与「Ray」相关的搜索结果

50 Sites That Show What Billionaires Buy and Read for Free🤯 1.) → Current portfolios of famous investors 2.) → Quarterly fund trades 3.) → Stock transactions of US politicians 4.) → Executives' own company stocks 5.) → Making fund filings readable 6.) → Companies' official reports 7.) → Buffett's letters since 1977 8.) → Video archive of Buffett meetings 9.) → Howard Marks' investor memos 10.) → Research from Ray Dalio's firm 11.) → Dalio's principles for free 12.) → Jeremy Grantham's market notes 13.) → Quantitative fund research 14.) → Damodaran's valuation data 15.) → Valuation professor's blog 16.) → Morgan Housel's money writings 17.) → Mental models for decision-making 18.) → JPMorgan's free market guide 19.) → Innovation-focused fund research 20.) → Venture capital essays 21.) → Value investing lecture notes 22.) → Columbia's value investing archive 23.) → Fed's economic data archive 24.) → Fed decisions and statements 25.) → European Central Bank data 26.) → Reports from the central bank of central banks 27.) → Countries' economic indicators 28.) → Companies' long-term charts 29.) → Company financials for free 30.) → Companies' market cap rankings 31.) → Stock screener and heat map 32.) → Portfolio backtesting 33.) → Charts and market analysis 34.) → Professional market screener 35.) → Company activity reports archive 36.) → SEC's investor education site 37.) → Passive investing encyclopedia 38.) → Financial terms dictionary 39.) → Free finance guides 40.) → CFA research publications 41.) → Fund and stock evaluations 42.) → Companies' visual analysis 43.) → Archive of selected investment theses 44.) → Seeing what's inside funds 45.) → European fund backtests 46.) → Investment writings with data 47.) → Market history notes 48.) → Investor psychology writings 49.) → Explaining the economy with charts 50.) ourfiniteworld? → (see note) The rich don't hoard information. They just don't tell you where it is. Save it, follow @Liyana_Coder you'll need it. Not investment advice. @Liyana_Coder

एक महिला अस्पताल पहुंची पेट में तेज़ दर्द की शिकायत लेकर जाँच के बाद डॉक्टर ने X-ray करवाया रिपोर्ट आई तो डॉक्टर काफी देर तक स्क्रीन को घूरता रहा फिर उसने दूसरे डॉक्टर को बुला लिया। महिला से रहा नहीं गया, बोली डॉक्टर साहब कुछ गड़बड़ है क्या? डॉक्टर ने कोई जवाब नहीं दिया बस इमेज को ज़ूम किया और महिला की तरफ़ मुड़कर बोला "मैं आपसे एक बात पूछूँगा क्या हाल के दिनों में आपकी भूख में कोई बदलाव आया है? क्या आपको लगातार भूख लगती रहती है?" महिला हैरानी से सिर हिलाया हाँ डॉक्टर ने गहरी साँस ली और बोला "X-ray में जो दिख रहा है वो आपके पेट दर्द की वजह हो सकता है लेकिन पहले हमें आपसे कुछ और सवाल पूछने होंगे।" यह सुनकर महिला जैसे जम गई😳 1/2 👇

Meta 给 Ray-Ban 智能眼镜加上签名校验， 研究员却只改了一个字节，又把它关掉了。 他先逆向 Meta AI App，拿到完整固件，再利用旧版系统不校验 DAT 应用签名的问题，把自签名 APK 装进眼镜。 设备没有屏幕和日志，他干脆用不同次数的“哔声”调试，最后通过 Wi-Fi Direct 拿到应用权限下的 Shell。 Meta 随后补上签名验证，但控制开关来自手机转发的配置。眼镜只检查格式，不验证内容有没有被篡改。改掉一个字节，自签名应用再次运行。 我觉得真正值得警惕的不是“眼镜被黑”，而是安全边界放错了位置：门锁得再结实，钥匙开关还能被改，也没用。 这需要控制配对手机和相关 App，并非远程一键入侵；问题已提交 Meta，研究员推测现已修复。

Noruega ya tiene más de 2.000 robots láser de IA submarinos disparando piojos de su salmón los hace una empresa llamada Stingray, y ya protegen más de 50 millones de salmones y truchas las 24 horas del día la razón son los piojos de mar, parásitos diminutos que se pegan al salmón y se alimentan de él con tan solo 11 se puede matar a un pez pequeño, y un solo corral puede tener 150.000 salmones la solución habitual es bombear los peces y lanzarles agua caliente o chorros de agua para quitarles los piojos pero el manejo es tan brusco que el informe de salud de peces de Noruega lo señala como la principal causa de muerte en el salmón de granja adulto así que en cambio, Stingray mete un robot dentro del corral que caza piojos de uno en uno, todo el día: > dos cámaras vigilan cada salmón que pasa nadando > la IA revisa dos fotogramas para asegurarse de que realmente es un piojo > entonces un láser verde dispara desde hasta 2 metros de distancia > las escamas del salmón reflejan el rayo, así que el pez sigue nadando bien y el piojo muere ahora vivimos en un mundo donde los láseres de IA hacen control de plagas en tu cena lmao

