This looks like a $20K Porsche commercial.
Workflow:
1. Upload the storyboard to Seedance 2.0
2. Paste the prompt below
3. Generate the video
Full prompt 👇
Reference image is locked. Keep the exact yellow Maisto Porsche 911 GT2 RS proportions, body kit, headlights, rear wing, wheels, paint color and all design details consistent throughout the entire sequence. Ultra photorealistic miniature die-cast car with realistic materials and reflections. Premium automotive commercial, Hollywood cinematography, HDR, volumetric lighting, ray tracing, motion blur, speed ramp, hyperlapse, macro cinematography, seamless match cuts, whip pans, crash zooms, orbit camera, FPV chase camera, drone shots, extremely dynamic editing, 8K.
00:00-00:01 — The yellow Maisto Porsche 911 GT2 RS suddenly falls vertically from the sky into the center of a modern city street. Low-angle camera looking upward. Speed ramp during the fall. The car lands perfectly on all four wheels. Massive impact. Asphalt explodes and cracks outward. Dust, debris and small stones fly everywhere. Camera shakes violently.
00:01-00:02 — Extreme close-up. Engine instantly comes alive. Exhaust explodes with flames. Dashboard lights illuminate. Tachometer needle violently jumps to redline. Ultra macro mechanical details. Fast crash zooms between ignition button, tachometer, exhaust flames and engine vibration.
00:02-00:03 — Camera rapidly pulls backward while orbiting the car 180°. Tires begin spinning. Smoke fills the street. Sparks under tires. Suspension compresses. Engine revs aggressively.
00:03-00:04 — Instant launch. Full acceleration. FPV camera flies inches above the asphalt directly in front of the car. Heavy motion blur. Speed ramp transition.
00:04-00:05 — Ultra low side tracking shot. Wheels spinning at extreme speed. Brake discs glowing. Sparks from asphalt. Macro suspension movement.
00:05-00:06 — Front bumper close-up. Camera only centimeters above the road. Air rushes around splitter. Strong motion blur. Dynamic reflections.
00:06-00:07 — Drone chase. High-speed highway. Camera dives from above directly behind the vehicle. Hyperlapse feeling.
00:07-00:08 — Desert transition through seamless speed ramp. High-speed drift across sand dunes. Massive dust tornado behind the car. Camera circles 360° while drifting.
00:08-00:09 — Ultra macro wheel shot. Sand exploding from rotating tires. Flying rocks. Suspension travel. Slow-motion micro moment followed by instant acceleration.
00:09-00:10 — Snow transition through motion blur. High-speed mountain road. Snow explodes from tires. Controlled drift through icy corner. FPV chase.
00:10-00:11 — Front three-quarter tracking shot. Camera rotates around the moving car while maintaining identical speed. Snow particles hitting the lens. Dramatic lighting.
00:11-00:12 — Tunnel sequence. Speed ramp. Rapid whip pans between headlights, rear wing, spinning wheels, exhaust flames and side mirrors. Neon reflections.
00:12-00:13 — Extreme macro montage. Carbon fiber texture. Headlight LEDs. Porsche badge. Rear diffuser. Exhaust flames. Brake calipers. Rotating wheel center lock. Every shot lasts only a fraction of a second with seamless match cuts.
00:13-00:14 — Mountain highway at sunset. Drone flies underneath the car during a jump, then instantly moves above it. Cinematic FPV dive. Massive sense of speed.
00:14-00:15 — Final hero shot. Camera pulls far away while orbiting 360°. The yellow Maisto Porsche 911 GT2 RS accelerates toward the horizon at maximum speed. Long cinematic road, glowing sunset, heat haze, dramatic reflections, realistic tire smoke, premium automotive commercial ending, fade to black.
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Seedance 2.0 is pretty wild
100% AI
What if Jurassic Park was real?
PROMPT:
Format: Found-footage vacation video, 15 seconds, seven shots with hard cuts — a tourist's camera roll from one full day, morning to dusk.
