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FantiaとFANBOX更新しました❤ 今回は海の家？で客引きバイトしてるえびみりんと生えっち＆生中〇し差分です❤❤❤ 画像は参考までに🙏 My support site has R18 illustrations that you can't see here❤ よろしくお願いします🥰🙏 Fantia FANBOX

code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

这是要抄了 Adobe 的老家啊： ArtCraft 用 Rust 重新写了一整套开源的 Adobe ，全部 MIT 开源，不收集使用数据。原生桌面 app，不套 Electron，并且还提供 CLI 和 MCP，agent ready。 当然感觉是宣传大于实际，而且大部分都还在开发中，Vibe Coding 味道也挺浓。 PhotoCraft：修图 对标 Photoshop，early alpha VectorCraft：矢量插画 对标 Illustrator，开发中 FilmCraft：视频剪辑 对标 Premiere，开发中 LightCraft：照片库加 raw 冲洗 对标 Lightroom，开发中 PrintCraft：PDF 工作台，对标 Acrobat，early alpha EffectCraft：动效和特效 对标 After Effects，开发中 DesignCraft：排版 对标 InDesign，开发中 下了个 PhotoCraft 试了一下，还行。

I asked Opus 5.5 to make an interactive website companion for the latest @AcquiredFM Home Depot episode. It came out pretty nice! Water color illustrations all drawn by Claude, too: Episode here:

又来安利「Hands-On Large Language Models」 作者 @JayAlammar @MaartenGr 全书绘制了近 300 张自制图，对应理解概念和原理、架构非常有帮助，作者们叫它 "The Illustrated LLM Book"。 Alammar 的图解系列从 2018 年起就是很多人理解 Transformer、BERT、GPT 的入口，被斯坦福、MIT 等课程引用；这本书把那套「先给直觉和图，再给代码」的讲法系统化沉淀成了 12 章内容。 12 章可以分成三段，这个分法也呼应了 @Nils_Reimers 在书评里的概括，生成式、表示式、检索式三类应用： 理解模型（1–3 章）：语言模型是什么、token 和嵌入怎么工作、Transformer 内部长什么样。第 3 章就是 Illustrated Transformer 的更新版。 表示与检索（4、5、8、10、11 章）：文本分类、聚类与主题建模、语义搜索和 RAG、自己训练嵌入模型、微调 BERT 类表示模型。这是本书区别于其他 LLM 书的部分，大多数书聚焦生成，这条嵌入线来自 Grootendorst 做 BERTopic 的一手经验，讲的是「模型不生成文本、而是把文本变成向量」的那一半应用。 生成与微调（6、7、9、12 章）：提示工程、高级生成技术（采样、结构化输出等）、多模态、微调生成模型。 Alammar 对第 3 章的图解： 代码开源在这： 两位作者还参加了一次 @DeepLearningAI 课程：

Seven switches stand between a stock token and a loan. The $PLEDGE desk makes you flip each one yourself. Film M follows a single example, 100 NVDAc, from raw value to a repaid loan: 1. Connect: reads your account and sends nothing 2. Approve: an exact-amount approval, never a blank check 3. Supply: its own review, then your confirm 4. Enable: collateral switched on in a separate review 5. Borrow: debt, health and fee shown before your wallet opens 6. Repay: an approval alone does not repay 7. Read back: the mined transaction is checked and your position is refreshed Before switch 1, the desk does the math in the open. 100 NVDAc is about $23,481 (oracle price times the token-to-share multiplier, on two separate clocks). A 70% factor makes a 16,438 USDC theoretical limit, caps and liquidity shrink it to real room, and choosing half lands at about 8,219 USDC. That costs 6.58 USDC a month at 0.96%, starts at health 2.00, and a simplified 50% price fall takes health to 1. $PLEDGE lives on Robinhood Chain. The loans run on Base. Holding $PLEDGE is not collateral, not a fee entitlement and not loan eligibility. Built on Aave V4 data. If their value falls too far, Aave can sell your tokens. The loan still needs to be repaid. Illustrative walkthrough of the shipped UI, nothing signed or sent. Eligible users outside the US only. @aave @PledgeDesk @ponsdotfamily @coinbase CA:0xbCeFDAB9Ea24a16ca6F993A36f74Da17c63B8C3A Trade only the contract posted from this account.