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Pake V3.11 shipped! Package any webpage into a ~5MB desktop app with one command. Rust Tauri, 20x lighter than Electron. New: --install auto-moves to /Applications. --new-window keeps OAuth inside the app. --camera & --microphone for media permissions. --identifier for custom bundle IDs. Also fixed: Linux AppImage crash, Gemini blob downloads, ChatGPT zoom glitch. 47.3K stars:

Kaku v0.8.0 Fish 🐟 is out. A fast, out-of-the-box terminal built for AI coding, now with better shell integration and a more stable daily workflow. This release adds full Fish shell support via kaku init, including Starship prompt, Yazi launcher, theme sync, and a clean conf.d entrypoint. Background tabs now show a bell indicator when tasks finish, with optional Dock badge support so you don’t lose track of long-running jobs. Kaku also remembers your last working directory when opening new tabs or windows, making sessions feel continuous. kaku update and kaku doctor now run in dedicated tabs instead of blocking your current work. We also added a tab_title_basename_only option to simplify tab titles, fixed scrollback issues like viewport jumping during rapid output and glitches with Claude Code, and shipped a range of bug fixes and polish across window behavior, links, clipboard, SSH, and macOS stability.

El circo digital más famoso de internet da el salto al formato japonés. Se acaba de confirmar que la exitosa serie animada The Amazing Digital Circus tendrá una adaptación oficial al manga. La historia estará a cargo de sus creadores originales, Glitch Productions y Gooseworx, mientras que el arte será ilustrado por Sakura. El primer volumen saldrá a la venta en otoño de 2026. Pronto veremos a Pomni y al resto del elenco perder la cordura en blanco y negro bajo las órdenes de Caine.

Character Designs (Character Reference Sheet), adorable little boy named Tim, about 5 years old, tousled brown hair, wearing blue overalls smeared with colorful paint stains, a striped t-shirt underneath, big expressive curious eyes, a wide cheerful smile, holding a sketchbook under his arm, full body pose, whimsical watercolor and colored pencil texture, gentle illustration style for children's book. (Character Reference Sheet), a magical talking paintbrush character named Sora, anthropomorphic, the brush bristles are glowing rainbow colors and look like messy hair, the handle has a small digital screen face that shows dizzy spiral eyes or question marks, little magical sparks and playful digital glitch pixel effects float around it, floating in mid-air, cute but chaotic mischievous expression, whimsical watercolor and colored pencil texture.

🚨BREAKING: New Radar Scan Reveals a Massive Engineered Substructure That Looks Like An Energy Grid Beneath the Giza Plateau🚨 Radar engineer Filippo Biondi just dropped the most explosive finding ever reported at Giza: eight clearly man-made, tube-like structures plunging more than a kilometer beneath the Khafre Pyramid and ending in huge 80-meter chambers. The structures are obviously artificially engineered and the synthetic aperture radar Doppler-tomography technique he used has precedent in accurately predicting underground structures (in both commercial and defense use cases). The Egyptian ministry of culture is extremely afraid this finding might rewrite their history. 1) The Core Structure: Eight hollow tubes (with two symmetrical sets of four) sit directly beneath the Khafre Pyramid’s base and run straight down over 1 km into the bedrock. They terminate in a massive chamber roughly 80 meters across. The shape is engineered; nothing in geology produces structures like this. 2) The Method Used: Regular SAR can’t see through rock. Biondi uses a Doppler-tomographic approach: the satellites measure tiny vibrations on the surface, and the inversion reconstructs what’s below from how those vibrations modulate the radar signal. It’s physics, not AI. 3) Independent Replication: The same underground structures appear in data from: • Umbra • Capella Space • ISI • COSMO-SkyMed If this were a glitch or artifact, it wouldn’t repeat across four separate systems. 4) Real-World Validation: Biondi’s method has already been tested against real sites where we know the exact layout. It has: • Mapped the Gran Sasso underground lab with exact accuracy • Reproduced the Osiris Shaft down to ~37 meters • Imaged magma and voids used in active civil-protection monitoring These aren’t speculative models...they match real measurements. 5) Giza As A Unified System: After Khafre, the team scanned the rest of the plateau. Similar tube-like structures miraculously appear beneath Menkaure (a smaller 2+2 pattern) and a single descending tube under the Sphinx. The evidence points to a giant connected system beneath all three monuments. 6) The Tunnel Network: The tomography shows a dense web of tunnels running between the pyramids and toward the Sphinx. Several known surface shafts, now blocked or filled with debris, look like the original access points into this network. 7) Water As A Key Variable: The Osiris Shaft contains water at about 33–37 meters. Biondi thinks water flow is part of how the system operates, possibly tied to vibrational or informational dynamics. He cites Preparata and Del Giudice’s work on coherent water domains but avoids any “power plant” jump. 8) Academia: Biondi already has a peer-reviewed SAR/Doppler tomography paper on the Khufu Pyramid in Remote Sensing. His larger Khafre + plateau paper is now in peer review. The work sticks to hard measurements: geometry, depth, replication. 9) Next Steps: The CAF Project is preparing a proposal to: • Clear out the sealed shafts between Khafre and the Sphinx • Run direct seismic surveys to confirm the satellite data • Enter the tunnel system if Egypt authorizes it At this point, approval from Cairo is the only barrier to verifying what the scans show. If those shafts are opened, the world may be looking at a multi-kilometer engineered complex beneath Giza. Full Documentary 👇

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