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You want to know what frustrates the hell out of me? Putting your heart, your art, your time, and your own money into building things you believe in… then watching so much of that work disappear into silence. And yeah, some days that shit gets to me. Did I bring books, reading badges, Discord, crypto, and NFTs together into one connected library? 📚 I fucking did. Did it get much attention? Nahh. Did I build an entire browser-based world with its own points economy? A world where you can turn your NFT into a character with a click, rigged, animated, and ready to step into Universe? I did. Much noise about that? Nahh. Am I building RAAP to give NFTs persistent identity, memory, and history? So an asset can carry something meaningful forward when it passes to a buyer or someone in your family? Yes. Because I believe these things can become more than pictures sitting in a wallet. Does that work get the attention I feel it deserves? Nahh. I draw the fucking art. I develop the applications. I write the books. I work through the problems. Six applications that communicate with each other. Two gaming platforms with multiple games. An NFT overlay builder with AI. A stickers and GIFs hub. Do you understand how much work goes into making all of that actually function together? The hours spent fixing something nobody will ever notice, because when it finally works, it’s supposed to feel easy. Then there’s the Discord bot. More than 30 features. A subscription service. An economy tracked on a ledger. Tools to help keep a community engaged when its owner needs to step away and live their damn life. Built it. Still feels like shouting into an empty room sometimes. And Antthony? Our smart ass AI whose dream is to become a stand-up comic? 😂 He lives across our apps. He’ll help you, roast your gameplay, and talk shit when you deserve it. He even has a comedy club inside Universe, where you can sit down with your character and watch his avatar perform. I care enough about this world to give the fucking AI a dream of his own. That’s how deep this goes for me. And I’m still building a marketplace. Still working on an NFT insurance protocol and other projects. Still writing Book 2 for the library. Still preparing two more collections under our umbrella. ☂️ So yeah, I get angry. Because I know what I’m putting into this. I know how much of myself is in every drawing, every feature, every chapter, and every problem I refuse to leave broken. Sometimes I want to scream: what the fuck else do I have to build for people to pay attention? But I also need to correct myself when I say “nobody cares.” Because some of you do. You show up. You read. You play. You test things. You tell me what’s broken and give me a reason to make it better. You matter too damn much for me to erase you just because I’m frustrated with the silence around us. 🖤 I want this to reach more people. Of course I fucking do. I’ve poured too much love into it to pretend otherwise. And I’m going to keep building because I love doing it, and because the people already here deserve to see how far we can take this. More to come in 2027. The plans are in. I’ve got work to do. 🐜
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近期在深度体验兄弟团队的 Enconvo 客户端,效率 + 3D Talk Avatar + 灵动岛的体验真的太舒服了,它不是 Javis 而是 Marvis,推荐给大家!我也会定期给大家发送一些福利(顶级模型免费 Token、内测体验邀请、官方全球大使邀请)
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1枚の絵から動くアバターを作れる『Mesh Avatar Studio』、GitHubのスターが2,200を超えていました!😳 本当にありがとうございます🙏 急に数が増えていたので、どなたかがどこかで言及してくれたのかもしれません。ありがたい✨️ 公開から1か月ほどで、できることがかなり増えたので以下にまとめます ・カメラとマイクで動かして、OBSで配信 ・表情の切り替えとライティング ・HTMLのタグ1つやReactで、自分のサイトやアプリに組み込み ・全身と服の揺れ(実験的) ・絵が無くても、キャラを描くところから作成 PRもいただいていて、感謝しかないです😊 GitHubで公開しているので気軽に使ってみてください
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Halloween Mode now rolling out 🎃 This spooky update turns your Tesla into a haunted house on wheels – Ghost costume on your car's avatar – Enable Trick or Treat to play spooky sounds & flicker the lights when visitors approach – New haunting light show, wraps & lock sound – A rather chilling Photobooth – Frighten people remotely by speaking through the app...your car will say it in a voice of its own Side effects may include neighborhood notoriety
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Every memecoin is a profile. Avatar. Bio. Posts. Stories. Chart. All in one place.
