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Je viens de regarder mon passage dans Quotidien. Évidemment, je suis qualifié d’« influenceur entrepreneur d’extrême droite ». Déroulons. Je ne sais pas si vous vous rendez compte à quel point le peuple français vous méprise. Vous êtes tellement déconnectés du réel que, dans votre petit monde, vous êtes persuadés d’avoir le monopole du bon sens. Alors je vais vous dire ce que vous êtes vraiment. Mais avant, je vais vous dire d’où je parle. Je suis breton. J’ai grandi dans un système scolaire profondément cassé. La majorité de mes profs étaient de gauche, et la plupart étaient déprimés. Pas méchants. Déprimés. Ils ne transmettaient qu’une chose : la conviction que le monde est injuste, que l’effort ne paie pas, et que demain sera pire qu’hier. Ce qui m’a sauvé, c’est d’avoir appris seul. J’ai commencé à coder à 12 ans. À 15 ans, j’avais créé un jeu qui me rapportait plus que le salaire de mes profs. Personne ne m’a donné la permission. Personne ne m’a subventionné. J’ai construit, des gens ont joué, j’ai été payé. La leçon d’économie la plus honnête de ma vie. Ensuite j’ai travaillé dans la tech, j’ai vécu dans la Silicon Valley, j’ai construit pas mal de choses. Et j’ai étudié l’économie par moi-même. Pas pour un diplôme. Pour comprendre comment le monde fonctionne vraiment. Et surtout, j’ai eu une chance que vous n’aurez jamais. J’ai été connecté, et je le suis encore, aux deux extrémités de la société. D’un côté, les couches les plus modestes, celles que vous prétendez protéger et incarner sans jamais leur parler. De l’autre, les couches les plus hautes : des milliardaires, des bâtisseurs, Elon Musk. Je fais le grand écart tous les jours. Et je peux vous dire une chose : en bas comme en haut, le diagnostic est le même. Vous, vous êtes au milieu, dans le seul étage de l’immeuble qui n’a pas de fenêtre. Ce que je vais dire maintenant, n’importe quelle personne saine d’esprit qui a un contact avec le réel le comprend. Yann, tu incarnes un mouvement et des idées qui ne représentent quasiment plus que vous. Ceux qui croient encore Quotidien et ses mensonges répétés en boucle, ce sont deux populations. Les gamins endoctrinés par une école capturée par l’idéologie. Et une partie des Français issus de l’immigration, qu’on manipule en leur répétant que les Français sont racistes. Un récit construit de toutes pièces par cette gauche mortifère, qui a besoin de victimes pour exister et qui les enferme dans ce rôle pour garder leurs voix. Les idées que vous défendez sont des idées de mort. Elles culpabilisent le travail. Elles humilient ceux qui construisent. Elles transforment chaque citoyen en assisté ou en suspect. Partout où elles ont été appliquées jusqu’au bout, elles ont produit la même chose : la pauvreté, la défiance, l’effondrement. Pas une exception. Pas une. Je le dis souvent : dans votre camp, il y a les cyniques et les believers. Les cyniques savent que ça ne marche pas, mais ça leur rapporte de l’audience, du pouvoir, des subventions. Les believers, eux, y croient sincèrement. Yann, je vais te laisser le bénéfice du doute. Je te range dans la case des believers. Alors un conseil : lis Hayek. La Route de la servitude. Ça se lit en un week-end, et ça t’expliquera pourquoi chaque bonne intention que tu défends à l’antenne pave exactement la route que tu prétends combattre. Tu as sans doute l’impression d’être du bon côté de l’histoire. Ils l’avaient tous. Mais tout ce que tu représentes enverra la France dans le chaos total. Les gens que tu appelles « extrême droite », ce sont des gens normaux. Des gens qui veulent vivre en sécurité, travailler, être payés dignement pour ce qu’ils font, et élever leur famille dans un pays qu’ils reconnaissent encore. C’est tout. Ce n’est pas une idéologie. C’est le bon sens que vous avez abandonné, puis insulté. Et je ne sais pas si vous mesurez ce qui est en train de se passer. Les peuples, dans leur intégralité, et avec eux les entrepreneurs, les créateurs de valeur, tous ceux qui font tourner ce pays, commencent à vous détester. Pas à vous critiquer. À vous détester, profondément, viscéralement. Chaque leçon de morale, chaque étiquette, chaque sketch condescendant creuse un peu plus le fossé. Alors un conseil d’ami : calmez-vous. Vraiment. Je viens d’un milieu très loin des salons feutrés parisiens et des dîners bobos où l’on décide entre soi qui a le droit de parler. Toi, tu vis dans une bulle. Une bulle confortable, chauffée, avec un public qui rit au signal. Mais le réel ne rit pas au signal. Plus personne ne vous croit. Et le réel vous jugera. Très sévèrement. Le replay a 27mn :

