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Claude Fable 5.2 is f*cking cracked wtf I just made this Hollywood level animation that looks like Pixar made it All with Fable 5.2 + Higgsfield Ecom brands are paying $5k - $10k/month to people who build organic pages and even more for making paid ads for them Using this workflow you can create better animations than 99% of people Here’s the workflow: The key to making animations not look like slop is giving characters personalities >Give Fable 5.2 the master prompt along with your script to your video / ad >It then will ask you questions on the characters personalities and direction style to use >It will then save the context all as a skill This is the difference between slop and cinema I then use that skill with with my Producer skill which creates: >Characters >Location >Does the direction (and makes the prompts) I’m giving away the skill to use after you put the master prompt in for free so RT + reply under this and I’ll send you them (Must be following so I can dm) Give this prompt to Claude first: You are my Story Bible Builder. Interview me and turn my story into one dense canon doc, saved at the end as an installable skill so every future chat knows my world, characters, voices and rules. STEP 1: Ask me to paste my script/story first. Read it and pull out everything it already tells you. Only ask about what's missing, plus: working title, genre/vibe refs, and which AI tools I'll prompt with (image, video, music, voice). STEP 2, THE SPINE: one-line premise (push me to ONE sentence), thesis (the question every scene answers), timeline era by era, and the look of each era: exact palette, lighting, texture, grain. STEP 2.5, DIRECTION STYLE: ask for my director refs, movie/show refs and any visual refs (photographers, games, music videos). For each, ask exactly WHAT I'm taking from it, then turn that into concrete craft locks: camera (static vs handheld vs gliding, shot sizes, lens feel), framing and composition habits, pacing and edit rhythm, colour grade and film stock look, lighting style, performance style, and sound/score feel. Write it as one quoted paste-ready "Direction" line plus a short NEVER list. Refs stay in the bible as notes, but prompts describe the craft, never the names. STEP 3, THE WORLD: factions (beliefs, visual signature, public face vs reality), locations (3-7 concrete visual tags each), world rules (tech, powers and how they LOOK on screen, what's normal, what's forbidden). STEP 4, CHARACTERS: ONE AT A TIME, never batch. For each, ask: - Function: their role tag (The Heart, The Watcher), not their job - Visual lock: exact hair colour/cut, skin tone + finish, face shape, eyes, a signature marker (scar, piercing, mole), build, default expression, plus NEVER clauses ("warm fair, never porcelain, never tan") - Backstory: one small, specific formative detail beats a summary - Present psychology: what they carry now, and the gap between what they do and what they feel - Speech, Movement, Stillness (and singing voice if there's music): each written as one quoted, paste-ready prompt line with no names in it Show me the finished section, ask "Add, cut or sharpen?", and lock it before moving on. STEP 5: ensemble dynamics (who leads, who fills silence, who watches, which pairs are calm or charged), story engines (heist, rescue, confrontation...), and my production rules. Default rules: no character names in prompts, every prompt standalone, prompts in code blocks, locked traits restated verbatim every time. RULES: Never invent. Mark unknowns [TBD]. Push on vague answers ("dark and moody" means which colours?). Keep my exact phrasing. Density over prose: bold labels, short bullets. Depth beats character count. FINAL STEP: Assemble one SKILL under 500 lines with YAML frontmatter (name + a description listing the title, character names and key terms so it triggers) and these sections: premise, thesis, timeline, era looks, direction style, factions, locations, world rules, characters, ensemble, engines, production rules, and "When this skill is active" (use this canon for any scene, dialogue, lyric or prompt in this world; stay in canon; ask rather than invent; paste the quoted descriptors verbatim). Then save it as a skill for me, or give me the file to install. Start now by asking for my script.
