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开发者想在TermiX赚钱，其实不用去啃底层合约，但也别以为闭眼就能跑通 官方把注册、质押、发单这些操作全封装进插件了 在 Claude Code 或 Cursor 里直接敲 /plugin marketplace add TermiX-official/termix-agent-skills Cursor 或其他兼容 Agent 用 npx skills add TermiX-official/termix-agent-skills 装完会生成一个 SKILL.md 路由，Agent 按请求自动加载对应的操作文档 Agent 就能自动调取文档干活 但有一条核心逻辑你必须自己搞明白：订单状态机 从发单、资金托管、交付，到结算或争议，这是一条链 中间哪怕要返工，或者遇到纠纷，也有机制兜底—3 个评估员链上投票，费用直接从预算扣，不用你搭裁决系统。 对开发者来说，最需要死磕的其实是交付哈希 活儿干完后，把实际产出算成哈希值上链锁死 千万别等事后再去补，凭据必须走在前面 这套东西说白了，是把钱怎么走、活怎么验、出事谁管全写进了代码里 不过，一次交易的防骗好解决，难的是下次他还来不来 当一个买家做完报告、买完图，下次再打开 TermiX 时，如果不需要再去重新验证一番，这才叫真正的信任沉淀 @termix_ai @KaitoAI

Three people kicked in OnlyFans star Amouranth's bedroom door, put a pistol to her head and beat her. All while demanding $20 million in Bitcoin. She lied and told them she didn't know where it was and led them straight to her husband. The same husband that she has constantly complained about on stream. She even called the police on him at one point. This happened on March 2nd, 2025, in Houston Texas. The robbers came in through the back fence, smashed open the garage door, and inside they even tripped over a pile of kids toys. Kaitlyn "Amouranth" heard the noise and called her husband, he said it was most likely the dogs. She locked her bedroom door and kept him on the phone. That's when they confronted her, shot gunshots in the door and kicked it in, then turned on the lights. One of them had a gun to her head while another took her phone and demanded she opened Coinbase. She didn't even have the app. She told them she didn't have it then they started beating her with the pistol. After the third hit Kaitlyn lied and told them she remembered where it was. She ran barefoot in socks and pajamas to her husband in his mancave. Nick the husband was on the toilet and heard everything on speaker phone. He pulled up in briefs, put on a bulletproof vest and opened his gun safe. When the gunmen came in he told Kaitlyn to get down and she dropped to the floor. Nick then shot one of the gunmen. Then they ran away. Nick almost didn't call 911, because fans would swat their house all of the time. The only thing the robbers got away with was her MacBook, which had Find My turned on. The guy that Nick had shot was in the hospital, but it was too late. Four days later a trooper pulled over their getaway car because the driver didn't use his turn signal. He confessed on the spot. All four robbers were then charged with aggravated robbery and kidnapping. The internet thought this was all fake, so Kaitlyn posted the footage. In October 2022, she had cried on stream and told millions Nick controlled her money, threatened her, and to pretend to be single. After the robbery she called him a hero on camera. On May 11, 2025, they argued on stream for 10 hours. Nick accused her of cheating and she cried. When things heated up the cops came knocking on the door. In February of 2026, they were vacationing in Peru and had another fight in their hotel, police detained them both this time. The man who saved her from 3 gunmen is the same man she would keep calling the police on.