We are deeply sorry for the disruption this incident has caused our customers and partners. We know the trust they place in our services and take that responsibility extremely seriously. We are seeing broad recovery and stability across our services. This was a technical issue not related to cyber or AI / agents. The incident was introduced by an issue during an earlier network capacity upgrade that surfaced following a recent network change. We have addressed the underlying issue and continue to restore service to remaining customers and regions. Given the scale of demand, we restored services gradually, validating stability at each stage. While this took longer, it helped ensure a stable restoration. We will provide a full post-incident report once our review is complete.

Introducing Gemini 4 Hydrogen, an extremely capable and fast model built to bring Gemini 4 to everyone! Available to all tiers of Google AI Studio, Gemini API, Gemini for business, the Gemini app, Google Search, and paid Google AI Pro + Ultra subscribers in Google Antigravity.

Elon Musk, I decided to bring Jensen Huang onto the team because you simply do not pass up a once-in-a-generation opportunity to recruit the greatest compute architect on Earth. When it comes to building massive AI infrastructure, designing next-generation silicon, and scaling hardcore engineering at extreme velocity, nobody operates on Jensen’s level, and his vision for accelerated computing aligns 100% with what we are building across xAI, Tesla, and SpaceX. Bringing his unmatched expertise in-house to merge with our Dojo supercomputers, Grok clusters, and real-world robotics will compress years of innovation into months—and when legacy boards hesitate on true greatness, I am always going to bet big on the best talent in the world.

@aleabitoreddit Surely this is a bit dramatic. Nvidia as a company shouldn't fail and just stop without him. I'm sure there are extremely competent people and co-leaders that have been instrumental in getting the company to where it is. They not just going to stop without him?

A lot of folks ask me "how do you work with agents in multiple repos at once?" I have a very simple solution - the Home Repo I have a single repo (the home) where all of my skills, steering files, wiki etc live. I run my agent in the home repo, and then inside AGENTS.md I have pointers to the other repos: ``` For skills, clone mattpocock/skills to ~/repos/skills. For Sandcastle, clone mattpocock/sandcastle to ~/repos/sandcastle ``` This is extremely simple and incredibly effective. The home repo lets you: 1. Put all your steering files and tooling in one place 2. Have a single spot to run all your agents in 3. Make sweeping changes over multiple repos Talked about this in the course yesterday and folks are loving it (see below). I'm sure you will too. Enjoy!

Introducing Scribe v3 and Scribe v3 Live: our most accurate Speech to Text models yet. Built for real-world audio, Scribe excels in situations with extreme background noise, knows pauses from the end of sentences, and keeps track of who said what in a busy meeting.

