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歌声最高だった🥺🩷感動😭✨話してる時と歌ってる時のギャップとニックネームが男前の一面のかっこよさと可愛さ両方見れて、幸せな時間をありがとうございました🐼💕 #Eunji# #은지# #에이핑크# #2025JEONGEUNJIBirthdayParty# #ASIATOUR# #A_Day_Of_Life_IN_TOKYO#
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MrBeast says tipping a pizza delivery driver $10,000 led to the best reaction he’s ever seen “I tipped a pizza delivery guy $10,000, he didn’t really react too much, but the next day he came back and I was like oh God, was he gonna ask for more money” “I open the door and he just started crying, he was like I didn’t even think this money was real, I just took tomorrow off work and I haven’t seen my kids in so long because I work every day, I just gotta spend a day with my daughter, this is the greatest day of my life” “I’m opening the door about to be like bro I don’t have more money, and then he hits me with that and I just 180’d so quick, better than when I give people a million dollars, nothing beats that one”
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A memorable Yoga Day across the world! Gratitude to people around the world for making International Day of Yoga 2026 a truly global celebration. It is encouraging to see Yoga bringing together people from all walks of life, across nations, in the shared pursuit of wellness and good health. May this day inspire more people to make Yoga a part of their daily lives in the times to come. #IDY2026# #YogaForHealthyAgeing#
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A day in the life of shipgirls Richelieu: ins me0w0_i Bismarck Zwei: ins stacycosmeow Sovetsky Soyuz: @Rakukoooo 2B: @makocos_la Enterprise: me #azurlane# #yostar# #ax2026#
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A day in the Life of a Japanese couple.
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MAGICMAN 2 is out There you go.. I want to share to everyone What i experienced How i honestly feel Sharing to my community what I want to say as a person And Lastly, How I recovered from everything In life We always run into chaotic situations Then we react emotionally Then we realize a lot of things that’s hard to accept At the end of the day What has been done, cant be undone We always accept it and move on with a better understanding of life The good & the bad in life It’s all meant to happen And it made who you are today live the magic, everyone. live the magic, Jackson. #MAGICMAN2# #JacksonWang# #잭슨# #王嘉爾#
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Elon Musk admitted he is not sure this one is possible. Musk: “This absorbs more of my mental energy than probably any other single thing. But it is so preposterously difficult that there are times where I wonder whether we can actually do this.” He does not talk like this. Mars gets a date. Robotaxis get a date. This gets a maybe. Stern: “What is so hard about it for just a normal person to understand?” His answer comes down to a single number. Musk: “In order to make a rocket fully reusable, you’ve got to basically create a rocket that can do about 4%, if not more than 4%, of its lift-off mass to orbit, which hasn’t happened before.” Four percent. Everything else standing on that pad is fuel, tank, and engine. The landing gear, the heat shield, the extra structure that survives reentry, all of it comes out of that same four. None of it can be left behind. The vehicle has to come home. Musk: “So that means you have to have basically A-pluses across the board: incredibly efficient engines, incredibly efficient structure.” Across the board is what makes this brutal. Most engineering lets you buy a weakness in one place with strength somewhere else. The margin here is thin enough that one component landing at merely excellent drops the whole vehicle below the line. Nothing carries anything. Musk: “But if full and rapid reusability can be achieved, it reduces the cost of access to orbit by a factor of 100 or more.” A hundred times cheaper turns nearly every question about space from whether into when. Telescopes, stations, factories, missions that never made it past a spreadsheet. Musk: “So we’ve got to get rockets to the point where we simply refuel the rocket and we don’t throw it away.” Every other vehicle humans build already works that way. Space is the one place we still build the machine, use it once, and let it fall into the ocean. Musk: “It’s the difference between humanity being a single-planet species and a multi-planet species. It’s really that big of a deal.” Now put his doubt in context. Landing an orbital booster upright was considered impossible by most of the industry. He spent years being told so while boosters exploded on barges. Those landings became routine, then boring, then unwatched. Then they stopped using legs. A twenty story booster came back from the edge of space, slowed itself, and hovered next to the tower it launched from. Two arms closed around it and took its weight in midair. Nothing touched the ground. That was a headline for about a day. He has been on this side of impossible before, more than once. Doubt from him measures how hard the thing is at the start rather than how it ends. Most people never attempt anything where failure is genuinely on the table. He found the hardest problem available and made it the center of his life. That is what real ambition looks like from the inside. Not certainty. A number nobody has ever hit, and showing up to it every morning until it falls.
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I think ambitious people should treat life in “seasons” rather than trying to balance everything every day. A few years massively overallocated to work. A period getting seriously fit. A year or two nomading. Then family takes priority for a while. Then maybe at 35 you go completely insane again and spend four years building a new company, and so on. The mistake is thinking every metric needs to stay green all the time. Most great outcomes (building a company, writing sth serious, training for an event) need uninterrupted runs, not daily moderation. Sometimes work should suffer cause you’re travelling, sometimes your social life should suffer cause you’re building, sometimes career progression should slow cause family matters more. That’s fine. And tbh it probably makes life more fun too. You get actual chapters and completely different versions of yourself instead of spending 40 years maintaining the same perfectly optimised routine. A few intense years in one city, a weird nomad phase, an obsession that takes over your life, then something completely different. Probably much more memorable than one very long well-optimised Tuesday. It's why I encourage everyone to think of balance in years, not days. A good life can look horribly unbalanced on some random Tuesday and still be very balanced over 10 years.
