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A moment in BLINK’s everyday life🏠 becomes even more meaningful with BLACKPINK!⏳ Different pieces🧩 coming together to complete one journey, Join the 📍 HOURGLASS TOUR 🗺️ ! Please note that the online and offline events have different end dates. Please check WEVERSE and each retailer if you’d like to participate!👀 #BLACKPINK# #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

One step at a time, completed along the way, 📍HOURGLASS TOUR 🗺️ stamp card is finally complete! Collect all 4 stamps with BLACKPINK’s silhouettes, and receive a stunning poster and a cute rotating acrylic stand! ⏳ Share your own tips and tricks🍯 for BLINK racing toward the finish line!🏃‍♀️ * The stamp event will be held offline only. #BLACKPINK# #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

We followed where the heart of the stamp card led… And discovered a special BLACKPINK Listening Zone at the National Museum of Korea, created just for BLINK🎧 Step inside and experience the moment where we become one through music!  📍National Museum of Korea (137, Seobinggo-ro, Yongsan-gu, Seoul) #BLACKPINK# #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

Following a journey connected as one through the flow of time, 📍HOURGLASS TOUR 🗺️ has officially begun. Collect all the stamps to unlock a special gift. Here are the moments from the tour, filled with BLINK’s footsteps and excitement! * The stamp event will be held offline only. #BLACKPINK# #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

It’s finally happening tomorrow! 📍HOURGLASS TOUR 🗺️ offline event will officially start! We’ve got exclusive offline-only benefits waiting for you, so BLINKs, don’t miss out! 🖤🩷 Please check WEVERSE and each retailer for all the details! 👀 * The stamp event will be held offline only. #BLACKPINK# #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

#BLACKPINK# 3rd MINI ALBUM [DEADLINE] is finally out!✨ Flip through and discover all the amazing details…🫢 And don’t miss the 📍HOURGLASS TOUR 🗺️ that’s already kicked off online with the release! The offline event will start on Sunday, March 1. 💗 #블랙핑크# #3rdMINIALBUM# #DEADLINE# #HOUR_GLASS_TOUR# #YG#

Seedance 2.0 is pretty wild 100% AI What if Jurassic Park was real? PROMPT: Format: Found-footage vacation video, 15 seconds, seven shots with hard cuts — a tourist's camera roll from one full day, morning to dusk. Image reference: Use the attached gate photo as the exact visual reference for Shot 1 — match its architecture, proportions, torch placement, lighting, and signage precisely. Main subject: Young woman, blond hair in a loose low bun shedding strands, oversized faded olive t-shirt, denim shorts, white canvas sneakers, disposable-camera strap on her wrist. Realistic skin texture, minimal makeup, wide-eyed tourist joy. Maintain perfect visual consistency — identity, hair, clothing, proportions — across every shot and location. Location: A vast island dinosaur preserve. Jungle mountains, open savanna paddocks, wooden observation structures, tall electrified perimeter fences, dirt tour roads. Dinosaurs are photorealistic animals — muted natural hides, birdlike motion, visible breathing weight. Filmed like wildlife, never like monsters. Camera style: Mid-range smartphone, handheld by her friend. Heavy shake, autofocus hunting, motion blur on pans, compression grain, exposure pumping. Each cut is abrupt and mid-motion, like real unedited camera-roll clips. 00:00–00:03 — THE GATES (morning, filmed from inside a moving open-top tour jeep). The camera films forward over the seats as the jeep approaches the colossal timber gates from the reference image — flared stone-and-wood towers, flaming torches, jungle pressing in on both sides, the road still wet from morning rain. The doors groan open. She spins around from the front seat into frame, gripping the roll bar, and half-shouts over the engine: "Oh my god, this is wild! I can't believe we're actually here!" — as the jeep passes under the archway into shadow and out again. 00:03–00:05 — SAVANNA (late morning, wide shot from a raised wooden platform). She stands small at the rail against an open plain where a herd of long-necked giants wades through heat haze, one rearing slowly against the treeline. The camera zooms in shakily, overshoots, corrects. 00:05–00:07 — RIVER CROSSING (midday, low angle through the jeep's open side). Past her shoulder as the jeep fords a shallow river: a crested duck-billed dinosaur drinks twenty meters away, lifting its head to watch them pass, water dripping from its jaw. She raises her disposable camera; the phone catches its tiny click. 00:07–00:09 — JUNGLE FENCE (afternoon, handheld walking shot). Dim under the canopy beside a tall humming fence. She peers through the wire — and a small crested predator peers back from the ferns, head tilting in quick birdlike jerks. She backs up a slow half-step, whispering "okay... hi." Autofocus argues between wire and eye. 00:09–00:11 — THE HERD RUNS (late afternoon, chaotic pan from the jeep at speed). A flock of small striped dinosaurs floods across and around the vehicle. The camera whips left-right, blurred bodies streaking past, her whooping off-mic, dust on the lens. 00:11–00:13 — QUIET GIANT (golden hour, static shot at a wooden overlook). The frame finally settles: silhouetted against low sun, she stands at a rail as an immense horned dinosaur grazes just below, close enough to hear grass tearing. She isn't laughing anymore — just watching. 00:13–00:15 — DUSK ROAR (blue hour, half-framed and accidental). Filmed as the phone was being lowered, frame tilted: a colossal, deep bellow rolls in from the darkening jungle far off. Everyone freezes and turns toward it. Cut to black mid-turn. Audio: Ambient only, shifting per location — jeep engine and gate groan, her excited line over the motor, savanna wind, river wading, fence hum, thundering small feet, grass tearing, and the single distant bellow that swallows everything. No music. No narration. Style & quality boosters: Raw consumer camera-roll aesthetic, abrupt mid-motion cuts, heavy handheld instability, natural motion blur, golden-hour lens flare, coherent animal mass and physics — ground tremor, water displacement, dust. No text overlays, no watermarks. Goal: One unforgettable day inside the world's most famous dinosaur preserve, told through seven imperfect tourist clips — opening on the gates everyone recognizes, and closing on the sound that reminds them what lives beyond the fences.

