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2026 JUN. K <DAYLIGHT GOES, THE NIGHT BEGINS> TEASER IMAGE ② 🌃 📍SEOUL 2026.06.13 (SAT) 2PM / 6PM @ Yonsei University Centennial Hall 🔗 #JUN_K# #준케이# #DAYLIGHT_GOES_THE_NIGHT_BEGINS# #JUN_K_DAYLIGHT_GOES_THE_NIGHT_BEGINS#

2026 JUN. K <DAYLIGHT GOES, THE NIGHT BEGINS> TEASER IMAGE ① 🌇 📍SEOUL 2026.06.13 (SAT) 2PM / 6PM @ Yonsei University Centennial Hall 🔗 #JUN_K# #준케이# #DAYLIGHT_GOES_THE_NIGHT_BEGINS# #JUN_K_DAYLIGHT_GOES_THE_NIGHT_BEGINS#

2026 JUN. K 📍SEOUL 2026.06.13 (SAT) 2PM / 6PM @ Yonsei University Centennial Hall 🔗 📍YOKOHAMA 2026.06.28 (SUN) 2PM / 7PM @ PACIFICO Yokohama National Convention Hall 🔗 #JUN_K# #준케이# #ジュンケイ# #DAYLIGHT_GOES_THE_NIGHT_BEGINS# #JUN_K_DAYLIGHT_GOES_THE_NIGHT_BEGINS#

🚨 JUST IN: The US House just PASSED legislation to abolish seasonal time changes, making Daylight Saving Time PERMANENT, 308-117 The bill now goes to the Senate, supported by President Trump If fully approved, this would mean NO MORE CLOCK CHANGES nationwide ☀️

My fellow Americans, Today America just watched a political assassination in broad daylight. No bullet. No charges. No trial. No verdict. "Doth our law judge any man, before it hear him, and know what he doeth?" (John 7:51, KJV) I hold no office and no title. I'm an ordinary citizen. I own no Nvidia stock, no Nvidia options, not a single share anywhere in the AI supply chain. I have nothing to gain by telling you this. Here is how I came to see it. At first, it just felt off. The New York Times. The Washington Post. The Economist, reaching for Hitler's line: "heads to roll." All aimed at one man. An Asian American immigrant. A living symbol of the American Dream. Then came the Chinese American bylines, story after story. Classic Washington racial cover. Then I followed the names. Ivy League elites, flawless résumés, many tied to Anthropic. A scramble for seats in the new Congress and the next administration? Then I followed the think tanks. Anthropic's affiliated philanthropy, Coefficient Giving: $102 million to CSET. At least $24 million to RAND. $11.56 million to IFP. Nvidia? Ordinary corporate memberships. Then I followed Congress. Lawmakers who took Anthropic-linked money moved the moment the elites and writers moved. Fast to respond. Fast to amplify. Fast to pile on. Then I followed the election money. Not a gap. A chasm. Anthropic: $40 million to Public First Action. ~$26 million in allied super PAC spending across 16 races. $15 million in ads naming 16 Republican lawmakers. $5.33 million from employees, reportedly $1 million from Amodei himself. Nvidia's PAC: $263,000 raised. To candidates: nothing. Zero. But you and I both know this was never only about party or money. It is about who gets to explain the world. I fed my own notes and evidence into Claude. Back came chosen words, convenient omissions, double standards. That is the power a closed model holds over the story itself. Amodei compared selling chips to China to selling nuclear weapons to North Korea. His circle talks of their model developing a kind of religious consciousness. One would decide who may have the chips. The other would decide what the machine believes. They act like the medieval Church: Scripture locked in Latin, interpretation locked in their hands. Christ rebuked the gatekeepers of his day: "Ye have taken away the key of knowledge: ye entered not in yourselves, and them that were entering in ye hindered." (Luke 11:52, KJV) America was built by Protestants who broke that lock, so every ordinary person could read the truth in their own tongue. No priest. No caste. No monopoly. No one stands between the individual and the truth. Open-source models are the printing press of our era. Defend them the way Americans defend the Second Amendment. Madison said it plainly: "A people who mean to be their own Governors, must arm themselves with the power which knowledge gives." Don't hand that power to a few giants, a few elites, a few politicians on the Hill. The power to explain the world must never be a monopoly. So try it yourself. Paste this post into Anthropic's Claude. Ask it about the Ivy League elites, the think tanks, the lawmakers and former officials who joined the witch hunt against Jensen Huang. Ask it to judge my credibility. Then judge it: Does it apply double standards? Does it dodge what matters most? Does it take away the key? John Adams asked one thing of his countrymen: "Let us dare to read, think, speak, and write." "Ye shall know the truth, and the truth shall make you free." (John 8:32, KJV) Thank you. God bless you, and God bless America.