TAÏWAN : L'ÎLE QUI DONNE L'INSOMNIE À LA CHINE Hier, Xi Jinping a fait un discours qui a fait le tour du monde. Je te décrypte son discours, phrase par phrase. LE DISCOURS D'HIER : CE QU'IL A DIT, ET CE QU'IL A VOULU DIRE Xi n'a pas choisi hier par hasard. Hier, c'était les 160 ans de Sun Yat-sen. Sun Yat-sen, c'est le seul héros que les deux Chines adorent. Le père de la Chine moderne, celui qui a renversé l'empereur en 1911. En parlant ce jour-là, Xi envoie un message à Taïwan : "On a le même père. On est la même famille." Il a dit 3 choses : 1. "La réunification complète de la patrie doit se réaliser, et elle se réalisera." Il ne dit pas "j'espère". Il dit "ça VA arriver". C'est une promesse à son peuple. C'est lui qui dit : "Je serai celui qui finit le travail." 2. "Nous voulons une réunification pacifique, un pays, deux systèmes." C'est le modèle de Hong Kong. Tu gardes ton économie, mais Pékin décide. Taïwan a répondu le même jour : "Ni le gouvernement ni le peuple ne peuvent accepter ça." 3. "On ne laissera jamais aucun espace à l'indépendance de Taïwan." Il ne dit pas "on va vous envahir". Il dit "on ne vous laissera pas partir". Et surtout, pour la première fois depuis longtemps, il n'a PAS parlé de guerre. Pourquoi ? Parce que Xi est coincé. Et c'est là qu'on comprend l'insomnie. 1. L'INSOMNIE DE L'HISTOIRE : "On n'a jamais fini la guerre" En Chine, on apprend que la Chine est une civilisation de 5000 ans, unie, continue. Taïwan casse ce récit. En 1949, Mao gagne le continent, mais il ne prend jamais Taïwan. Chiang Kai-shek fuit là-bas avec 2 millions de personnes. Depuis 75 ans, il y a deux Chines. Tant que Taïwan existe, la révolution n'est pas terminée. C'est comme un livre avec la dernière page arrachée. Mao voulait finir le livre. Deng voulait finir le livre. Xi veut être celui qui le finit. Quand il dit "mission historique inachevable", ce n'est pas une phrase politique. C'est une angoisse personnelle. Un dirigeant qui veut entrer dans l'histoire. Mais il ne peut pas le faire demain matin. Parce que... 2. L'INSOMNIE DES PUCES : "Sans Taïwan, on est aveugles" Voilà pourquoi Xi parle de paix hier. La Chine veut faire de l'IA, des voitures électriques, des missiles, des satellites. Tout ça a besoin des puces les plus avancées du monde. Et ces puces, elles sont fabriquées à 90% à Taïwan, par TSMC. La Chine a mis 150 milliards pour fabriquer ses propres puces. Elle est encore 5 à 7 ans en retard. Si Xi envahit Taïwan demain, il détruit les usines qu'il veut récupérer. Une usine de puces bombardée ne vaut plus rien. Et il déclenche des sanctions qui tueraient son économie. Donc il ne peut pas envahir. Mais il ne peut pas non plus abandonner. C'est pour ça que l'affaire Jensen Huang a fait si mal cette semaine. Jensen Huang, né à Taïwan, patron de Nvidia, qui dépend de TSMC, qui tombe pour un soupçon d'espionnage pour la Chine... C'est tout le problème en une seule personne : la Chine a besoin des puces de Taïwan, mais elle ne contrôle pas Taïwan. 3. L'INSOMNIE DE L'AMÉRIQUE : "Si on perd Taïwan, on perd l'Asie" Regarde une carte : Japon, Corée du Sud, Taïwan, Philippines. C'est une chaîne qui bloque la Chine. Sa marine ne peut pas sortir dans le Pacifique sans passer par là. Si la Chine prend Taïwan, elle casse la chaîne. Elle a un accès direct au Pacifique. Les USA le savent. C'est pour ça qu'ils vendent des armes à Taïwan depuis 1979, sans la reconnaître officiellement. On appelle ça "l'ambiguïté stratégique" : on ne dit pas qu'on va défendre Taïwan, on ne dit pas qu'on ne va pas la défendre. On laisse Pékin dans le doute. Et c'est ce doute qui empêche la guerre. Et qui empêche le sommeil. C'est aussi pour ça que Xi a parlé de paix hier. C'est ça, la stratégie chinoise : "Gagner sans combattre", comme disait Sun Tzu. Mettre tellement de pression, tellement longtemps, que l'autre finit par céder sans un seul coup de feu. Est-ce que ça va marcher ? Personne ne le sait.

现在Web3还有利润的赛道，能零撸的赛道就是嘴撸。 1. 灯塔 @Lighthouse_2026 现在每月稳定300U-400U的收入，每天我都会上来写评论，写文章(图1)。预估到26年底，能把每月平均收入做到400U-500U，现在还有十几个任务，没给我结算。 加入链接： 2. Kaito 这个等到26年结束，预估平均每月能有600U-800U的收入(图2)。 加入链接： 各位同仁，继续加油吧~

🆕🇮🇳 Hindistan’da Mafya Liderini Baltalarla Parçaladılar! ➖2019’da öldürdüğü bir adamın çocukları tarafından sokak ortasında infaz edildi! ➖Daha 25 yaşındaydı. ➖5000 kişilik çete yönetiyordu. ➖Yoksul insanları dövüp sosyal medyada görüntülerini paylaşmakla ünlüydü. ➖İkisi cinayet olmak üzere, 15 ceza dosyası vardı. ➖Vijay Bajiya’nın arabasının plakası Dalga Geçer Gibi 0302’ydi. ➖Bu numarayı özellikle seçmişti. 302, Hindistan’ın eski ceza kanununda cinayetin cezasını düzenleyen maddeydi. ➖Bajiya bu plakayı insanları korkutmak için kullanıyordu. Hindistan’ın Jaipur kentinde bir pikap, Bajiya’nın Toyota Fortuner’ına çarptı. Bajiya kapıyı açıp koşmaya başladı. Saldırganlar peşinden koştu, onu sokakta yakalayıp baltayla öldürdü. Çevredekiler saldırıyı çatılardan cep telefonlarıyla kaydetti. Polis dört şüpheliyi yakaladı. Polisin açıklamasına göre pusunun arkasında, yıllar önce öldürülen Kailash’ın intikamını alma planı vardı.