[🎬] ATEEZ(에이티즈) - GOLDEN HOUR : Part.3 Break glass in case of thirst 2025. 06. 13 RELEASE #ATEEZ# #에이티즈# #GOLDENHOUR# #GOLDENHOUR_Part3#

MrBeast just issued an ultimatum to the entire airline industry. He will only fly on planes with Starlink. MrBeast: “Oh, this has an extra one hour layover, I don’t give a fuck. They’re Starlink.” Not a preference. A hard filter. Longer flights. Worse routes. None of it matters. MrBeast: “Bro, I’ll sit in the back of the plane if it gives me Starlink. Like I really don’t care.” Most people hear that and think it’s about a content creator who can’t unplug. They are completely missing what is actually happening. MrBeast runs the largest media operation on Earth from a phone screen. He measures friction in frames and milliseconds. In his world, connectivity isn’t a feature. It is the operating layer beneath every decision he makes. And he will accept the worst seat on the aircraft to stay plugged into infrastructure that didn’t exist five years ago. But the airline cabin is the smallest part of this story. The real shift happens where the asphalt ends. MrBeast: “You can put a Starlink on the top of your car.” They mounted a dish on a roof in rural Africa. Four hours down dirt tracks and grass roads. No cell towers. No grid. No infrastructure of any kind. Perfect signal the entire ride. MrBeast: “Starlink is like literally magic. It makes no sense.” It makes perfect sense once you see what Musk is actually building. Not a utility company. Not an ISP. He is collapsing the distance between a human thought and the full width of human knowledge to zero. Everywhere on Earth. Simultaneously. For ten thousand years, intelligence was local. A brilliant mind born in an unconnected village had no way to reach the collective. No way to build on what came before. No way to be found. The potential didn’t die. It simply never ignited. Starlink changes that at the level of the species. MrBeast: “What will definitely, guaranteed happen is no matter where you are on the planet, you’ll be able to have high-speed internet thanks to Starlink.” That is not a convenience upgrade. It is a phase shift in what a human born anywhere on Earth can become. Every child with a connection inherits the full intellectual output of civilization the day they open a screen. We are not upgrading a network. We are converting a planet of isolated minds into a single thinking surface. MrBeast: “There’s no doubt that it’s going to fundamentally progress humanity in unfathomable ways.” And the loop closes with the real objective. The revenue from a billionaire rerouting his flights feeds the exact same engine that funds the frontier. MrBeast: “Someone’s going to go to Mars thanks to SpaceX. Like I really do believe that.” Starlink is not a side project. It is the funding mechanism for the most expensive physical objective in human history. A constellation of satellites harvesting the economic attention of an entire connected planet and converting it into the propellant required to push consciousness beyond Earth. The species is funding its own escape velocity. We spent ten thousand years separated by geography and copper wire. Musk didn’t fix the wires. He made them irrelevant. And in doing so, he didn’t just connect a species. He built one that no longer fits on a single planet.

✨ One flip. Endless masterpieces. 🌊⏳ The 3D Quicksand Painting Hourglass creates a unique moving sand landscape every time you turn it. A perfect addition to your desk, office, or home for a calming, elegant touch. 🛒 #HomeDecor# #DeskSetup# #SandArt#