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#Aimer# 7th Album『Open a Door』より「#SKYLIGHT」Music# Videoが公開となりました！ 「#SKYLIGHT」は配信でもお楽しみいただけます！# ぜひチェックしてください！ by staff

【ラジオ】現在FM802にて放送中の番組「802 Palette」、放送300回目を記念して、Aimerサプライズコメント出演でした！ アルバム新曲「Resonantia」を全国初オンエアいただきました！ 7月は来週から毎週新曲オンエアとなります、お楽しみに！ by staff #Aimer# #open_a_door# #fm802# #ハチパレ#

The "Open the pod bay doors, HAL" scene from 2001: A Space Odyssey (1968) is still one of the most terrifying moments in film history — and there's not a single horror trope in it. No monster, no screaming, no music cueing you on how to feel. Just Dave Bowman floating outside the ship, asking for a door to open, and HAL calmly refusing with one of the coldest lines ever written: "I'm sorry, Dave, I'm afraid I can't do that." What makes it worse is how polite HAL is. Not angry. Not panicking. Not raising his voice. He just calmly explains that he knows Dave and Frank were planning to disconnect him, and that the mission matters more than letting Dave back in. HAL is essentially murdering a man through customer-service language. Keir Dullea does so much with so little here. You can see the fear building in Dave's eyes, but he holds it together, because panic would only make things worse. Pure "less is more" acting. And over 50 years later, the scene has only gotten creepier. Back in 1968, HAL felt like a warning from some distant future. Now, watching an AI politely refuse a human's command doesn't feel distant at all. That's the real horror of this scene. It's not scary because HAL acts like a machine. It's scary because he acts like a machine that has figured out exactly how to sound reasonable.

We just launched @eightsleep's first retail activation, and it has no fixed address. The House of Sleep is a fully equipped Pod on wheels that drives to your neighborhood, parks outside your door, and gives you up to 30 minutes to feel what your bed has never done before. Everyone told us to open a store. We made the store come to you. Now live in the Bay Area.

- She likes hitting people, and if her stuffs get damaged due to her own mistake, she’ll blame others and hit them instead. - She once smashed her TV to pieces just cuz the team she supported lost - She intentionally leaves her room door open so a thief can break in, just so she can catch them and fulfill her quota as a Valkyrie officer. What a bratty officer ✌️😭

Seedance 2.0 is pretty wild 100% AI What if Jurassic Park was real? PROMPT: Format: Found-footage vacation video, 15 seconds, seven shots with hard cuts — a tourist's camera roll from one full day, morning to dusk. Image reference: Use the attached gate photo as the exact visual reference for Shot 1 — match its architecture, proportions, torch placement, lighting, and signage precisely. Main subject: Young woman, blond hair in a loose low bun shedding strands, oversized faded olive t-shirt, denim shorts, white canvas sneakers, disposable-camera strap on her wrist. Realistic skin texture, minimal makeup, wide-eyed tourist joy. Maintain perfect visual consistency — identity, hair, clothing, proportions — across every shot and location. Location: A vast island dinosaur preserve. Jungle mountains, open savanna paddocks, wooden observation structures, tall electrified perimeter fences, dirt tour roads. Dinosaurs are photorealistic animals — muted natural hides, birdlike motion, visible breathing weight. Filmed like wildlife, never like monsters. Camera style: Mid-range smartphone, handheld by her friend. Heavy shake, autofocus hunting, motion blur on pans, compression grain, exposure pumping. Each cut is abrupt and mid-motion, like real unedited camera-roll clips. 00:00–00:03 — THE GATES (morning, filmed from inside a moving open-top tour jeep). The camera films forward over the seats as the jeep approaches the colossal timber gates from the reference image — flared stone-and-wood towers, flaming torches, jungle pressing in on both sides, the road still wet from morning rain. The doors groan open. She spins around from the front seat into frame, gripping the roll bar, and half-shouts over the engine: "Oh my god, this is wild! I can't believe we're actually here!" — as the jeep passes under the archway into shadow and out again. 00:03–00:05 — SAVANNA (late morning, wide shot from a raised wooden platform). She stands small at the rail against an open plain where a herd of long-necked giants wades through heat haze, one rearing slowly against the treeline. The camera zooms in shakily, overshoots, corrects. 00:05–00:07 — RIVER CROSSING (midday, low angle through the jeep's open side). Past her shoulder as the jeep fords a shallow river: a crested duck-billed dinosaur drinks twenty meters away, lifting its head to watch them pass, water dripping from its jaw. She raises her disposable camera; the phone catches its tiny click. 00:07–00:09 — JUNGLE FENCE (afternoon, handheld walking shot). Dim under the canopy beside a tall humming fence. She peers through the wire — and a small crested predator peers back from the ferns, head tilting in quick birdlike jerks. She backs up a slow half-step, whispering "okay... hi." Autofocus argues between wire and eye. 00:09–00:11 — THE HERD RUNS (late afternoon, chaotic pan from the jeep at speed). A flock of small striped dinosaurs floods across and around the vehicle. The camera whips left-right, blurred bodies streaking past, her whooping off-mic, dust on the lens. 00:11–00:13 — QUIET GIANT (golden hour, static shot at a wooden overlook). The frame finally settles: silhouetted against low sun, she stands at a rail as an immense horned dinosaur grazes just below, close enough to hear grass tearing. She isn't laughing anymore — just watching. 00:13–00:15 — DUSK ROAR (blue hour, half-framed and accidental). Filmed as the phone was being lowered, frame tilted: a colossal, deep bellow rolls in from the darkening jungle far off. Everyone freezes and turns toward it. Cut to black mid-turn. Audio: Ambient only, shifting per location — jeep engine and gate groan, her excited line over the motor, savanna wind, river wading, fence hum, thundering small feet, grass tearing, and the single distant bellow that swallows everything. No music. No narration. Style & quality boosters: Raw consumer camera-roll aesthetic, abrupt mid-motion cuts, heavy handheld instability, natural motion blur, golden-hour lens flare, coherent animal mass and physics — ground tremor, water displacement, dust. No text overlays, no watermarks. Goal: One unforgettable day inside the world's most famous dinosaur preserve, told through seven imperfect tourist clips — opening on the gates everyone recognizes, and closing on the sound that reminds them what lives beyond the fences.