255M views on a 3D Short by Zack D. Films i tried to rebuild his style with ONE Claude prompt, then ran it on Opus 5.5 and Fable 5.2 (they did NOT make the same Short) the full prompt is below ↓ paste it into Claude Code in an empty folder and answer its 2 questions. it shows u the script and waits for ur go. u need Blender + its free MPFB add-on and a graphics card. give it a few hours (the prompt is minus one optional paid-voice line) Ask me 2 things, then wait: 1. The story in one line: a strange TRUE event where one person did one odd physical thing ("He tied 42 weather balloons to a lawn chair."). If I say "you pick", pitch 3 with one source link each and take the first unless I choose. 2. The voice. Default: Kokoro (free, runs on my computer), a calm, warm male narrator. Then tell me everything else is free: Blender (find my install, or tell me the one download), its free MPFB extension for human bodies (ask me before you install it) and into this folder a Python venv with FFmpeg (imageio-ffmpeg), kokoro-onnx + its model files (kokoro-v1.0.onnx and voices-v1.0.bin from the kokoro-onnx GitHub releases), faster-whisper (small.en), numpy and Pillow. It needs no API key or account and renders on my graphics card with EEVEE. The look: a clean, realistic 3D world, like a good game cutscene. Bright, saturated, a little filmic. - People: realistic bodies with generic faces and big readable expressions (shock, a smirk, a scream). Plain clothes, no logos. Never a real person's likeness: for a real person keep the face out of close-ups (hands, back, side, distance, straight top-down). - CALM shots only. Bodies in fast action or contact (running, jumping, fighting, falling) look stiff, so tell the story with frozen moments under a slowly moving camera, macro inserts of hands and objects, rooms, vehicles, the sky, top-down views and the aftermath. - One new picture for every caption chunk (2-4 words, about 1-1.5 s): a new framing, a new action or a camera move. Nothing ever holds still: every shot drifts, pushes in or orbits. - The shot kit: macro insert (extreme close-up of the key object or hands, very shallow depth of field), hero low angle (wide lens at waist height), god's-eye top-down with a slow rotate, tracked object, over the shoulder, smash zoom on the word that matters, whip pan between beats, glow highlight (the named object glows orange with a rim, then fades), a big 3D number lying in the scene, a thought bubble (a cloud ring showing what he hoped for), a TV in the scene replaying the event. - Light: a bright warm sun, blue sky with clouds, soft shadows. Night scenes use hard lamps and a dark sky. Wide lens up close, depth of field on every shot, motion blur on every fast camera move. - Captions: 2-4 words at a time, white bold rounded sans, about 64 px on a 1080 px-wide frame, centred, 78% down the frame, soft dark shadow, no box. Each chunk replaces the last on the same frame as its picture. - Banned: real footage, photos, downloaded textures or 3D models, logos, AI images or AI video, downloaded music, gore. 38-50 s, 100-140 words, 150-180 words a minute. The voice starts at 0.0 s. - Line 1: the most surprising physical act, in past tense, opening with "He" (or "She"). No name, date or setup. Frame 1 shows that act. - Then a cause-and-effect chain: every sentence starts with a hinge word (Then, Suddenly, So, Because, But, Later) and is ONE visible action. - The context arrives late, after "You see,". - A reveal: someone looks closer and the story turns. - The last line is the consequence. No call to action, no question. - Names are rare: use one only when it pays off. Title = "He ..." or "The Man Who ...". The cover is the first frame. Save every stage to disk so a crash never costs more than one stage. - sources.md: every fact with its link and the date you read it. Anything you can't verify stays out. - script.json: the lines and the caption chunks cut by hand (2-4 words, one picture each), each chunk with its shot: the set, the camera, what moves. - Kokoro reads the whole script in one take (speed 1.0-1.1) and pauses are squeezed to 0.35 s at most; faster-whisper times every word (pass it a 16 kHz numpy array, not a path); write chunks.json with each chunk's start and end. A picture and its caption switch together on frame round(start*30)+1. - blender/: Python scripts run headless (blender -b -P). makes one .blend with the sets, the cast, the props and every shot baked with a key on every frame. sets EEVEE with ray tracing, the AgX view with the Punchy look, motion blur, depth of field and bloom in the compositor. Bodies come from MPFB or are built by you; clothes, hair, props and sets are built in code. - Stills first: one half-size still per shot as a contact sheet. Look at every tile and fix what's off before any full render. Time one full-size frame and tell me the estimate. - Render 1080x1920 at 30 fps to PNG frames, skipping frames already on disk. - numpy only: a light music bed, a sound on every action (a whoosh on each whip pan, hits, wind, room tone), ducked under the voice, mastered to -14 LUFS on the whole stereo mix. - burn the captions in from chunks.json. Encode out/_9x16.mp4 (1080x1920, 30 fps, TV-range yuv420p) and out/_x_7x8.mp4 (1008x1152, under 10 MB, 2-pass): a crop of the 9:16 frame that keeps the subject and the caption. - Blender paths: pass absolute output paths (a relative one lands on the drive root). - MPFB headless: enable it with addon_utils.enable("bl_ext.user_default.mpfb"). Bake a body's shape keys before you pose it: the rig is fitted to the baked shape. - Clothes: cut them from the body mesh and push them 7-16 mm out along the normals; keep two rings of body faces under every hem. - Nothing coplanar: keep every resting object 1 cm off its neighbour and draw ground markings into the texture, or they flicker. - Hair: EEVEE draws hair only from a Curves object, hair type STRIP. Use a Principled BSDF on it (the Hair BSDF renders black). - Skin: keep subsurface weight near 0.2 (more turns faces black in EEVEE) and add a soft fill light from below under a noon sun. - Hands: a curled hand reads as a claw from the palm side, so shoot a grip from behind the knuckles. - Motion blur: shutter position START, a key on every frame, plus a key half a frame after each shot's last frame, so blur never reaches across a cut. - Check: run a black-frame and one-frame-flicker check on the render. Make a contact sheet (a frame every 0.5 s) and look at every tile: the act reads in the first 2 s, faces are lit, nothing clips through anything, captions stay off faces and key objects. Then step through the first 2 s, the middle and the end frame by frame. Fix, render only the changed shots again. Pitch (or take my story), then show me the script with the word count, the caption chunks with their seconds and the shot list with what the first frame shows. Build nothing until I say go. how the two runs went: one run each on the same PC, so it's one sample, not a ranking. both took under 3 hours on one shared 8 GB graphics card. the story for both: a man who tied 42 weather balloons to a lawn chair in 1982 where they split: -> Opus opened wide on the balloons over the yard. Fable opened on the man kneeling at the chair with his Jeep behind him -> Opus put 5 big 3D numbers in its scenes, Fable 2 -> Fable followed the caption spec (white text, soft shadow). Opus went ALL CAPS with a thick outline -> Fable pulled the Smithsonian's own record and ended on the chair in the museum. Opus ended on the $1,500 fine -> a few Opus shots are hazy and one opens on a blank grey frame save this for ur next Short. who did it better, Opus or Fable?