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He spent 21 years as an options trader, made a fortune betting on the crashes that destroyed everyone else then wrote the book that predicted the 2008 financial crisis before it happened when he was a rookie on the trading floor, a veteran grabbed him and said: "you see that guy? he made $7 million in 7 years and lost it all in 7 seconds okay kid, now you can go" "one day of your life as a trader will represent 98% of your total variation and it is not predictable" "banks make, make, make small, everybody thinks you're smart then you lose everything and it was 'a bad environment' banks lost in 2008 more than the entire history of banking, and of course they kept their bonuses" bookmark and watch every minute of this ↓
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I’d like to share that I’ll be leaving Bandai Namco at the end of 2025. With the TEKKEN series reaching its 30th anniversary—an important milestone for a project I’ve devoted much of my life to—I felt this was the most fitting moment to bring one chapter to a close. My roots lie in the days when I supported small local tournaments in Japanese arcades and in small halls and community centers overseas. I still remember carrying arcade cabinets by myself, encouraging people to “Please try TEKKEN,” and directly facing the players right in front of me. The conversations and atmosphere we shared in those places became the core of who I am as a developer and game creator. Even as the times changed, those experiences have remained at the center of my identity. And even after the tournament scene grew much larger, many of you continued to treat me like an old friend—challenging me at venues, inviting me out for drinks at bars. Those memories are also deeply precious to me. In recent years, I experienced the loss of several close friends in my personal life, and in my professional life I witnessed the retirement or passing of many senior colleagues whom I deeply respect. Those accumulated events made me reflect on the “time I have left as a creator.” During that period, I sought advice from Ken Kutaragi—whom I respect as though he were another father—and received invaluable encouragement and guidance. His words quietly supported me in making this decision. Over the past four to five years, I’ve gradually handed over all of my responsibilities, as well as the stories and worldbuilding I oversaw, to the team, bringing me to the present day. Looking back, I was fortunate to work on an extraordinary variety of projects—VR titles (such as Summer Lesson), Pokkén Tournament, the SoulCalibur series, and many others, both inside and outside the company. Each project was full of new discoveries and learning, and every one of them became an irreplaceable experience for me. To everyone who has supported me, to communities around the world, and to all the colleagues who have walked alongside me for so many years, I offer my deepest gratitude. I’ll share more about my next steps at a later date. Thank you very much for everything. 【Postscript】 Although I will be leaving the company at the end of 2025, Bandai Namco has asked me to appear at the TWT Finals at the end of January 2026, so I expect to attend as a guest. For 30 years I kept saying, “I’ll do it someday,” and never once performed as a DJ at a tournament event. So instead, I will be releasing—for the first and last time—a 60-minute TEKKEN DJ-style nonstop mix (DJ mix), personally edited by myself, together with this announcement. Listening to it brings back many memories. Thank you again, sincerely, for all these years. ‘TEKKEN: A 30-Year Journey – Harada’s Final Mix’ by Katsuhiro Harada 1 is on #SoundCloud# December 8, 2025 - The Final Day of TEKKEN’s 30th Anniversary - Katsuhiro Harada [日本語版 (Japanese version)] このたび、2025年末をもちまして、私はバンダイナムコを退職することにいたしました。 長く携わってきた『鉄拳』シリーズが30周年という大きな節目を迎え、ひとつの区切りとして最もふさわしい時期であると考えたためです。 私の原点は、日本のゲームセンターや、海外コミュニティの小さな講堂やコミュニティセンターで、まだ小規模なトーナメントをサポートしていた時代にあります。 アーケード筐体を自ら運び込み、「鉄拳もぜひ遊んでみてほしい」と声をかけながら、目の前の参加者と向き合った日々。 あの場で交わした言葉や空気が、私という開発者の核を形作りました。 時代が変化しても、あの経験が自分の中心にあります。 そしてトーナメントシーンが大きく成長した後も、皆さんは旧知の友人のように私に声をかけ、会場で対戦したり、バーで『一緒に飲もう』と誘ってくれました。 それらもまた、大切な思い出です。 ここ数年間、私生活においては友人達との死別があり、仕事においては、私が尊敬する多くの先輩方の引退や逝去に触れてきました。 そうした出来事の積み重ねが、私に『開発者として残された時間』について考える契機を与えました。 その過程で、私がもう一人の父親のように敬愛する久夛良木健さんにも相談し、貴重な助言と励ましのお言葉をいただきました。 この言葉もまた、今回の決断を静かに後押しするものとなりました。 そして、この4〜5年をかけて私の担ってきたすべての業務やストーリーや世界観、そして責務をチームに段階的に引き継ぎ、今日に至ります。 振り返れば、VR作品(サマーレッスンなど)や『ポッ拳』、ソウルキャリバーシリーズをはじめ、自社他社問わず数多くのプロジェクトに携わる機会に恵まれました。 いずれのプロジェクトも新しい発見と学びに満ち、かけがえのない経験となりました。 これまで支えてくださった皆様、世界中のコミュニティの皆様、そして長年ともに歩んできた仲間たちに深く感謝申し上げます。 次の歩みについては、改めて皆様にお伝えいたします。 これからも、どうぞよろしくお願いいたします。 +あとがき 2025年末をもって退職致しますが、2026年1月末のTWT FINALには顔を出してほしいと会社からお願いされていることもあり、FINALにはゲストとして顔を出すと思います。 これまで30年間『いつかやるよ』と言い続けてやってこなかったトーナメントイベントでのDJですが、その代わりとして“最初で最後のDJ風60分ノンストップ鉄拳ミックス(私による初編集DJ mix)”も、今回のポストに合わせて公開します。 ‘TEKKEN: A 30-Year Journey – Harada’s Final Mix’ by Katsuhiro Harada 1 is on #SoundCloud# 様々な思い出が蘇ります。改めて皆さんありがとうございました。 2025年12月8日 - 鉄拳30周年最終日 - Katsuhiro Harada
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