与「HERO」相关的搜索结果

Si eres diseñador UI/UX, guárdate esto. 1. → más de 600 prompts con código completo para webs 3D y con scroll, además de componentes, shaders y pantallas de UI 2. → una biblioteca enorme de bloques de UI listos para meter en tu layout y lanzar antes 3. → fondos animados con shaders para hero sections, en código, vídeo o imagen Guárdatelo 🔖

I took a vibe-coded AI hero and rebuilt it into something premium. One decision at a time, spec lines on. Want to get rid of the AI slop on your own landing page? I wrote down every step 👇

Three people kicked in OnlyFans star Amouranth's bedroom door, put a pistol to her head and beat her. All while demanding $20 million in Bitcoin. She lied and told them she didn't know where it was and led them straight to her husband. The same husband that she has constantly complained about on stream. She even called the police on him at one point. This happened on March 2nd, 2025, in Houston Texas. The robbers came in through the back fence, smashed open the garage door, and inside they even tripped over a pile of kids toys. Kaitlyn "Amouranth" heard the noise and called her husband, he said it was most likely the dogs. She locked her bedroom door and kept him on the phone. That's when they confronted her, shot gunshots in the door and kicked it in, then turned on the lights. One of them had a gun to her head while another took her phone and demanded she opened Coinbase. She didn't even have the app. She told them she didn't have it then they started beating her with the pistol. After the third hit Kaitlyn lied and told them she remembered where it was. She ran barefoot in socks and pajamas to her husband in his mancave. Nick the husband was on the toilet and heard everything on speaker phone. He pulled up in briefs, put on a bulletproof vest and opened his gun safe. When the gunmen came in he told Kaitlyn to get down and she dropped to the floor. Nick then shot one of the gunmen. Then they ran away. Nick almost didn't call 911, because fans would swat their house all of the time. The only thing the robbers got away with was her MacBook, which had Find My turned on. The guy that Nick had shot was in the hospital, but it was too late. Four days later a trooper pulled over their getaway car because the driver didn't use his turn signal. He confessed on the spot. All four robbers were then charged with aggravated robbery and kidnapping. The internet thought this was all fake, so Kaitlyn posted the footage. In October 2022, she had cried on stream and told millions Nick controlled her money, threatened her, and to pretend to be single. After the robbery she called him a hero on camera. On May 11, 2025, they argued on stream for 10 hours. Nick accused her of cheating and she cried. When things heated up the cops came knocking on the door. In February of 2026, they were vacationing in Peru and had another fight in their hotel, police detained them both this time. The man who saved her from 3 gunmen is the same man she would keep calling the police on.

