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辻さんの化粧品ブランド #illuN# のおかげでコントロールカラーとフェイスパウダーのみで　#超NATSUZOME2023# ノーファンデで挑むっっっ！！！！ ノーファンデ関根、見にきて！ 11:25〜超ステージ！　#アプガ#

You NEED to set this up. The best AI models + the best trading tool!! Connect TradingView to Claude, GPT, Codex, or any LLM in 30 seconds 😘😘😘 TradingView just released its official MCP, so go ahead and delete those old community MCPs. They're not as secure as the official one, and not as easy to use either! It can read charts, data and indicators directly, manage your watchlists, build screeners, set and manage alerts, and analyze any company's fundamentals. Pretty much everything you do in TradingView can now be done with AI's help. Seriously powerful. I made an illustrated guide to the whole setup. Give it a try, it works great.

JUST IN: 🇨🇳 China's top intelligence agency warns anonymity in crypto is a "false proposition" and an "illusion." China's Ministry of State Security says foreign intelligence agencies use the "illusion" of crypto anonymity to trick citizens into espionage recruitment, claiming crypto is untraceable. China says blockchain transactions leave a permanent digital trail, and converting between fiat and crypto makes it easy to expose people's identities.

14 states have ZERO voter ID. Democrats always win those 14 states. I can GUARANTEE that all 14 states have MASSIVE election fraud. This 14 states are: • California • Hawaii • Illinois • Maine • Maryland • Massachusetts • Minnesota • Nevada • New Jersey • New Mexico • New York • Oregon • Pennsylvania • Vermont

FantiaとFANBOX更新しました❤ 今回は日焼け跡ジュンちゃんと身体洗いっこからの生えっち＆生中〇し差分です❤❤❤ 画像は参考までに🙏 My support site has R18 illustrations that you can't see here❤ よろしくお願いします🥰🙏 Fantia FANBOX

Google Pics — our image creation and editing tool in @GoogleWorkspace — is rolling out to Google AI Pro and Ultra subscribers and most Workspace business customers. Built on our Nano Banana image generation and editing model, Pics gives you the control you need to create whatever you're imagining — like designing a poster, producing social media posts, or editing digital illustrations. It also includes a suite of fine-tuned editing capabilities that let you generate images and make precise edits rather than starting from scratch.

A director who doesn't come up to the builder's heels makes a four-hour film about him. Yesterday in Venice, Alex Gibney's nearly four-hour documentary "Musk" had its world premiere. It is a classic case of someone who has spent a career telling other people's stories taking on a man who actually builds those stories with rockets, cars, satellites, and infrastructure, not slides. Alex Gibney is an acclaimed documentarian. An Oscar for Taxi to the Dark Side, Emmys for Going Clear on Scientology, high-profile films on Enron, Elizabeth Holmes and Theranos. His specialty is exposing corporations, cults, and frauds. He does it skillfully and with a thesis. The problem starts when he applies the same method to someone who is not selling an illusion, but hardware that either flies or blows up in front of the entire world. Gibney's fuel is controversy. Elon's fuel is the pursuit of truth hard, engineering truth, the kind that either works on the test stand or it doesn't. It would have been enough to make a film based on facts. Instead we got another rut that fits the slogans of provocation: megalomaniac, confidence man, threat to democracy, an AI avatar reciting old quotes, ex-wives, his father, a former partner. Musk said in 2023 it would be a hit piece. After the premiere, a large share of reviewers effectively agreed with him. I don't know about you, but four hours of falsified formulas would bore me. Instead I watch how much Elon has already done. His energy is extraordinary. Tesla changed the car industry. SpaceX brings rockets back. Starlink works. Starship stands on the pad and prepares for the next flight. This is not a PowerPoint. It is steel, fuel, engines, and people who cannot hide failure in the edit suite. A weak documentary like this is a crumb on the shoulder of his jacket. Now it depends on us when and how quickly that blown-off crumb a utopian attention vampire is simply starved of attention. You could list the names of people who tried to take Elon's energy. Energy is the most precious thing we have. Anyone who steals it with slogans, gossip, and a four-hour indictment that excludes the main subject is sowing under his own feet. Gibney: you reap what you sow. If you have a shred of shame, look at the list of Elon's accomplishments. Look at what kind of person he is for the world and what he does around himself so that things get better cars that drive, internet from orbit, rockets that return, attempts at a brain-computer interface, AI that is supposed to be more than another chatbot. You can dislike his tweets, his political alliances. You cannot honestly erase the scale of what was physically built. A good documentarian should stand, at least for a moment, in the shoes of the person he is portraying. Gibney did not just fail to do that. He took a measure cut for Enron and Holmes and held it up to a man who lands rockets. He left Elon's shoes in the edit suite. Elon walked on barefoot and kept building. One man tells stories about the world from an editing chair. The other moves that world. A four-hour film will not change that. At most it will confirm what people who already disliked Musk already believed. Everyone else can blow the crumb off the jacket and keep going. History does not judge a man by the length of a film. It judges him by what is still in the air when the camera has stopped running. Controversy feeds on attention. Building feeds on repetition. One vanishes when you look away. The other keeps flying. You can cut a man together in four hours. You cannot cut a landing together. A documentary can be switched off. The work cannot.

It's hard to believe Starhopper's 150 meter hop was seven years ago today. I shot it from the roof of a house in Boca Chica Village that no longer exists. These images clearly illustrate how far the Starship program has come, and how ragtag the beginning was.