human evolution, we removed the cost from the single biggest reward nature ever invented — sex and pair-bonding. Reliable birth control + abortion = you can now cash the evolutionary lottery ticket without paying the 20-year mortgage of pregnancy, diapers, sleepless nights, and college funds. Result? An entire generation of 18–35-year-olds walking around with the energy, libido, hormones, and protective instincts that evolution spent millions of years calibrating for child-rearing… but with zero actual children. That energy didn’t disappear. It got redirected. Heather Heying’s observation is brutal: young women especially began treating ideologies the exact way evolution wired them to treat babies. Climate change, social justice, whatever the cause of the month is — it gets defended with literal mama-bear ferocity, the same neurochemistry that once guarded a toddler from predators now guards an abstract idea from wrong think. And now Elon is promising the second shoe is about to drop: AI-driven abundance will make money as “free” as sex became in the 1970s. Both of evolution’s primary carrots — mating and resource acquisition suddenly cost almost nothing. Weinstein’s ice-cold question: When producing and protecting actual children is no longer the central organizing principle of adult life… and when creating wealth is no longer required for status, security, or attracting a mate…What is left to give a human life direction, meaning, and structure? Are we about to become a species that invents bigger and bigger dragons to slay just to feel alive? Or do we drift into total listlessness? This 3:52 clip is genuinely haunting. Watch it all the way through, then tell me — honestly — does this explain the absolute intensity we’re seeing in culture right now, or is Bret completely missing something? Real answers only. Quote-post if it hits you in the chest like it hit me.

Seednace 2 on @openart_ai Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in natural light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots. Backstage buzz and pre-show excitement underneath the casual, candid tone. Character CHASE — a Korean idol in her 20s. Long straight black hair past her chest, elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy build (33C-26-34). Wearing a stage-ready outfit (fitted top, statement skirt or trousers, bold but tasteful) with subtle stage makeup and sparkly earrings. Bright, energetic, faces the lens throughout. Setting A backstage hallway at a music show broadcast studio — narrow corridor with dressing room doors, her name printed on a small tag on one door, a snack/craft table further down the hall, a speaker mounted near the ceiling for PA announcements. Staff and other crew occasionally blur past in the background. Storyboard 1. *(~2s, front-facing selfie, arm's length)* She peeks around a corner into the hallway, leans into the lens with a bright smile. CHASE: "Hey guys, we're backstage right now!" 2. *(~2s, quick whip pan, handheld POV)* Camera swings down the corridor, passing dressing room doors, catching a blur of a staff member walking by. CHASE (off-screen, playful): "Look how long this hallway is!" 3. *(~2s, medium handheld, stopping at a door)* She pauses in front of a door with her name tag on it, points at it excitedly, does a little happy bounce. CHASE: "That's me! That's my name!" 4. *(~1.5s, macro insert, shallow DOF)* Close-up on the name tag, tape blur softening the edges, her fingers tapping it lightly. No dialogue — soft ambient hallway noise only. 5. *(~2s, medium handheld, quick outfit check)* She steps back, does a quick spin to show off her outfit, tugging at the hem, checking her look in a nearby mirror or reflective surface. CHASE: "Okay, outfit check — how do I look?" 6. *(~2s, snappy cut, at the snack table)* She wanders to the snack table, picks up a small snack, holds it up to the camera with a grin. CHASE: "Ooh, snack table! Don't mind if I do." 7. *(~1.5s, quick punch-in, tight selfie)* Mid-bite, she suddenly reacts — eyes widening — as the PA speaker crackles to life overhead. CHASE (mouth half full, laughing): "Wait, wait—" 8. *(~2s, arm's-length selfie finish)* The countdown announcement echoes over the PA. Her face shifts to excited urgency, quick wave, hand-heart, then she dashes off down the hallway — camera swings and blurs as she moves, ending on a shaky glimpse of the corridor. CHASE (calling back, excited): "That's my cue — see you guys after the stage!"

Seednace 2.0 on @flovaai Prompt: Photoshoot Break Vlog A photo studio during a break in shooting, midday. Between shots, a female idol is left alone for a moment and films a behind-the-scenes vlog on her own phone. Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots, capturing small moments during the shoot break. Eight short cuts flow together, bouncy, within one continuous space and time. Each cut follows the rhythm of a vlog: greeting → introducing the set → backdrop paper spin → water sip → pose recreation for the camera → softbox light play → laughing at a blooper → stylist calls her back to set. A light ending: excitement as she dashes back toward the camera. **Characters** CHASE — a Korean idol in her 20s. Long straight black hair (past her chest), elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy proportions at 33C-26-34. Wearing [outfit — let me know if you want the same pink slip dress or something different, e.g. a photoshoot wardrobe like a satin slip or tailored set]. Pearl-silver drop earrings. The bright, bubbly star of the vlog, filming herself facing the lens. **Storyboard** 1. Photoshoot Break Vlog (midday, indoors, handheld) A photo studio between shots. On camera left, a large roll of seamless backdrop paper, a ring light and softbox stands nearby; behind her, a monitor cart showing the last shot; on the right, a small table with her phone and a water bottle. She's alone for a moment during a break in the shoot, still in full hair and makeup, filming a vlog on her phone. Quick, cheerful handheld. (Cut 1 · ~2 sec · front-facing selfie, arm's length) She leans into the lens with a bright smile and a quick hand-heart, hair swaying into frame, catching the ring light in her eyes. CHASE: "Hi hearts, quick break!" (Cut 2 · ~2 sec · whip pan, handheld POV) Phone swings from the backdrop paper → to the softbox lights → to the monitor cart, then snaps back to her face. CHASE (off-screen, playful): "This is the set!" (Cut 3 · ~2 sec · playful spin against backdrop) She steps onto the seamless paper and does a quick twirl, arms out, laughing at herself. CHASE: "Testing my angles!" (Cut 4 · ~1.5 sec · macro insert, shallow depth of field) Detail shot: fingers brushing a strand of hair back, earrings catching the softbox glow. No dialogue — soft fabric rustle only. (Cut 5 · ~2 sec · medium handheld, phone tracking her) She recreates a pose from the shoot — chin tilt, soft hand near her face — holding it for a beat before breaking into a grin. CHASE: "That's the pose from earlier!" (Cut 6 · ~2 sec · snappy cut, close handheld) She grabs her water bottle from the side table and takes a quick sip, exhaling happily afterward. CHASE: "Okay, hydration break!" (Cut 7 · ~1.5 sec · quick punch-in, tight selfie) She glances at the monitor off-camera, laughs at something on it, covering her mouth. CHASE: "Wait, that shot was so funny—" (Cut 8 · ~2 sec · arm's-length selfie finish) An off-screen stylist calls her back to set — her eyes light up with excitement. Quick wave, wink, hand-heart, then she jumps out of frame — camera lingers half a beat on the backdrop paper. CHASE (jumping up): "Back to it! Bye~!" Want me to adjust the outfit, add a second person (stylist/photographer voice), or lock this in as the final version? #flovaai# #flovacpp#