for the first time ever, I'm sharing everything I do across all my SaaS to rank on Google and get mentioned by AI every SEO and AEO lesson I've learned is here: 1. we show up in Reddit threads. AI pulls a lot of its answers from Reddit, so Bazzly finds the threads that are fresh, and even the ones already ranking on Google, and gets our products into the top reply 2. we get our products listed #1# in listicles that already rank on Google, with Outrank. when someone asks ChatGPT for the best tool, those are the pages it reads 3. we turn Reddit questions into blog articles. Bazzly shows us what people actually ask, and we feed those questions to Outrank 4. I regularly sit down and find new niches where our products could be useful. I research each one and feed it to Outrank, and Outrank finds new ones on its own too, so our keyword plans keep expanding into new markets 5. we publish an SEO article on our own blogs every day, also with Outrank 6. Outrank helps us refresh old articles regularly. AI and Google both prefer recent pages, so every page has to stay current 7. we build new backlinks every week with Outrank, and every placement gets verified. we also pitch guest posts using Outrank's free guest post database of 278 checked sites, all DR 20+ 8. we regularly ship extremely useful free tools for potential users, and each one ranks on Google and brings people into our products 9. every month we check which AI answers name our products and which don't Outrank's AI Visibility Checker asks ChatGPT, Claude, Gemini and Perplexity real buyer questions, then shows whether we got named, which competitors did, and which sources got cited we feed those sources back into Bazzly, Outrank and our internal social content all of this brings in new users, and then we run loops that turn them into champions who spread the word 10. we incentivize our users to share honest reviews of our products on Instagram, TikTok, X and LinkedIn, and on public review sites 11. we let our users become affiliates, and then we help them make better content about our products. in the last 30 days, ~$8K has been generated by Revid affiliates alone basically every SEO and AEO lesson I learn building Outrank and Bazzly goes straight into every product I run and the idea behind all of it is simple AI recommends the most mentioned product so we make sure every one of our products gets mentioned everywhere Google and AI look: all sorts of blogs, listicles, Reddit, review sites and social and this setup does the job extremely well, for every product we run

Project Suncatcher is our moonshot exploring whether we can one day host machine learning infrastructure in space 🚀 To do so, we need to know whether our AI hardware can operate in orbit. Can our TPUs handle the physical stress of spaceflight and the radiation and thermal extremes of space? These are the questions Google researchers have been exploring for the past few years. Last week, we launched our first test satellite carrying four TPUs into orbit — putting us one step closer to getting answers.