TAÏWAN : L'ÎLE QUI DONNE L'INSOMNIE À LA CHINE Hier, Xi Jinping a fait un discours qui a fait le tour du monde. Je te décrypte son discours, phrase par phrase. LE DISCOURS D'HIER : CE QU'IL A DIT, ET CE QU'IL A VOULU DIRE Xi n'a pas choisi hier par hasard. Hier, c'était les 160 ans de Sun Yat-sen. Sun Yat-sen, c'est le seul héros que les deux Chines adorent. Le père de la Chine moderne, celui qui a renversé l'empereur en 1911. En parlant ce jour-là, Xi envoie un message à Taïwan : "On a le même père. On est la même famille." Il a dit 3 choses : 1. "La réunification complète de la patrie doit se réaliser, et elle se réalisera." Il ne dit pas "j'espère". Il dit "ça VA arriver". C'est une promesse à son peuple. C'est lui qui dit : "Je serai celui qui finit le travail." 2. "Nous voulons une réunification pacifique, un pays, deux systèmes." C'est le modèle de Hong Kong. Tu gardes ton économie, mais Pékin décide. Taïwan a répondu le même jour : "Ni le gouvernement ni le peuple ne peuvent accepter ça." 3. "On ne laissera jamais aucun espace à l'indépendance de Taïwan." Il ne dit pas "on va vous envahir". Il dit "on ne vous laissera pas partir". Et surtout, pour la première fois depuis longtemps, il n'a PAS parlé de guerre. Pourquoi ? Parce que Xi est coincé. Et c'est là qu'on comprend l'insomnie. 1. L'INSOMNIE DE L'HISTOIRE : "On n'a jamais fini la guerre" En Chine, on apprend que la Chine est une civilisation de 5000 ans, unie, continue. Taïwan casse ce récit. En 1949, Mao gagne le continent, mais il ne prend jamais Taïwan. Chiang Kai-shek fuit là-bas avec 2 millions de personnes. Depuis 75 ans, il y a deux Chines. Tant que Taïwan existe, la révolution n'est pas terminée. C'est comme un livre avec la dernière page arrachée. Mao voulait finir le livre. Deng voulait finir le livre. Xi veut être celui qui le finit. Quand il dit "mission historique inachevable", ce n'est pas une phrase politique. C'est une angoisse personnelle. Un dirigeant qui veut entrer dans l'histoire. Mais il ne peut pas le faire demain matin. Parce que... 2. L'INSOMNIE DES PUCES : "Sans Taïwan, on est aveugles" Voilà pourquoi Xi parle de paix hier. La Chine veut faire de l'IA, des voitures électriques, des missiles, des satellites. Tout ça a besoin des puces les plus avancées du monde. Et ces puces, elles sont fabriquées à 90% à Taïwan, par TSMC. La Chine a mis 150 milliards pour fabriquer ses propres puces. Elle est encore 5 à 7 ans en retard. Si Xi envahit Taïwan demain, il détruit les usines qu'il veut récupérer. Une usine de puces bombardée ne vaut plus rien. Et il déclenche des sanctions qui tueraient son économie. Donc il ne peut pas envahir. Mais il ne peut pas non plus abandonner. C'est pour ça que l'affaire Jensen Huang a fait si mal cette semaine. Jensen Huang, né à Taïwan, patron de Nvidia, qui dépend de TSMC, qui tombe pour un soupçon d'espionnage pour la Chine... C'est tout le problème en une seule personne : la Chine a besoin des puces de Taïwan, mais elle ne contrôle pas Taïwan. 3. L'INSOMNIE DE L'AMÉRIQUE : "Si on perd Taïwan, on perd l'Asie" Regarde une carte : Japon, Corée du Sud, Taïwan, Philippines. C'est une chaîne qui bloque la Chine. Sa marine ne peut pas sortir dans le Pacifique sans passer par là. Si la Chine prend Taïwan, elle casse la chaîne. Elle a un accès direct au Pacifique. Les USA le savent. C'est pour ça qu'ils vendent des armes à Taïwan depuis 1979, sans la reconnaître officiellement. On appelle ça "l'ambiguïté stratégique" : on ne dit pas qu'on va défendre Taïwan, on ne dit pas qu'on ne va pas la défendre. On laisse Pékin dans le doute. Et c'est ce doute qui empêche la guerre. Et qui empêche le sommeil. C'est aussi pour ça que Xi a parlé de paix hier. C'est ça, la stratégie chinoise : "Gagner sans combattre", comme disait Sun Tzu. Mettre tellement de pression, tellement longtemps, que l'autre finit par céder sans un seul coup de feu. Est-ce que ça va marcher ? Personne ne le sait.

Me opongo a que Nvidia eche a Jensen Huang. Es un despido sin sentido para un héroe de la tecnología como el. Le debemos buena parte de lo que está pasando en la IA. Fundó Nvidia hace 33 años y la llevó de las tarjetas para videojuegos a ser el motor de esta revolución y la empresa más valiosa del mundo. Con quién se acuesta es asunto suyo y de su mujer, no del consejo. Una relación consensuada entre adultos, aunque sea con alguien de la empresa, no es un problema en sí. Lo grave sería una violación, un abuso o favores sexuales a costa de la compañía. Nadie le acusa de eso. La única preocupación seria sería que hubiera filtrado información a China. No está probado, y el propio consejo dice que no tiene motivos para creer que se hayan comprometido los secretos de Nvidia. Investigar, sí. Echar por su vida privada a uno de los grandes visionarios de la tecnología, no. Estados Unidos no gana nada decapitando a su empresa más estratégica por puritanismo.