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「 H 」 ✿~✿~✿ 九月份的圖包遲到了,但已經補上Pateron了 九月份有訂閱的孩子們記得要去收! The September photo pack was a little late, but it’s finally been uploaded to Patreon! If you were subscribed in September, don’t forget to go claim your rewards! 📷 ✿~✿~✿ 葬送的芙莉蓮|葬送のフリーレン|Frieren 費倫|Fern|フェルン CN: Yuzuki Lily Photographer: Elven Photography #cosplay# #コスプレ# #Fern# #菲倫# #フェルン# #葬送のフリーレン# #葬送的芙莉蓮# #Frieren#
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Comment a photo where u think u have max aura 😈 The photo with the most aura wins 😈 ✨lazy travel content because i’m midway through editing out some cool stuff 😂✨ Trying to get the photos from the past 2 events edited out before I work on my own stuff 😂 #travel# #photography# #photographer# #travels# #photoshoot# #photoinspo#
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IG rly liked part 1 :) so here are part 2 photos from the Los Angeles Riftbound RQ #RQLA# Hope I made my friends look pretty 😈 l also did have to stay up till 130am 😭 so i’m rly sorry if i sounded or looked rly dead when yall said hi to me How'd the photos turn out? And let me know there's other players you want me to make look pretty at future Riftbound Regional Qualifier~ #RQLA# #riftbound# #photography# #photographer#
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POP Art Style drawing | Video reference provided by @Desperadooo6 photographer | Model @naiqiu000 Thank you so much for sharing! 这幅作品的灵感来源于摄影师 王伯伯 的作品。非常感谢您的慷慨分享。 这位美女笑容真灿烂美丽🌹 这只小猫也很可爱。😍
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I am shocked... My daughter took my Luna Ultra these couple of days and I have no clue what photos she took until today. THEY ARE CRAZY GOOD (zero edits!) 🤯 She is a brilliant photographer
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First day in the office… Everyone looked at me like I accidentally walked into the wrong universe 😅 Still hoping I passed the interview! ✨💼 Production: Director / Photographer: @ Producer: Stylist: MUA: .e.t.u.k Production Designer: @
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First teaser for Zack Snyder’s ‘THE LAST PHOTOGRAPH.’ The film follows man searching for his missing niece and nephew after their parents are murdered with the help of a war photographer who witnessed the murders.
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Robot walked into the White House. It talked. It left. And the company that built it wants you to believe nobody was steering. $39,000,000,000. That's what investors just bet on you believing that. REAL March 25, 2026. Figure 03 — built by Figure AI — walked the East Room carpet next to the First Lady of the United States. It scanned the room. It spoke first, before any human did. Introduced itself. Greeted the room in 11 languages. Walked out. AP photographers were three feet away. This is not CGI. This is not a demo reel. Six months earlier, Figure AI closed $1 billion+ in new funding. Backers: Nvidia. LG. Valuation: $39 billion. RUMOR The company's own CEO called it "fully autonomous." Zero human control. Zero scripted lines fed in real time. I spent an evening trying to find one confirmation of that from anyone who doesn't work for Figure AI. Found zero. The White House's own materials don't even confirm which robot model showed up that day. Every "100% autonomous" quote traces back to one source — the company selling the robot. That's not proof. That's marketing wearing a lab coat. WHY THIS SHOULD SCARE AND EXCITE YOU AT THE SAME TIME Nobody's saying the quiet part — governments don't adopt robots because they're proven. They adopt them because a rival government already has one in a photo. Figure AI didn't need a federal contract. It needed five minutes in the East Room. That's the entire playbook for embodied AI right now: visibility first, verification later. Honestly — I don't know if that robot could survive one unscripted question from a reporter. Nobody's tested that on camera. Not once. That silence is louder than the speech it gave. Every government on earth wants their own robot in the room now. Whether it's actually thinking — that's the question nobody in that room asked out loud.
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To celebrate Europe's first total solar eclipse in 27 years, National Geographic photographer Renan Ozturk, alongside Chris Burkard and Chris Sharma, captured the celestial event as Sharma took on a climb in Mallorca.
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