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Les principales étapes de la visite de cheikh Mohammed Alissa @MhmdAlissa, Secrétaire général et Président de l’Organisation des savants musulmans, en République islamique du Pakistan.

The Savannah Leprechauns are coming to Enmarket Arena! ☘️ The Indoor Football League added Savannah and four other teams ready to play next season in March 2027🔥 @WSAV @Joey_B_Lamar @IndoorFL @SavStateTigers

Hayden Panettiere gone too soon today at just 36 years old 😔 The actress and voice performer best known for Heroes, Nashville, and the Scream franchise, has passed away at just 36. Her representative confirmed her death in a statement, remembering her as someone who brought tremendous joy to those who knew her and millions who watched her onscreen. Panettiere began acting as a child and built a career that crossed television, film, animation, and video games. Her best-known roles included: • Claire Bennet — Heroes • Kirby Reed — Scream • Juliette Barnes — Nashville • Kairi — Kingdom Hearts • Samantha “Sam” Giddings — Until Dawn • Dot — A Bug’s Life • Britney Allen — Bring It On: All or Nothing • Gen Harwood — Ice Princess • Kate — Alpha and Omega • Sheryl Yoast — Remember the Titans For gaming fans especially, her performances as Kairi and Sam made her voice and likeness part of two beloved franchises outside her Hollywood career. Rest in peace, Hayden Panettiere.36 is far too young. Her characters will continue to be remembered across television, movies, animation, and gaming. 🕊️

🚨#BREAKING#: A Savannah-area DA is preparing to DROP ALL CHARGES against 3 Black men accused of BRUTALLY beating a man at a gas station. Internal documents cite a “lack of evidence” to move forward… There’s just one problem: THE ENTIRE INCIDENT WAS CAUGHT ON CAMERA.

Dream job unlocked 🤩 Africa abounds with breathtaking landscapes, from soaring sand dunes to savannas teeming with wildlife. An extraordinary place that many of our Explorers get to call their office. #NatGeoQueens# is streaming on @DisneyPlus and @hulu.

Beaucoup disent en off que le système globaliste est vraiment à deux doigts de tomber. Même eux savent que c'est bientôt la fin. Ils ont tout le monde contre eux : – les peuples ; – les vrais entrepreneurs, ceux qui créent de la valeur nette ; – les chiffres l’Argentine les dérange profondément ; – la perte du contrôle du discours et du narratif, qui érode encore davantage leur emprise. Bref, je n’ai jamais été aussi optimiste pour l’avenir de l’Europe et de l’Occident. Nous allons vivre une renaissance exceptionnelle de la civilisation occidentale.

Stephen A. Smith was HEART-BROKEN after his daughter Samantha told him that she won’t let him live in her house when he’s older & she plans to put him in a Nursing Home instead 😭💔 “In my house?? With my kids? And my car? And my husband & my pool? In my guest room?” “I’m just your Dad. The one that made it all possible.” “I would love you from a distance Dad. You know I love you from a distance.” 🤣

Seedance 2.0 is pretty wild 100% AI What if Jurassic Park was real? PROMPT: Format: Found-footage vacation video, 15 seconds, seven shots with hard cuts — a tourist's camera roll from one full day, morning to dusk. Image reference: Use the attached gate photo as the exact visual reference for Shot 1 — match its architecture, proportions, torch placement, lighting, and signage precisely. Main subject: Young woman, blond hair in a loose low bun shedding strands, oversized faded olive t-shirt, denim shorts, white canvas sneakers, disposable-camera strap on her wrist. Realistic skin texture, minimal makeup, wide-eyed tourist joy. Maintain perfect visual consistency — identity, hair, clothing, proportions — across every shot and location. Location: A vast island dinosaur preserve. Jungle mountains, open savanna paddocks, wooden observation structures, tall electrified perimeter fences, dirt tour roads. Dinosaurs are photorealistic animals — muted natural hides, birdlike motion, visible breathing weight. Filmed like wildlife, never like monsters. Camera style: Mid-range smartphone, handheld by her friend. Heavy shake, autofocus hunting, motion blur on pans, compression grain, exposure pumping. Each cut is abrupt and mid-motion, like real unedited camera-roll clips. 00:00–00:03 — THE GATES (morning, filmed from inside a moving open-top tour jeep). The camera films forward over the seats as the jeep approaches the colossal timber gates from the reference image — flared stone-and-wood towers, flaming torches, jungle pressing in on both sides, the road still wet from morning rain. The doors groan open. She spins around from the front seat into frame, gripping the roll bar, and half-shouts over the engine: "Oh my god, this is wild! I can't believe we're actually here!" — as the jeep passes under the archway into shadow and out again. 00:03–00:05 — SAVANNA (late morning, wide shot from a raised wooden platform). She stands small at the rail against an open plain where a herd of long-necked giants wades through heat haze, one rearing slowly against the treeline. The camera zooms in shakily, overshoots, corrects. 00:05–00:07 — RIVER CROSSING (midday, low angle through the jeep's open side). Past her shoulder as the jeep fords a shallow river: a crested duck-billed dinosaur drinks twenty meters away, lifting its head to watch them pass, water dripping from its jaw. She raises her disposable camera; the phone catches its tiny click. 00:07–00:09 — JUNGLE FENCE (afternoon, handheld walking shot). Dim under the canopy beside a tall humming fence. She peers through the wire — and a small crested predator peers back from the ferns, head tilting in quick birdlike jerks. She backs up a slow half-step, whispering "okay... hi." Autofocus argues between wire and eye. 00:09–00:11 — THE HERD RUNS (late afternoon, chaotic pan from the jeep at speed). A flock of small striped dinosaurs floods across and around the vehicle. The camera whips left-right, blurred bodies streaking past, her whooping off-mic, dust on the lens. 00:11–00:13 — QUIET GIANT (golden hour, static shot at a wooden overlook). The frame finally settles: silhouetted against low sun, she stands at a rail as an immense horned dinosaur grazes just below, close enough to hear grass tearing. She isn't laughing anymore — just watching. 00:13–00:15 — DUSK ROAR (blue hour, half-framed and accidental). Filmed as the phone was being lowered, frame tilted: a colossal, deep bellow rolls in from the darkening jungle far off. Everyone freezes and turns toward it. Cut to black mid-turn. Audio: Ambient only, shifting per location — jeep engine and gate groan, her excited line over the motor, savanna wind, river wading, fence hum, thundering small feet, grass tearing, and the single distant bellow that swallows everything. No music. No narration. Style & quality boosters: Raw consumer camera-roll aesthetic, abrupt mid-motion cuts, heavy handheld instability, natural motion blur, golden-hour lens flare, coherent animal mass and physics — ground tremor, water displacement, dust. No text overlays, no watermarks. Goal: One unforgettable day inside the world's most famous dinosaur preserve, told through seven imperfect tourist clips — opening on the gates everyone recognizes, and closing on the sound that reminds them what lives beyond the fences.