In SW China’s Chengdu, the Chinese and US militaries held a ceremony to transfer the remains of American airmen recovered along the Hump Route back to the United States. Eighty years after they crossed the Himalayas to aid China’s resistance against Japanese aggression, these heroes are finally homeward bound — a return made possible with China’s humanitarian assistance.

255M views on a 3D Short by Zack D. Films i tried to rebuild his style with ONE Claude prompt, then ran it on Opus 5.5 and Fable 5.2 (they did NOT make the same Short) the full prompt is below ↓ paste it into Claude Code in an empty folder and answer its 2 questions. it shows u the script and waits for ur go. u need Blender + its free MPFB add-on and a graphics card. give it a few hours (the prompt is minus one optional paid-voice line) Ask me 2 things, then wait: 1. The story in one line: a strange TRUE event where one person did one odd physical thing ("He tied 42 weather balloons to a lawn chair."). If I say "you pick", pitch 3 with one source link each and take the first unless I choose. 2. The voice. Default: Kokoro (free, runs on my computer), a calm, warm male narrator. Then tell me everything else is free: Blender (find my install, or tell me the one download), its free MPFB extension for human bodies (ask me before you install it) and into this folder a Python venv with FFmpeg (imageio-ffmpeg), kokoro-onnx + its model files (kokoro-v1.0.onnx and voices-v1.0.bin from the kokoro-onnx GitHub releases), faster-whisper (small.en), numpy and Pillow. It needs no API key or account and renders on my graphics card with EEVEE. The look: a clean, realistic 3D world, like a good game cutscene. Bright, saturated, a little filmic. - People: realistic bodies with generic faces and big readable expressions (shock, a smirk, a scream). Plain clothes, no logos. Never a real person's likeness: for a real person keep the face out of close-ups (hands, back, side, distance, straight top-down). - CALM shots only. Bodies in fast action or contact (running, jumping, fighting, falling) look stiff, so tell the story with frozen moments under a slowly moving camera, macro inserts of hands and objects, rooms, vehicles, the sky, top-down views and the aftermath. - One new picture for every caption chunk (2-4 words, about 1-1.5 s): a new framing, a new action or a camera move. Nothing ever holds still: every shot drifts, pushes in or orbits. - The shot kit: macro insert (extreme close-up of the key object or hands, very shallow depth of field), hero low angle (wide lens at waist height), god's-eye top-down with a slow rotate, tracked object, over the shoulder, smash zoom on the word that matters, whip pan between beats, glow highlight (the named object glows orange with a rim, then fades), a big 3D number lying in the scene, a thought bubble (a cloud ring showing what he hoped for), a TV in the scene replaying the event. - Light: a bright warm sun, blue sky with clouds, soft shadows. Night scenes use hard lamps and a dark sky. Wide lens up close, depth of field on every shot, motion blur on every fast camera move. - Captions: 2-4 words at a time, white bold rounded sans, about 64 px on a 1080 px-wide frame, centred, 78% down the frame, soft dark shadow, no box. Each chunk replaces the last on the same frame as its picture. - Banned: real footage, photos, downloaded textures or 3D models, logos, AI images or AI video, downloaded music, gore. 38-50 s, 100-140 words, 150-180 words a minute. The voice starts at 0.0 s. - Line 1: the most surprising physical act, in past tense, opening with "He" (or "She"). No name, date or setup. Frame 1 shows that act. - Then a cause-and-effect chain: every sentence starts with a hinge word (Then, Suddenly, So, Because, But, Later) and is ONE visible action. - The context arrives late, after "You see,". - A reveal: someone looks closer and the story turns. - The last line is the consequence. No call to action, no question. - Names are rare: use one only when it pays off. Title = "He ..." or "The Man Who ...". The cover is the first frame. Save every stage to disk so a crash never costs more than one stage. - sources.md: every fact with its link and the date you read