255M views on a 3D Short by Zack D. Films i tried to rebuild his style with ONE Claude prompt, then ran it on Opus 5.5 and Fable 5.2 (they did NOT make the same Short) the full prompt is below ↓ paste it into Claude Code in an empty folder and answer its 2 questions. it shows u the script and waits for ur go. u need Blender + its free MPFB add-on and a graphics card. give it a few hours (the prompt is minus one optional paid-voice line) Ask me 2 things, then wait: 1. The story in one line: a strange TRUE event where one person did one odd physical thing ("He tied 42 weather balloons to a lawn chair."). If I say "you pick", pitch 3 with one source link each and take the first unless I choose. 2. The voice. Default: Kokoro (free, runs on my computer), a calm, warm male narrator. Then tell me everything else is free: Blender (find my install, or tell me the one download), its free MPFB extension for human bodies (ask me before you install it) and into this folder a Python venv with FFmpeg (imageio-ffmpeg), kokoro-onnx + its model files (kokoro-v1.0.onnx and voices-v1.0.bin from the kokoro-onnx GitHub releases), faster-whisper (small.en), numpy and Pillow. It needs no API key or account and renders on my graphics card with EEVEE. The look: a clean, realistic 3D world, like a good game cutscene. Bright, saturated, a little filmic. - People: realistic bodies with generic faces and big readable expressions (shock, a smirk, a scream). Plain clothes, no logos. Never a real person's likeness: for a real person keep the face out of close-ups (hands, back, side, distance, straight top-down). - CALM shots only. Bodies in fast action or contact (running, jumping, fighting, falling) look stiff, so tell the story with frozen moments under a slowly moving camera, macro inserts of hands and objects, rooms, vehicles, the sky, top-down views and the aftermath. - One new picture for every caption chunk (2-4 words, about 1-1.5 s): a new framing, a new action or a camera move. Nothing ever holds still: every shot drifts, pushes in or orbits. - The shot kit: macro insert (extreme close-up of the key object or hands, very shallow depth of field), hero low angle (wide lens at waist height), god's-eye top-down with a slow rotate, tracked object, over the shoulder, smash zoom on the word that matters, whip pan between beats, glow highlight (the named object glows orange with a rim, then fades), a big 3D number lying in the scene, a thought bubble (a cloud ring showing what he hoped for), a TV in the scene replaying the event. - Light: a bright warm sun, blue sky with clouds, soft shadows. Night scenes use hard lamps and a dark sky. Wide lens up close, depth of field on every shot, motion blur on every fast camera move. - Captions: 2-4 words at a time, white bold rounded sans, about 64 px on a 1080 px-wide frame, centred, 78% down the frame, soft dark shadow, no box. Each chunk replaces the last on the same frame as its picture. - Banned: real footage, photos, downloaded textures or 3D models, logos, AI images or AI video, downloaded music, gore. 38-50 s, 100-140 words, 150-180 words a minute. The voice starts at 0.0 s. - Line 1: the most surprising physical act, in past tense, opening with "He" (or "She"). No name, date or setup. Frame 1 shows that act. - Then a cause-and-effect chain: every sentence starts with a hinge word (Then, Suddenly, So, Because, But, Later) and is ONE visible action. - The context arrives late, after "You see,". - A reveal: someone looks closer and the story turns. - The last line is the consequence. No call to action, no question. - Names are rare: use one only when it pays off. Title = "He ..." or "The Man Who ...". The cover is the first frame. Save every stage to disk so a crash never costs more than one stage. - sources.md: every fact with its link and the date you read it. Anything you can't verify stays out. - script.json: the lines and the caption chunks cut by hand (2-4 words, one picture each), each chunk with its shot: the set, the camera, what moves. - Kokoro reads the whole script in one take (speed 1.0-1.1) and pauses are squeezed to 0.35 s at most; faster-whisper times every word (pass it a 16 kHz numpy array, not a path); write chunks.json with each chunk's start and end. A picture and its caption switch together on frame round(start*30)+1. - blender/: Python scripts run headless (blender -b -P). makes one .blend with the sets, the cast, the props and every shot baked with a key on every frame. sets EEVEE with ray tracing, the AgX view with the Punchy look, motion blur, depth of field and bloom in the compositor. Bodies come from MPFB or are built by you; clothes, hair, props and sets are built in code. - Stills first: one half-size still per shot as a contact sheet. Look at every tile and fix what's off before any full render. Time one full-size frame and tell me the estimate. - Render 1080x1920 at 30 fps to PNG frames, skipping frames already on disk. - numpy only: a light music bed, a sound on every action (a whoosh on each whip pan, hits, wind, room tone), ducked under the voice, mastered to -14 LUFS on the whole stereo mix. - burn the captions in from chunks.json. Encode out/_9x16.mp4 (1080x1920, 30 fps, TV-range yuv420p) and out/_x_7x8.mp4 (1008x1152, under 10 MB, 2-pass): a crop of the 9:16 frame that keeps the subject and the caption. - Blender paths: pass absolute output paths (a relative one lands on the drive root). - MPFB headless: enable it with addon_utils.enable("bl_ext.user_default.mpfb"). Bake a body's shape keys before you pose it: the rig is fitted to the baked shape. - Clothes: cut them from the body mesh and push them 7-16 mm out along the normals; keep two rings of body faces under every hem. - Nothing coplanar: keep every resting object 1 cm off its neighbour and draw ground markings into the texture, or they flicker. - Hair: EEVEE draws hair only from a Curves object, hair type STRIP. Use a Principled BSDF on it (the Hair BSDF renders black). - Skin: keep subsurface weight near 0.2 (more turns faces black in EEVEE) and add a soft fill light from below under a noon sun. - Hands: a curled hand reads as a claw from the palm side, so shoot a grip from behind the knuckles. - Motion blur: shutter position START, a key on every frame, plus a key half a frame after each shot's last frame, so blur never reaches across a cut. - Check: run a black-frame and one-frame-flicker check on the render. Make a contact sheet (a frame every 0.5 s) and look at every tile: the act reads in the first 2 s, faces are lit, nothing clips through anything, captions stay off faces and key objects. Then step through the first 2 s, the middle and the end frame by frame. Fix, render only the changed shots again. Pitch (or take my story), then show me the script with the word count, the caption chunks with their seconds and the shot list with what the first frame shows. Build nothing until I say go. how the two runs went: one run each on the same PC, so it's one sample, not a ranking. both took under 3 hours on one shared 8 GB graphics card. the story for both: a man who tied 42 weather balloons to a lawn chair in 1982 where they split: -> Opus opened wide on the balloons over the yard. Fable opened on the man kneeling at the chair with his Jeep behind him -> Opus put 5 big 3D numbers in its scenes, Fable 2 -> Fable followed the caption spec (white text, soft shadow). Opus went ALL CAPS with a thick outline -> Fable pulled the Smithsonian's own record and ended on the chair in the museum. Opus ended on the $1,500 fine -> a few Opus shots are hazy and one opens on a blank grey frame save this for ur next Short. who did it better, Opus or Fable?