Image reference: Use the attached gate photo as the exact visual reference for Shot 1 — match its architecture, proportions, torch placement, lighting, and signage precisely.
Main subject: Young woman, blond hair in a loose low bun shedding strands, oversized faded olive t-shirt, denim shorts, white canvas sneakers, disposable-camera strap on her wrist. Realistic skin texture, minimal makeup, wide-eyed tourist joy. Maintain perfect visual consistency — identity, hair, clothing, proportions — across every shot and location.
Location: A vast island dinosaur preserve. Jungle mountains, open savanna paddocks, wooden observation structures, tall electrified perimeter fences, dirt tour roads. Dinosaurs are photorealistic animals — muted natural hides, birdlike motion, visible breathing weight. Filmed like wildlife, never like monsters.
Camera style: Mid-range smartphone, handheld by her friend. Heavy shake, autofocus hunting, motion blur on pans, compression grain, exposure pumping. Each cut is abrupt and mid-motion, like real unedited camera-roll clips.
00:00–00:03 — THE GATES (morning, filmed from inside a moving open-top tour jeep). The camera films forward over the seats as the jeep approaches the colossal timber gates from the reference image — flared stone-and-wood towers, flaming torches, jungle pressing in on both sides, the road still wet from morning rain. The doors groan open. She spins around from the front seat into frame, gripping the roll bar, and half-shouts over the engine: "Oh my god, this is wild! I can't believe we're actually here!" — as the jeep passes under the archway into shadow and out again.
00:03–00:05 — SAVANNA (late morning, wide shot from a raised wooden platform). She stands small at the rail against an open plain where a herd of long-necked giants wades through heat haze, one rearing slowly against the treeline. The camera zooms in shakily, overshoots, corrects.
00:05–00:07 — RIVER CROSSING (midday, low angle through the jeep's open side). Past her shoulder as the jeep fords a shallow river: a crested duck-billed dinosaur drinks twenty meters away, lifting its head to watch them pass, water dripping from its jaw. She raises her disposable camera; the phone catches its tiny click.
00:07–00:09 — JUNGLE FENCE (afternoon, handheld walking shot). Dim under the canopy beside a tall humming fence. She peers through the wire — and a small crested predator peers back from the ferns, head tilting in quick birdlike jerks. She backs up a slow half-step, whispering "okay... hi." Autofocus argues between wire and eye.
00:09–00:11 — THE HERD RUNS (late afternoon, chaotic pan from the jeep at speed). A flock of small striped dinosaurs floods across and around the vehicle. The camera whips left-right, blurred bodies streaking past, her whooping off-mic, dust on the lens.
00:11–00:13 — QUIET GIANT (golden hour, static shot at a wooden overlook). The frame finally settles: silhouetted against low sun, she stands at a rail as an immense horned dinosaur grazes just below, close enough to hear grass tearing. She isn't laughing anymore — just watching.
00:13–00:15 — DUSK ROAR (blue hour, half-framed and accidental). Filmed as the phone was being lowered, frame tilted: a colossal, deep bellow rolls in from the darkening jungle far off. Everyone freezes and turns toward it. Cut to black mid-turn.
Audio: Ambient only, shifting per location — jeep engine and gate groan, her excited line over the motor, savanna wind, river wading, fence hum, thundering small feet, grass tearing, and the single distant bellow that swallows everything. No music. No narration.
Style & quality boosters: Raw consumer camera-roll aesthetic, abrupt mid-motion cuts, heavy handheld instability, natural motion blur, golden-hour lens flare, coherent animal mass and physics — ground tremor, water displacement, dust. No text overlays, no watermarks.
Goal: One unforgettable day inside the world's most famous dinosaur preserve, told through seven imperfect tourist clips — opening on the gates everyone recognizes, and closing on the sound that reminds them what lives beyond the fences.
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