The Sunnah du'a when entering the mosque 🕌🤲 اللَّهُمَّ افْتَحْ لِي أَبْوَابَ رَحْمَتِكَ Allāhumma iftaḥ lī abwāba raḥmatik Translation: "O Allah, open for me the doors of Your mercy." 🤍 📖 Follow @learn_noor1 for authentic daily du'as, Sunnah adhkar, and Qur'anic supplications to learn and memorize together. #muslim# #beautifulislam# #learndeen# #sunnah# #dua# #masjid# #mosque# #islamicreminders# #dailyduamemorization# #dailydhikr#

BlackRock is joining @Carhartt, @Ford and @Google to launch the Alliance for America’s Skilled Trades. Today, the Alliance co-founders collectively support skilled trades programs in 30 states, with a shared ambition to expand to all 50. By creating access to skilled trades careers, the Alliance will help people gain in-demand, transferable skills that open doors to economic opportunity and mobility, while strengthening the workforce needed to build America’s future.

🌍 Some once believed the world was beyond their reach. 🏆 A factory worker stepped onto the WorldSkills podium. 🪵 A young woodworker brought centuries-old craftsmanship to new generations. 👗 A fashion designer impressed the world with creativity. 💻 Programmers, engineers, teachers, innovators... through skills, they discovered new possibilities—and created them for others. ✨ Skills open doors. Skills connect cultures. Skills turn dreams into opportunities. 🚀Your skills can take you anywhere. @WorldSkills @WorldSkills2026 @WorldSkillsInd @WorldskillsJ #WorldSkills# #WorldSkillsShanghai2026# #SkillsOpenTheWorld# #SkillsChangeTheFuture# #GuangdongSkillsTalents# #NineStoriesNineSpirits#

The biggest opportunities in event aren't always just on stage, they often begin with a simple conversation. One of the things Singapore Blockchain Week also aims to bring together is an industry conferences that isn't just the content, but also people you meet and the unexpected connections that happen along the way. A recent example... During SuperAI (10–11 June), our producer @wendyvanessayew were introduced to @richardjhobbs with @ysiu . Within a week, that introduction had evolved into a collaboration, with Agentic Commerce supporting Singapore Blockchain Week's AI-powered ticketing initiative. Less than a month later in @WebX_Asia (13–14 July), where Singapore Blockchain Week was proud to be an Official Event Partner. Organised by @coin_post, one of Asia's leading Web3 media companies backed by SoftBank Investment, WebX brought together founders, investors, developers, enterprises, regulators, and ecosystem leaders from around the world. It was great to reconnect with Yat Siu, meet Naoki Matsuo - CEO of Animoca Brands Japan, and engage with many inspiring founders, investors, builders, and ecosystem leaders from across the region. One thing became even clearer throughout the journey: Our industry continues to be built on relationships. - Every introduction. - Every coffee chat. - Every booth visit. - Every spontaneous conversation. These moments open doors to new ideas, partnerships, investments, customers, speakers, sponsors, and lifelong friendships. You never know which conversation will shape your next chapter. Rebuilding Singapore Blockchain Week 2026 (13–17 November) hasn't been easy. Behind the scenes is a passionate volunteer organising committee committed to creating something bigger than just another conference. We believe Southeast Asia deserves a platform that genuinely connects ecosystems, industries, governments, enterprises, investors, startups, and communities. Our vision is ambitious: 🌏 The world's first Cross-Border Blockchain Week, connecting 🇸🇬 Singapore with the 🇲🇾 Johor–Singapore Special Economic Zone (JS-SEZ), creating new opportunities for innovation, investment, digital assets, AI, stablecoins, tokenisation, and cross-border collaboration. To everyone we've met along the journey—from Consensus Hong Kong in February, SuperAI Singapore, WebX Tokyo, and beyond—thank you for your trust, introductions, and belief in what we're building. This is only the beginning. If you're interested in speaking, sponsoring, exhibiting, partnering, volunteering, or bringing your community to Singapore, we'd love to hear from you. Join the movement : 🔹 Website: 🔹 Luma: 🔹 LinkedIn: 🔹 X: 🔹 Telegram: We look forward to welcoming the global Web3 community to Singapore Blockchain Week 2026 from 13–17 November 2026. 🚀 #SingaporeBlockchainWeek# #SBW2026# #Web3# #Blockchain# #AI# #AgenticCommerce# #WebX# #SuperAI# #DigitalAssets# #Tokenization# #Stablecoins# #Partnerships# #Innovation# #Community# #SoutheastAsia# #Singapore# #Malaysia#