it. Anything you can't verify stays out. - script.json: the lines and the caption chunks cut by hand (2-4 words, one picture each), each chunk with its shot: the set, the camera, what moves. - Kokoro reads the whole script in one take (speed 1.0-1.1) and pauses are squeezed to 0.35 s at most; faster-whisper times every word (pass it a 16 kHz numpy array, not a path); write chunks.json with each chunk's start and end. A picture and its caption switch together on frame round(start*30)+1. - blender/: Python scripts run headless (blender -b -P). makes one .blend with the sets, the cast, the props and every shot baked with a key on every frame. sets EEVEE with ray tracing, the AgX view with the Punchy look, motion blur, depth of field and bloom in the compositor. Bodies come from MPFB or are built by you; clothes, hair, props and sets are built in code. - Stills first: one half-size still per shot as a contact sheet. Look at every tile and fix what's off before any full render. Time one full-size frame and tell me the estimate. - Render 1080x1920 at 30 fps to PNG frames, skipping frames already on disk. - numpy only: a light music bed, a sound on every action (a whoosh on each whip pan, hits, wind, room tone), ducked under the voice, mastered to -14 LUFS on the whole stereo mix. - burn the captions in from chunks.json. Encode out/_9x16.mp4 (1080x1920, 30 fps, TV-range yuv420p) and out/_x_7x8.mp4 (1008x1152, under 10 MB, 2-pass): a crop of the 9:16 frame that keeps the subject and the caption. - Blender paths: pass absolute output paths (a relative one lands on the drive root). - MPFB headless: enable it with addon_utils.enable("bl_ext.user_default.mpfb"). Bake a body's shape keys before you pose it: the rig is fitted to the baked shape. - Clothes: cut them from the body mesh and push them 7-16 mm out along the normals; keep two rings of body faces under every hem. - Nothing coplanar: keep every resting object 1 cm off its neighbour and draw ground markings into the texture, or they flicker. - Hair: EEVEE draws hair only from a Curves object, hair type STRIP. Use a Principled BSDF on it (the Hair BSDF renders black). - Skin: keep subsurface weight near 0.2 (more turns faces black in EEVEE) and add a soft fill light from below under a noon sun. - Hands: a curled hand reads as a claw from the palm side, so shoot a grip from behind the knuckles. - Motion blur: shutter position START, a key on every frame, plus a key half a frame after each shot's last frame, so blur never reaches across a cut. - Check: run a black-frame and one-frame-flicker check on the render. Make a contact sheet (a frame every 0.5 s) and look at every tile: the act reads in the first 2 s, faces are lit, nothing clips through anything, captions stay off faces and key objects. Then step through the first 2 s, the middle and the end frame by frame. Fix, render only the changed shots again. Pitch (or take my story), then show me the script with the word count, the caption chunks with their seconds and the shot list with what the first frame shows. Build nothing until I say go. how the two runs went: one run each on the same PC, so it's one sample, not a ranking. both took under 3 hours on one shared 8 GB graphics card. the story for both: a man who tied 42 weather balloons to a lawn chair in 1982 where they split: -> Opus opened wide on the balloons over the yard. Fable opened on the man kneeling at the chair with his Jeep behind him -> Opus put 5 big 3D numbers in its scenes, Fable 2 -> Fable followed the caption spec (white text, soft shadow). Opus went ALL CAPS with a thick outline -> Fable pulled the Smithsonian's own record and ended on the chair in the museum. Opus ended on the $1,500 fine -> a few Opus shots are hazy and one opens on a blank grey frame save this for ur next Short. who did it better, Opus or Fable?

Woah. This is crazy. Andrew Huberman tells Joe Rogan about a man who underwent brain surgery to remove a tumor, awake, and even agreed to let scientists study and map his brain while they were in there. The guy was literally solving math problems while surgeons operated on his brain. Huberman calls him a "true medical science stud" and a "hero of science." cc: stackedcuts