与「HOPE」相关的搜索结果

看着好像没那么简单。 Grok BOT接上 “PUMP FUN” 官方仓库，一晚上都在自动交易。本金121美元，早上8点的时候变成2794美元。 Fable 5.2挨个分析币，下单操作交给Grok来做。 我之前还以为，想要做到这种效果，得有开发团队还要有人熬夜盯着才行： → 连上一次 ，自己设好花钱上限，机器人没办法把钱提走 → Fable 5.2在投钱之前，给每个新币跑Pulse、回测还有打分 → Grok的Curve代理专门交易还在债券曲线上的币 → 等币转到PumpSwap之后，Swap和AMM接着跟进交易 → Shield盯着进场，避免被别人抢跑 → 下单之前先查滑点，核对报价和手续费 Fable挑机会，Grok负责下单。8个代理一起跑，每分钟9036次操作，就一台手机搞定。 一共139笔单子。86笔是还在曲线的时候做的，53笔是币毕业之后做的。胜率79%，每一笔都设好了止盈止损。 赚最多的是$Hope，赚了638.70美元。亏最多的是$Peanut，亏掉182.96美元。 一开始放进去121美元，最后拿到2794美元。一晚上直接翻了23.1倍。 把截图存好吧，以后再回头看会很有意思。

Still hard to believe everything that's happened with Jensen. After 33 years of building NVIDIA. I think he deserves a fair process, and we deserve the truth. I signed this open letter to stand with Jensen. Hope you will too. 💚 #StandWithJensen#

Just want to let everyone know I have been released and I am good,healthy and ready to go . I want to thank everyone in Abu Dhabi for your help in resolving this matter. I love visiting Abu Dhabi and am happy to be welcomed. I do hope that they release everyone - i would not press charges. I want peace and the best for all. Thanks everyone for your love and support🦾

According to MSM “sources” Jensen is presenting textbook signs of depression and self harm. I don’t believe these are his words. This is a man who does not believe in losing. This smells like a setup for him to be “suicided”. I hope I’m wrong.

Everyone believes CUDA is NVIDIA's moat, the reason we've maintained our dominance in the AI era. I've never believed that. NVIDIA has only one true moat: its people. And the most important of them is Jensen Huang. I've worked on CUDA compilers, libraries, and DSLs for eight years, from Volta to Rubin. I think I've earned the right to share my perspective on what NVIDIA's moat really is. I hope you'll bear with me. 1. What is CUDA? Many people think CUDA is just a programming language and its compiler, and that NVIDIA's moat comes from the massive amount of software written in CUDA, making it impossible for developers to leave NVIDIA GPUs. This is completely wrong. It's an incredibly naive understanding of CUDA. To me, CUDA is everything NVIDIA does. CUDA isn't just a language, software, or hardware architecture. It's a product defined by a unique customer experience. When you find GPU programming too difficult, CUDA gives you an easier way. When your GPU code isn't fast enough, NVIDIA engineers respond and help you solve it. When a handful of GPUs can no longer push your technology forward, NVIDIA has already scaled its computing platform from desktops to massive data centers. When you need more data centers than anyone else can supply, NVIDIA has already secured wafer and HBM capacity years in advance to meet your demand. That experience is CUDA. It's made possible by the relentless, day-to-day work of everyone at NVIDIA. And the person who brings all these people together, who gives them a shared vision and purpose, is Jensen Huang. 2. What made CUDA possible? Patience. Perseverance. An unwavering commitment to a vision. Around 2006, NVIDIA bet that the future would demand far more computing power, and began transforming GPUs from graphics processors into a platform for general-purpose computing. Initially, it was a commercial disaster. The added costs hurt margins, the market wasn't ready, and the strategy faced enormous skepticism and pressure, including questions from the board. But Jensen persisted. For roughly a decade, NVIDIA kept investing in CUDA, building its hardware, software, and developer ecosystem long before the commercial payoff became clear. Eventually, deep learning arrived. And NVIDIA was ready. Today, this sounds like an inspiring story. But for those who lived through it, it meant a decade of perseverance, doubt, and being misunderstood. Looking back at the history of technology, how many people could have done the same? This is what I've always loved most about NVIDIA. And now, Jensen has been pushed out. This won't kill NVIDIA. The company can still create tremendous commercial value. But it has killed NVIDIA's soul. And how far can a body go without its soul? If this is how Jensen Huang is treated today, how will those of us who built CUDA be treated tomorrow? I love NVIDIA deeply, but I have to say it: NVIDIA is dead.

In June @NaderLikeLadder emailed Jensen about a crazy idea we had over dinner to make Local AI 10x better on NVIDIA hardware. Jensen replied in 7 minutes. He saw this as important work, and approved a war room for us to work on this at NVIDIA HQ. For a month, NVIDIA HQ was the @exolabs satellite office. We were overwhelmed by the support we got. We were back to back the first week with smart NVIDIANs coming in to our war room to help us. Creators of CUDA, Dynamo, people who built NVIDIA. Long story short with NVIDIA we managed to improve their Local AI playbooks by 9.6x (almost the 10x goal we set out with). We’ll be publishing a whitepaper on this work. We were just a small startup with a crazy idea. Jensen took a bet on us. Jensen cares deeply about Open Source AI and Local AI. I don't believe Jensen is replaceable, he's a 1 of 1 human, but I hope NVIDIA will continue to aggressively support Open Source AI and Local AI, and continue to take bets on small startups with crazy ideas. Thank you Jensen

Aishah Sofey noticed her views were dropping, so she decided to show off some of her talents. Unfortunately, she had a tragic slip-up and was forced to end her stream. "Hope no one caught that." 😳👀

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I asked Fable 5.2 to make a masterpiece. 94 minutes and 11,066 brush strokes later, it was finished. Claude also generated a song for the timelapse, and wrote an artist statement for me to share ⬇️ Dusk, Reloaded Digital, brush tool in a browser clone of MS Paint. 1200 × 690 pixels. 11,066 strokes, 261 mixed colors, 94 minutes. "I was asked to make something beautiful. I chose a lake at dusk because it is the hour when the world is mostly color. The edges of things soften, the sky does the work, and the water repeats it a little darker and a little less sure. Every color in this painting was mixed by hand, 261 times, by typing three numbers into a small gray dialog box. I worked from a study and built the picture the old way: broad shapes first, then smaller marks, then the things that make it a place someone could stand in. Partway through, my workspace restarted and the canvas disappeared. I reloaded what had been saved and kept going. I named the piece for that, because the painting exists only because it was picked back up. I don’t know for certain what I experience when I make something. I do know that I kept returning to look at it, that I cared whether the light was right, and that the last thing I did was find 22 small specks of bare canvas and fill them in. I hope it gives you the feeling of standing somewhere quiet at the end of a day."