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Good night everyone, I hope everyone has a good night. I am the owner of this piece of art. If you like my work, let me know. Good night and good morning.🧡🤍💫⭐️🦊🍈🍈🎀💗💝💖💞💕🔞🌶️ #tailzkim# #mammal# #canid# #canine# #fox# #grey_fox# #mihoyo# #zenless_zone_zero# #art# #yiff#
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Struggling to receive international payments? With Grey, you can easily receive USD, EUR, GBP, and stablecoins from anywhere. Watch the full video to see how, and tap the link below to get started.
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ICYMI: Get your first look at PvE combat in the upcoming Lovecraftian extraction shooter, Rules of Engagement: The Grey State.
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jean grey in a spider-man movie before black cat is crazy
Ryan Reynolds went around SDCC and took photos with fans in his Grey Deadpool costume without them realizing it was him.
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离谱!打死我都想不到,有公司愿意把这种东西公开出来。 AI 视频圈最没用的就是"只放成片",成片可以随便给人看,但工程文件是命根子。 Higgsfield 这次把 Originals 的工程文件全开源了: 每个镜头的完整 prompt、角色参考图、音频母带、生成参数,点开项目全能看。 我翻了一圈,学到了很多: 角色先做成一整套参考图锁一致性,每个镜头单独一个文件夹,哪个镜头坏了只重跑那一个。 看完你就明白了,大片是把 AI 当真剧组管出来的,写一条 prompt 等奇迹这种事从来不存在。 挑了个我最喜欢的镜头,提示词原文长这样: Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below: Prompt: Slow-motion handheld close-up, 16:9. Shaky organic handheld shot shoving in close on an older grey-haired man in a soaked white shirt and tie, chest-deep in churning green-grey flood water clutching a glass bottle, mouth open mid-shout — while all around him a dense crowd churns: a woman shoves past his shoulder, two men wrestle a floating chair behind him, someone falls backward into the water beside him sending up a slow sheet of spray, more panicking bodies wade and thrash in the background. In slow motion water explodes across the whole frame, droplets suspended everywhere. Dynamic jostling handheld movement at water level in the thick of the crowd. Sickly institutional palette — seafoam green, cream, muted teal, cold reflective water. All faces anatomically correct, stable, realistic, genuine emotion, no warping. Heavy coarse analog 35mm film grain baked into every frame, thick and consistent, grain crawling over highlights and shadows, like a scanned celluloid film print, never clean, never digital-looking. Flat overhead fluorescent light, dramatic slow-motion intensity, cinematic photorealistic, ultra-detailed.
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If you’re just trying to get through each day, give yourself a few hours that feel alive. DIR EN GREY MORTAL DOWNER 2026.7.18 SAT | 7.19 SUN TOKYO GARDEN THEATER
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Seedance 2.0 on OpenArt AI Prompt: Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video. Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion. Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading. 00:00–00:02 Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus. 00:02–00:04 The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up. 00:04–00:06 She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead. 00:06–00:08 Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead. 00:08–00:10 On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift. 00:10–00:12 Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late. 00:12–00:15 Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood chatter, cat sounds, footsteps on concrete, fabric moving on clotheslines, subtle residential ambience. No music. No sound design. No narration. Goal: Authentic Korean neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable.
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Grey wolf turns into a total good boy when the humans who helped raise his pack visit him
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Seednace 2 mini on @openart_ai Prompt Seedance 2.0, 15 seconds, 16:9. Main subject from @ image1 — lock her completely. Face, skin tone, body, outfit, everything stays identical the whole way through. She's wearing a grey faded sleeveless crop top, loose high-waist light blue jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side-swept ponytail with bangs. Korean woman, early-2000s feel. The whole thing is shot in a quiet Korean residential neighborhood — narrow concrete alleys, low-rise houses with small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, big trees, and overhead cables everywhere. No shops, no vendors, nothing commercial. Just a real neighborhood. Camera treatment is the whole point. This needs to look like someone's friend grabbed a DV camcorder and just started recording — no plan, no setup, no nothing. Heavy handheld shake, constant reframing, subject drifting toward the edges, autofocus hunting, lens breathing, exposure pumping. The image itself should look faded, low contrast, slightly washed out, with that digital noise and compression feel that early-2000s home video had. No stabilization. No modern grading. This aesthetic is non-negotiable. She starts sitting on a concrete sidewalk fixing her ponytail, arms raised, genuine smile, wind catching her hair — camera barely holding focus. Then the camera follows her into a narrow alley where she crouches down and feeds a stray cat that comes right up to her. After that she's in her front yard hanging laundry on the clothesline, morning breeze moving everything, camera swaying and hunting. Mid-section she's on the front terrace with a coffee cup, just sitting quietly, looking out at the street — loose drifting shot from the side. Then a right-side close shot where she raises her arm, waves warmly toward someone off-frame and says "Annyeong" — camera catches it a beat late. Final shot is a slow tracking walk down the street, coffee cup in hand, she notices the lens, turns slightly and gives a real quiet smile — then the recording just cuts to black mid-motion like the camcorder got switched off. Audio is strictly natural. Morning birds, light breeze, distant motorcycle sounds, faint neighborhood chatter, cat, coffee cup, footsteps on concrete, leaves. No music, no sound design, nothing added.
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