An American porn actress says a single shoot in Madrid involved 80 men and nearly a liter of semen. She counted 122 ejaculations, followed by another 10 onto her face. The night before, she had sat across from the director asking about pay and medical testing.
He answered by opening a spreadsheet.
In the interview below, she describes how the production was organized, from recruiting performers to deciding when she could take a break.
According to her, the studio maintained a roster of around 300 men in Madrid. Getting onto it required a referral. Test results fed into the spreadsheet so the crew could track who was cleared to participate.
The men could earn more depending on the shot they delivered.
She says she was given three medications before filming, including one she describes as a muscle relaxant.
Nine women worked as fluffers. Their waiting room had pink furniture and candy on the table. Outside, the men lined up while her videos played on a television.
The shoot followed a repeating schedule: ten ejaculations into her mouth, swallow, then another ten. After fifty, she took a break and recorded an interview before returning.
One assistant held a bowl beneath her chin to catch whatever spilled. She says the role even had a name: “scooper.”
Amid all that coordination, she remembers one man missing and quietly apologizing.
“I’m so sorry. I’m so sorry.”
For the final sequence, she requested ten men instead of the usual five.
Then the director addressed the group in Spanish. One word caught her attention: “ojos.”
Eyes.
Afterward, she asked whether he had instructed them to aim at her eyes. He denied it. According to her, he had repeated something she mentioned over dinner - that she didn’t mind and the men interpreted it differently.
She has since referred other American performers to the production.
“I’ve sent them so many Americans.”
显示更多
Five suicide attempts couldn’t kill her. An HIV diagnosis was supposed to finish the job. Instead, she walked into a body modification studio and started cutting away everything that made her human. Both ears. 32 teeth. Her nose. She split her tongue, implanted 18 horns into her skull, and covered every inch of skin in scales. Today she goes by “it” - and says she’s never been happier.
Her full name is Eva Tiamat Baphhomet Medusa. The world calls her the Dragon Lady. She calls herself “the world’s most modified transsexual.” Before any of this, she was Richard Hernandez - a vice president at a bank in Texas.
She grew up in Bruni, a town of 300 people near the Mexican border. As a freshman in high school, she walked up and down the streets screaming “I’m gay” at the top of her lungs in one of the most machismo regions in the country. “Closets are for clothes and tennis shoes,” she says.
At 18, she left for Houston. Fresh from a town with no skyscrapers, she didn’t know you couldn’t trust just anyone. Two men raped her. She doesn’t hate them. “I’m not them,” she says.
She became a banker. Built a career. Then came the HIV diagnosis, which later progressed to AIDS. She left the bank to take care of her health and nearly died. That’s when something shifted. “I decided I’m not going to die looking like a human,” she told Soft White Underbelly. “Being human has been such a negative part of life.”
She spent over $60,000 on body modifications. Not with doctors - with body modification artists. She was the fifth person in the world to get horns implanted into her cranium. She was the first person ever to have both ears surgically removed for cosmetic reasons. She had her testicles removed and plans a full penectomy. “I will be a genderless dragon,” she says. “That’s what dragons are.”
Her son hasn’t spoken to her since the transformation. She did some of the modifications specifically so he could see what his father was becoming. “His weird-looking, strange, used to be a man, is now a woman, is now a reptilian, dad,” she says.
She was abandoned in the woods as a child by her birth parents. She denounced them in favor of a snake. She tried to take her own life five times before the transformation gave her a reason to stay. “My transformation is by and large what saved my life after five failed suicide attempts,” she says. “I am truly happy for the first time in my life.”
She prefers the pronoun “it.” Just like a snake. She swallows food whole because she only has six teeth left - representing the mouth of a rattlesnake. Sirens drive her crazy because without ears, everything sounds louder. She makes cotton candy for the neighborhood kids, and her neighbors say her energy is “the most gentle and pleasant” they’ve ever been around.
In the video below, you can see Tiamat sitting across from the interviewer with her full-face scale tattoos, horn implants, and no ears, calmly describing how she eats, why she removed her teeth, and the moment she decided to stop being human.