code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

Some things can only be tested in space — like how the hardware holds up to solar events, cosmic rays, or bitflip errors caused by radiation — which is why we’re putting our first TPUs in orbit.

每个币买了都有它的逻辑在内。 想清楚到底是大众的逻辑还是自己编辑的逻辑。 想明白买的逻辑，能不能令大众来fomo。 以前没什么人埋伏小市值alpha+合约的币，大家习惯性看见山寨拉盘都去空，所以会有做市商来强控盘爆空军。 而经历过最近大半年的洗礼后，一大堆人开始埋伏所有的下一个“妖币”，所以你会看见人人买了“我他妈来了”“4”等等alpha+合约的低市值的，等着爆量拉升。 然后来了，每次拉升都有人跑，完全没人做空也是搞笑，然后多军把多军给割了😂。 而反观大市值的，每次买，说服自己的逻辑后，想一想会不会让大众也一起加入“逻辑”中。 例如 $UNI 的阀门打开后，600年回购，还有 $PUMP 印钞机，还有 $RAY 收益于 $SOL 交易量大增等等。 当然故事都先信浇给后信。 现在问题来了，物总1.2喊我ray我已经卖飞了😭。 @MetaHunter168 。 我只有被套和卖飞，钻不住一点🤮

🔥 UZX 现货涨幅榜 TOP5｜10月6日 1️⃣ ZRO +10.22% 2️⃣ FIL +8.41% 3️⃣ RENDER +6.33% 4️⃣ RAY +5.80% 5️⃣ NEAR +5.23% 主流：BTC ≈ $86.1k · ETH ≈ $2,713 · SOL ≈ $120 数据：CoinLore（24h · 市值排名≤150） ⚠️ 市场快照，不构成投资建议 #UZX# #Crypto# #涨幅榜#