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🚨 URGENT : menace d'enlèvement en France, besoin de la commu crypto FR J'ai reçu une info sérieuse : des personnes prévoient d'enlever, dans les prochaines heures, le propriétaire du wallet Ethereum wooooooow.eth 0x5231E31C3ca39DD94fF56beCB662Ea50bC4Da7D1 On ne connaît ni son nom ni sa ville. Impossible de le prévenir directement. Les autorités sont en train d'être alertées. Si tu connais cette personne, ou si tu reconnais ce nom ENS (Discord, DeFi, Convex, Aave, staking), préviens-la tout de suite en privé : • rester dans un endroit sûr • ne pas ouvrir à des inconnus • appeler le 17 ou le 112 À toi, propriétaire de wooooooow.eth : ce n'est pas une arnaque. Aucun lien, aucun DM, aucun argent demandé. Protège-toi et contacte la police maintenant. Merci de RT pour que le message arrive jusqu'à lui. @PoliceNationale @Gendarmerie @prefpolice @PowerHasheur @CryptoastMedia @coinacademy_fr @Ledger @zachxbt

My mom fed a homeless man behind our house for 20 years. Three meals a day, even when we couldn’t afford electricity. I hated her for it. The day after her funeral, that same man took my hands, looked me straight in the eyes, and said: “Before she died, she begged me to stay silent.” I honestly had no idea what he was talking about. For 20 years, this man had lived in a makeshift shelter behind our rental house. My mom brought him breakfast, lunch, and dinner. Every single day. And the crazy thing was, we were poor too. My sneakers had tape covering the holes. Sometimes we struggled to pay our bills, and there were days when we couldn’t even afford electricity. But somehow, my mother always found enough food to feed him. I never understood it. I remember coming home two days before Christmas and finding a yellow eviction notice taped to our front door. We were struggling to keep a roof over our heads, yet my mother was still preparing three meals a day for a stranger. That night, I finally lost my temper. Me: “Maybe if you stopped feeding strangers, we wouldn’t live like this!” My mom turned around so quickly that I knew I had crossed a line. Mom: “Don’t you ever DARE say that again.” I had never seen her that furious before. I didn’t understand why she was defending him so strongly when her own child was going without things. I moved out when I turned 18. We fought less after that, mostly because I stopped asking questions. But the man stayed. Year after year, his little shelter remained behind our house, and my mother continued feeding him. Then my mom got sick. Cancer made her small. She became quiet, and it was the kind of quiet that scares you because you know something terrible is happening. Two weeks before she died, she reached out and grabbed my wrist. Her grip was so weak that it broke my heart. Mom: “Promise me you’ll keep feeding him.” I looked at her. Honestly, I wanted to say no. I wanted to ask why she was still worrying about that man when she was the one who needed help. But you don’t lie to a dying mother. So I promised. My mom eventually passed away. The day after her funeral, I prepared the best meal I could, put it on a plate, covered it with foil, and drove to her house. I had promised her I would keep feeding him. But when I got there, the man was gone. His shelter had been completely cleared out. Everything was gone. The ground had even been swept clean, as if those 20 years had never happened. I stood there holding the warm plate, wondering where he could have gone. Then I noticed something. A black SUV was parked at the curb. Standing beside it was a man wearing an expensive wool coat. He was clean-shaven, well-dressed, and looked nothing like the homeless man I had known for 20 years. But the thing that caught my attention was what he was holding. My mother’s old silver locket. The same locket she had told me she lost when I was eight years old. He looked at me and said: Man: “I thought you wouldn’t come.” I stared at him. Me: “Wait… is that you? What’s going on?” He smiled, but his expression was unsteady. His eyes were already filling with tears. Man: “Your mom hid something from you.” I felt my stomach tighten. Me: “What did she hide?” He looked at the plate in my hands before responding. Man: “Before she died, she begged me to stay silent.” My blood went cold. Me: “Silent about what?” He gently shook his head. Man: “Sit down. You shouldn’t hear this standing in the cold.” We sat on the front steps. The plate was still warm between us. He turned my mother’s silver locket over in his palm as though it might break. Then he began telling me something I never could have imagined. Man: “My real name is Vernon Hale. Before all this, I owned a company. I had a big house in Connecticut, a wife, and a little girl. My daughter was six years old.” I just stared at him.