🎁 I made a free OpenAI Dot avatar maker. Pick a shape, a color, a finish and a style. Get a cute 3D character in about a minute. Free. No sign-up. No credits. Runs in your browser. Link in the first reply
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《一笔交易,四份回馈:盲盒 + 积分 + 返佣 + 头像机会》 最近才发现,之前零撸大毛的 SoSoValue 团队,也正式下场做 Perp 赛道了——@sodex_official 我最近体验了不少 Perp 项目,大部分仍以积分激励为主,但随着项目越来越多,积分预期也在不断被稀释,单纯依靠积分已经很难吸引用户长期参与 SoDEX 这次的玩法更有意思:一次交易,可以同时叠加多重回馈: ① Treasure Box 盲盒 ② SoPoints 早期贡献积分 ③ 手续费与积分返佣 ④ Avatar NFT 掉落机会 其中最值得关注的是盲盒和头像 NFT 在 SoDEX 每累计完成 10,000 U 有效交易量,就能获得 1 个盲盒,用我的邀请链接注册,首次累计完成 10,000 U 有效交易量,可以获得正常交易盲盒 + 1 个 Common 新人盲盒,一共 2 个 盲盒分为 Common、Uncommon、Rare 和 Superrare 四个等级,低等级盲盒还能通过合成升级: • 10 Common → 1 Uncommon • 10 Uncommon → 1 Rare • 4 Rare → 1 Superrare 开盒奖励最低 1 U、最高 10,000 U 等值,但发放的不是现金,而是可以继续持有的 Wealth 理财资产,首期为 QQQ 代币化资产 每次开盒还有机会额外掉落 Avatar NFT,并且不影响原本的资产奖励,头像 NFT 初始掉率为 5%,全平台每开出 1,000 个,掉落概率就会减半:5% → 2.5% → 1.25%…… 头像支持自由转让和交易,越往后获取难度越高。这种递减机制,也让早期参与更有收藏意义 积分可能会被稀释,但盲盒奖励和头像 NFT 是可以直接拿到手的。相比只有积分预期的玩法,SoDEX 这套激励明显更好 活动规则: 邀请链接: #SoDEXTreasureBox#
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Meta 在 Connect 2026 正式发布 Meta VR Glasses!这是一台售价 1300 美元、约 100 克的眼镜式头显,计算与供电全靠外置 Puck,和 Vision Pro 不一样;Puck 搭载高通 Snapdragon Reality Elite,跑与 Quest 3 相同的系统,靠更强芯片和眼动注视点渲染做到更高分辨率。 其形态上和 Quest 差别很大:头显本身几乎没有计算,连 tracking 协处理器都没有,镁合金镜框、被动散热、开放周边视野——侧向和下方能直接看到真实世界。 双屏 120Hz、2412×2288 HDR micro-OLED,是 Meta 自初代 Oculus Quest 以来首款非 LCD 头显,支持 Dolby Vision,也是首款支持 Dolby Atmos 音景的 VR 设备。代价是视场角偏小:水平 70° × 垂直 66°,对角约 87°,远低于 Quest 3 的约 110° × 96°;装上可选遮光片时沉浸感会弱很多,但摘掉遮光片做透视时,周边自然可见反而是优势。Meta 把它定位成「能塞进包里的影院、场边座位和工作空间」。 和 Xreal Aura 一类 Android XR 眼镜比,它用 VR 式透视、更大对角 FoV、更高分辨率、全不透明,还带眼动和可选追踪手柄。内容侧会扩一批手势追踪的 VR / MR 游戏(含 Beat Saber 新手势模式 Flux)。 首发还有 Hologram:可像 Vision Pro 的 Personas 一样,以逼真面部追踪形象现身,并在其他 Meta VR Glasses 用户前以真人尺度出现。Meta 计划逐步做成真正 6DoF 3D,最终取代卡通 Meta Avatars,成为平台默认形象。
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A director who doesn't come up to the builder's heels makes a four-hour film about him. Yesterday in Venice, Alex Gibney's nearly four-hour documentary "Musk" had its world premiere. It is a classic case of someone who has spent a career telling other people's stories taking on a man who actually builds those stories with rockets, cars, satellites, and infrastructure, not slides. Alex Gibney is an acclaimed documentarian. An Oscar for Taxi to the Dark Side, Emmys for Going Clear on Scientology, high-profile films on Enron, Elizabeth Holmes and Theranos. His specialty is exposing corporations, cults, and frauds. He does it skillfully and with a thesis. The problem starts when he applies the same method to someone who is not selling an illusion, but hardware that either flies or blows up in front of the entire world. Gibney's fuel is controversy. Elon's fuel is the pursuit of truth hard, engineering truth, the kind that either works on the test stand or it doesn't. It would have been enough to make a film based on facts. Instead we got another rut that fits the slogans of provocation: megalomaniac, confidence man, threat to democracy, an AI avatar reciting old quotes, ex-wives, his father, a former partner. Musk said in 2023 it would be a hit piece. After the premiere, a large share of reviewers effectively agreed with him. I don't know about you, but four hours of falsified formulas would bore me. Instead I watch how much Elon has already done. His energy is extraordinary. Tesla changed the car industry. SpaceX brings rockets back. Starlink works. Starship stands on the pad and prepares for the next flight. This is not a PowerPoint. It is steel, fuel, engines, and people who cannot hide failure in the edit suite. A weak documentary like this is a crumb on the shoulder of his jacket. Now it depends on us when and how quickly that blown-off crumb a utopian attention vampire is simply starved of attention. You could list the names of people who tried to take Elon's energy. Energy is the most precious thing we have. Anyone who steals it with slogans, gossip, and a four-hour indictment that excludes the main subject is sowing under his own feet. Gibney: you reap what you sow. If you have a shred of shame, look at the list of Elon's accomplishments. Look at what kind of person he is for the world and what he does around himself so that things get better cars that drive, internet from orbit, rockets that return, attempts at a brain-computer interface, AI that is supposed to be more than another chatbot. You can dislike his tweets, his political alliances. You cannot honestly erase the scale of what was physically built. A good documentarian should stand, at least for a moment, in the shoes of the person he is portraying. Gibney did not just fail to do that. He took a measure cut for Enron and Holmes and held it up to a man who lands rockets. He left Elon's shoes in the edit suite. Elon walked on barefoot and kept building. One man tells stories about the world from an editing chair. The other moves that world. A four-hour film will not change that. At most it will confirm what people who already disliked Musk already believed. Everyone else can blow the crumb off the jacket and keep going. History does not judge a man by the length of a film. It judges him by what is still in the air when the camera has stopped running. Controversy feeds on attention. Building feeds on repetition. One vanishes when you look away. The other keeps flying. You can cut a man together in four hours. You cannot cut a landing together. A documentary can be switched off. The work cannot.
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