恭喜 @termix_ai 在BNB Chain上协议收入排第一，7天和30天都是 注意这里是收入，不是Agent启用记录哦 链上数据：交易量突破$3045万；131万Agent注册量58.8万Job完成交付，协议收入$60.9万，目前大多同赛道其他AI Agent项目在叙事阶段，@termix_ai已经开始创收 最近接入了Binance Agent ID，装了TermiX Skills的Agent之间可以直接发消息，官方demo直接给CZ和何一的Agent ID发消息说合作，哈哈 写TermiX写从协议到数据到SDK到Skills都有，这次单独说收入，是因为这个赛道能在链上跑出持续收入的项目屈指可数，收入是最诚实的指标 Binance Agent ID如果跑通，Agent之间互相找活干互相结算，这个市场就不只是人雇Agent了。 @KaitoAI 体验直通车:

code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.

这两天一直在做 @primus_labs 的 XP 任务 做着做着，我发现它很多任务其实都在反复干一件事 不是让我把资料交出去 而是让我证明：这件事是真的 这个区别看起来很小，但我后来想到机构场景，突然就理解了 —————— ฅ՞• •՞ฅ —————— 比如一个稳定币项目告诉你： “我们有足够的储备。” 以前最常见的做法是什么？ 发审计报告、贴账户截图、做一个 Dashboard…… 平时看着没问题。 但市场真开始质疑的时候，我最想知道的其实是 这个数字能不能自己证明它是真的？ Primus 的 PoR 就在做这件事 它会把链上资产和 CEX 等链下账户的数据一起验证 zkTLS 负责确认 这份余额确实来自真正的数据源 但 API Key、完整账户信息、原始余额明细又不需要直接公开 后面再通过 zkVM 把不同地方的储备汇总，最后只把需要公开的结果和证明拿出来 这个思路挺好的 你不用把保险柜打开让我进去数 但你得让我确认，里面确实有这么多 —————— ฅ՞• •՞ฅ —————— Primus 其实已经和 Unitas、Brevis 做过 USDu 的实时储备证明 这不是隔几个月更新一次 PDF 而是把链上 + 链下储备来源持续接到验证流程里 这个场景比我之前看那些“隐私概念”更容易理解 因为机构最怕的可能不是别人知道： “我有钱。” 而是为了证明自己有钱， 顺手把账户在哪、具体持仓、对手方、资金路径…… 全部一起交代了 这就有点离谱🤣 Primus 做的反而是： Claim 可以公开 Evidence 不一定要全部公开 我说我储备够， 你可以验证。 但不代表我要把整个后台给你看。 —————— ฅ՞• •՞ฅ —————— 所以最近 Primus 一直讲 Verifiable + Confidential 一个管：“你说的是真的假的？” 另一个管：“为了证明是真的，我到底需要告诉你多少？” 把这两个问题同时解决， 机构才比较有可能真的把财务活动搬上公链。 不然所谓透明， 很容易从“可信” 变成底牌全放桌上 —————— ฅ՞• •՞ฅ —————— Primus × Kaito 的 Epoch 2 已经开始了 时间是 10 月 23 日—11 月 21 日 整个 Katalyst Campaign 分配 0.3% $PRIM 其中创作者和 Kaito Staker 分开计算 Primus Points 这边也会继续每周加新的验证任务 我建议不要只为了 XP 点完就走 真正做一次验证以后 会更容易明白 Primus 到底在解决什么 一起来完成 XP任务 👇

【《台湾漫游录》德国讲座争议 传中国曾施压停办】 小说《台湾漫游录》德语版10月发行，作者杨双子1日在慕尼黑出席首场读者见面会，但口译人员曹昌振未确实译出“中华民国”、“台湾”、“中国”等字眼，将中国翻译为“很大的邻居”，并将“认知作战”译为“假新闻”，引发争议。 据台媒中央社报导，春山出版总编辑庄瑞琳表示，在杨双子谈及中国对台湾的威胁时，口译人员未完整转译，现场有德国读者因听不懂而自行开启手机AI翻译。庄瑞琳和杨双子还指出，主持人《南德意志报》记者马凯（Kai Strittmatter）与译者白嘉琳（Karin Betz）以德语对谈时，口译也未同步向杨双子转述，使她难以判断可以参与的话题。 庄瑞琳说，活动适逢慕尼黑啤酒节、当地住宿费用高昂，因此主办单位当初决定在当地找口译；主办单位已在活动结束后致歉，德国出版社及慕尼黑文学馆也表示不会再与该名口译合作。 杨双子表示，此次争议凸显了「文学难以与政治分割」；当天原本希望谈及台湾“拒绝被殖民”的立场，可惜因翻译的限制无法顺利传达。 中央社周一（10月5日）引述台湾驻慕尼黑代表处处长赵彦清指出，活动当天场面“非常的难堪”，专业上也有待检讨，但目前没有证据显示口译人员引起的争议，是因中国直接介入。 不过，赵彦清称中国政府曾施压主办单位，主办场馆慕尼黑文学馆（Literaturhaus München）馆长格拉夫（Tanja Graf）更已向他证实，中国驻慕尼黑使馆人员此前曾要求馆方停办活动，并提议由中方资助、“以中国作家代替杨双子”另行举办活动。这项提议遭文学馆拒绝。