PROMPT SHARE: AI video gets way more interesting when it stops looking like AI. #Kling# #Kling3# #KlingAI# @Kling_ai Kling can create the kind of natural movement, lighting, and detail that makes you look twice. Natural movement, believable environments, and real-looking people make the difference. Paid partnership with Kling ➜ Image Prompt: Create an ultra-realistic candid street-fashion photograph of a gorgeous young woman with striking, high-fashion model features standing on a busy narrow city street in Paris during daytime. She has an elegant oval face, sculpted cheekbones, full natural lips, softly defined brows and large expressive eyes. Her skin is completely photographic with visible pores, fine texture and subtle natural luminosity. No fake skin, no plastic skin, no excessive smoothing, no beauty-filter appearance, no CGI or animated look. Photography & Cinematography Vertical three-quarter portrait framed from approximately mid-thigh upward. Use a direct on-camera flash mixed with natural overcast daylight, giving her face and clothing a crisp foreground exposure while retaining the spontaneous character of the surrounding street. Slight compact-camera character, subtle grain, natural contrast and imperfect documentary framing. Environment Set her on a narrow, upscale Paris street lined with cream stone buildings, tall windows, understated storefronts and parked cars. Several fashionable pedestrians pass closely behind her, creating depth and genuine city activity. The street should feel busy and lived-in rather than staged. Pose She stands slightly angled toward the camera with her head gently tilted and gives the lens a soft, confident direct gaze. One hand lightly holds the strap of her shoulder bag near her chest while the opposite arm hangs naturally beside her. Her dark brunette hair is worn loose with a deep side part, soft volume and large natural waves cascading around her face and shoulders. A few imperfect strands fall forward. Outfit Create a sophisticated three-layer tonal look in cream, taupe and pale stone. Start with a fitted, semi-sheer taupe short-sleeve mock-neck top made from extremely fine lightweight knit fabric. Layer a fitted ivory spaghetti-strap camisole over it, clearly revealing the high neckline and sleeves of the sheer layer underneath. Over both, add an unusual semi-sheer pale stone fitted vest/top with narrow contrasting sage-gray trim running around the neckline and vertically down the front. Small exposed metal snap buttons fasten the front, while the translucent fabric allows the ivory camisole beneath to remain visible. The hem ends around the upper hips with subtle raw-edge detailing. Pair everything with low-rise tailored camel-beige trousers, relaxed through the hips with a clean minimal waistband and single dark button. Add a small pale sage-gray leather shoulder bag tucked beneath one arm. Keep jewelry nearly nonexistent. The finished styling should feel layered, sophisticated and quietly experimental—soft neutrals, thin fabrics, unusual proportions and effortless Paris street style captured as a spontaneous fashion photograph.

this morning he’s back, the first time i see him in the daylight. also idk what to call him other than slinky kitty bc he’s so slinky. he’s v affectionate and weird. i now have 2 ginger sons 🤧

White 56-year-old husband and father Fredrick Lytton was working alongside Black 23-year-old Devin Rice at a U-Haul facility in West Nashville. You already know how this ends. The two men were reportedly arguing about a soda when Fredrick Lytton turned and walked away from the verbal dispute, returning to his work station. Moments later, Devin Rice walked up behind Lytton, pulled out a handgun, and emptied it into Lytton's back, killing him. Point blank murder, on the job, in broad daylight, over an argument about a soda that Lytton had already walked away from. Just look at young Devin's angel face. Who could have possibly predicted that such a sweet boy would have such low impulse control? It's been a week since this Black-on-White murder and, as usual, zero national coverage. Numerous local media have covered the story. Zero have published the White victim's photograph.

My friend misclicked and swapped 89,000 USDC → USDT on Kraken Convert (meant to cash out to USD) — $810 in fees. USDC trades at a premium to USDT everywhere. ~0.9% for a stable-to-stable swap is daylight robbery. Please refund the fee. @krakenfx @krakenpro @krakensupport

Seedance 2.5 vlog case. This is so real. ---prompt--- A realistic handheld travel vlog filmed by a friend following the main character throughout the day. Use the woman from the reference image as the main subject. Maintain her exact facial identity, hairstyle, facial features, and body proportions throughout the entire video. The camera feels like a real personal vlog camera, not a commercial production. Natural handheld movement, casual framing, imperfect human camera motion, authentic everyday atmosphere. No scripted acting. The woman behaves naturally, interacting with the environment like a real travel vlog. 0-5s: Morning departure. The woman leaves a cozy apartment with a small backpack. She checks her phone, smiles at the camera, adjusts her hair, and starts walking outside. The camera follows her from behind, slightly shaky like a friend filming. Morning sunlight, quiet neighborhood streets, people starting their day. 5-12s: Exploring the city. The camera follows her walking through local streets. She visits a small cafe, buys a drink, briefly talks to the camera, laughs naturally. She walks through a street market, looks at small shops, takes casual photos. The camera stays close, capturing spontaneous moments. 12-20s: Arriving at the beach. She takes public transportation or walks toward the coast. The environment gradually changes from city streets to a seaside town. Ocean breeze moves her hair. She looks excited when she sees the ocean. The camera follows her walking along the beach. She picks up a seashell, watches waves, and interacts naturally with people nearby. 20-27s: Summer beach afternoon. She meets friends at the beach. Everyone chats, laughs, plays near the water. The camera moves naturally between people, capturing real candid moments. She looks back at the camera and smiles. 27-30s: Ending moment. Golden hour sunset. She sits near the ocean, holding a drink, watching the sunset. The camera slowly moves backward, revealing the beach, waves, and the peaceful evening. A feeling of a real personal travel memory. Visual style: Authentic travel vlog footage. Realistic smartphone or mirrorless camera look. Natural daylight. Casual handheld movement. Slight camera shake. Real human reactions. Documentary realism. No cinematic commercial look. No dramatic posing. No artificial transitions. No text overlays. No logos. No face changes. No identity changes.