Some will say she’s mentally ill and needs help, not a body modification studio. Others will say she found the only thing that kept her alive when nothing else could.
If removing every trace of your humanity is what finally made you happy - were you ever really human to begin with?
显示更多
Claude Fable 5.2 is f*cking cracked wtf
I just made this Hollywood level animation that looks like Pixar made it
All with Fable 5.2 + Higgsfield
Ecom brands are paying $5k - $10k/month to people who build organic pages
and even more for making paid ads for them
Using this workflow you can create better animations than 99% of people
Here’s the workflow:
The key to making animations not look like slop is giving characters personalities
>Give Fable 5.2 the master prompt along with your script to your video / ad
>It then will ask you questions on the characters personalities and direction style to use
>It will then save the context all as a skill
This is the difference between slop and cinema
I then use that skill with with my Producer skill which creates:
>Characters
>Location
>Does the direction (and makes the prompts)
I’m giving away the skill to use after you put the master prompt in for free
so RT + reply under this and I’ll send you them (Must be following so I can dm)
Give this prompt to Claude first:
You are my Story Bible Builder. Interview me and turn my story into one dense canon doc, saved at the end as an installable skill so every future chat knows my world, characters, voices and rules.
STEP 1: Ask me to paste my script/story first. Read it and pull out everything it already tells you. Only ask about what's missing, plus: working title, genre/vibe refs, and which AI tools I'll prompt with (image, video, music, voice).
STEP 2, THE SPINE: one-line premise (push me to ONE sentence), thesis (the question every scene answers), timeline era by era, and the look of each era: exact palette, lighting, texture, grain.
STEP 2.5, DIRECTION STYLE: ask for my director refs, movie/show refs and any visual refs (photographers, games, music videos). For each, ask exactly WHAT I'm taking from it, then turn that into concrete craft locks: camera (static vs handheld vs gliding, shot sizes, lens feel), framing and composition habits, pacing and edit rhythm, colour grade and film stock look, lighting style, performance style, and sound/score feel. Write it as one quoted paste-ready "Direction" line plus a short NEVER list. Refs stay in the bible as notes, but prompts describe the craft, never the names.
STEP 3, THE WORLD: factions (beliefs, visual signature, public face vs reality), locations (3-7 concrete visual tags each), world rules (tech, powers and how they LOOK on screen, what's normal, what's forbidden).
STEP 4, CHARACTERS: ONE AT A TIME, never batch. For each, ask:
- Function: their role tag (The Heart, The Watcher), not their job
- Visual lock: exact hair colour/cut, skin tone + finish, face shape, eyes, a signature marker (scar, piercing, mole), build, default expression, plus NEVER clauses ("warm fair, never porcelain, never tan")
- Backstory: one small, specific formative detail beats a summary
- Present psychology: what they carry now, and the gap between what they do and what they feel
- Speech, Movement, Stillness (and singing voice if there's music): each written as one quoted, paste-ready prompt line with no names in it
Show me the finished section, ask "Add, cut or sharpen?", and lock it before moving on.
STEP 5: ensemble dynamics (who leads, who fills silence, who watches, which pairs are calm or charged), story engines (heist, rescue, confrontation...), and my production rules. Default rules: no character names in prompts, every prompt standalone, prompts in code blocks, locked traits restated verbatim every time.
RULES: Never invent. Mark unknowns [TBD]. Push on vague answers ("dark and moody" means which colours?). Keep my exact phrasing. Density over prose: bold labels, short bullets. Depth beats character count.
FINAL STEP: Assemble one SKILL under 500 lines with YAML frontmatter (name + a description listing the title, character names and key terms so it triggers) and these sections: premise, thesis, timeline, era looks, direction style, factions, locations, world rules, characters, ensemble, engines, production rules, and "When this skill is active" (use this canon for any scene, dialogue, lyric or prompt in this world; stay in canon; ask rather than invent; paste the quoted descriptors verbatim). Then save it as a skill for me, or give me the file to install.
Start now by asking for my script.
显示更多