🇧🇷 In 2018, Brazilian footballer Daniel Corrêa Freitas (24) sent these selfies to his friend on WhatsApp as he lay beside a married woman while she slept. The following day, Daniel’s corpse was discovered in remote woodland. He’d been stabbed multiple times, his throat slit, and his penis cut off. Daniel was attending the 18th birthday party of Allana Brittes, the daughter of Cristiana, the woman in the photos. The celebration continued into the early hours. At some point he entered the parents’ bedroom, lay down next to the sleeping mother and took the photos as a “joke” When Cristiana’s husband, Edison Brittes Jr, returned home he found them in his bed. Edison and several other men dragged Daniel from the bed, beat him, threw him in the trunk of a car, and drove him to the woods where he was killed. Edison was arrested and sentenced to 42 years in jail.

Five suicide attempts couldn’t kill her. An HIV diagnosis was supposed to finish the job. Instead, she walked into a body modification studio and started cutting away everything that made her human. Both ears. 32 teeth. Her nose. She split her tongue, implanted 18 horns into her skull, and covered every inch of skin in scales. Today she goes by “it” - and says she’s never been happier. Her full name is Eva Tiamat Baphhomet Medusa. The world calls her the Dragon Lady. She calls herself “the world’s most modified transsexual.” Before any of this, she was Richard Hernandez - a vice president at a bank in Texas. She grew up in Bruni, a town of 300 people near the Mexican border. As a freshman in high school, she walked up and down the streets screaming “I’m gay” at the top of her lungs in one of the most machismo regions in the country. “Closets are for clothes and tennis shoes,” she says. At 18, she left for Houston. Fresh from a town with no skyscrapers, she didn’t know you couldn’t trust just anyone. Two men raped her. She doesn’t hate them. “I’m not them,” she says. She became a banker. Built a career. Then came the HIV diagnosis, which later progressed to AIDS. She left the bank to take care of her health and nearly died. That’s when something shifted. “I decided I’m not going to die looking like a human,” she told Soft White Underbelly. “Being human has been such a negative part of life.” She spent over $60,000 on body modifications. Not with doctors - with body modification artists. She was the fifth person in the world to get horns implanted into her cranium. She was the first person ever to have both ears surgically removed for cosmetic reasons. She had her testicles removed and plans a full penectomy. “I will be a genderless dragon,” she says. “That’s what dragons are.” Her son hasn’t spoken to her since the transformation. She did some of the modifications specifically so he could see what his father was becoming. “His weird-looking, strange, used to be a man, is now a woman, is now a reptilian, dad,” she says. She was abandoned in the woods as a child by her birth parents. She denounced them in favor of a snake. She tried to take her own life five times before the transformation gave her a reason to stay. “My transformation is by and large what saved my life after five failed suicide attempts,” she says. “I am truly happy for the first time in my life.” She prefers the pronoun “it.” Just like a snake. She swallows food whole because she only has six teeth left - representing the mouth of a rattlesnake. Sirens drive her crazy because without ears, everything sounds louder. She makes cotton candy for the neighborhood kids, and her neighbors say her energy is “the most gentle and pleasant” they’ve ever been around. In the video below, you can see Tiamat sitting across from the interviewer with her full-face scale tattoos, horn implants, and no ears, calmly describing how she eats, why she removed her teeth, and the moment she decided to stop being human. Some will say she’s mentally ill and needs help, not a body modification studio. Others will say she found the only thing that kept her alive when nothing else could. If removing every trace of your humanity is what finally made you happy - were you ever really human to begin with?

code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

🚗☁️Traffic and Weather on the 4's... and Poems! Misty Mountain Departure | Burlington, Vermont🌄 Before dawn, the first cars move quietly through Burlington and toward the Green Mountains. Delivery trucks follow the lake roads while early commuters leave town beneath dark ridgelines. A cool veil hangs over Lake Champlain, with mist gathering above the water and slipping between the foothills. The air carries damp stone, fallen birch bark, woodsmoke, and the faint sweetness of apple peel from roadside orchards. Mist drifts low across the lake, silver roads begin to wake. Birch leaves scatter… pale and light, morning rolls beyond the night.☀️🌄🚦 #PoeticCommute# #grok# #animation# #TrafficAndWeather# #Poetry# #Travel# #art#

"Just because Ken Paxton made some bad personal decisions doesn't mean I have to put my face in a wood chipper and vote for people who have gone plumb crazy!" -- @ScottJenningsKY