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【#DRAWME# リリイベ詳細📢】 6月14日(日)14:00開演 @ららぽーと立川立飛2Fイベント広場 当日10:00〜イベント広場でCDをご購入の 先着1,000名様に「優先エリア入場券・限定ステッカー」をお渡しします！🎁 ※会場の混雑緩和の為、商品優先購入整理券を発行いたします 詳細はツリーで要チェック！👀

【3/21土 19:00公開】 今夜の配信は #DRAWME# 集合トーク💖 仲が良すぎるメンバーに それぞれの「凄いところ」と 「直して欲しいところ」を聞きました👂 しかし「これからの活動実際どうする？」 というテーマで涙の展開に!?😭 #森脇梨々夏# #福留光帆# #みりちゃむ# #二瓶有加# #立野沙紀# #風吹ケイ#

Everyone is here！！ Hololive En 2nd Council! My partners are perfect🥺 More photos later 🎲⏳🪶🪐🌿 Baelz @gu_lu_cos Sana @GALRita3 Kronii @wei07134643 Fauna @SAWA57656 Mumei @Yuichyan_ 📷 凱凱 #holoCouncil# #illustrayBAE# #FineFaunart# #galaxillust# #drawMEI# #kronillust#

I've storyboarded on some big films. There's no "sanctity of the art" on a film. Infact most of your drawings end up in the trash. They are entirely disposable pieces of working media designed to communicate an idea. The art is in sequence design, not drawing. You ABSOLUTELY want to streamline this process. You want to empower sequence designers with the simplest and fastest method of keeping characters on model, and iterating ideas. You want to empower storytellers, not just "good drawers". The fact that people who can "draw good" are the only ones let into the room that defines the cultural narrative of humanity is a grave injustice. The stories that need to be told aren't only the stories of those with a mastery of drawing. Everyone's story deserves to have the opportunity to be told. Storyboarding isn't primarily art, but language. And language belongs to everyone. For reference, here's one of Scorcese's own boards. No one could accuse it of being art, yet it served as a functional blueprint for what would become a great film. AI allows more filmmakers to work faster, iterate more quickly and communicate to collaborators at a higher fidelity.