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Five suicide attempts couldn’t kill her. An HIV diagnosis was supposed to finish the job. Instead, she walked into a body modification studio and started cutting away everything that made her human. Both ears. 32 teeth. Her nose. She split her tongue, implanted 18 horns into her skull, and covered every inch of skin in scales. Today she goes by “it” - and says she’s never been happier. Her full name is Eva Tiamat Baphhomet Medusa. The world calls her the Dragon Lady. She calls herself “the world’s most modified transsexual.” Before any of this, she was Richard Hernandez - a vice president at a bank in Texas. She grew up in Bruni, a town of 300 people near the Mexican border. As a freshman in high school, she walked up and down the streets screaming “I’m gay” at the top of her lungs in one of the most machismo regions in the country. “Closets are for clothes and tennis shoes,” she says. At 18, she left for Houston. Fresh from a town with no skyscrapers, she didn’t know you couldn’t trust just anyone. Two men raped her. She doesn’t hate them. “I’m not them,” she says. She became a banker. Built a career. Then came the HIV diagnosis, which later progressed to AIDS. She left the bank to take care of her health and nearly died. That’s when something shifted. “I decided I’m not going to die looking like a human,” she told Soft White Underbelly. “Being human has been such a negative part of life.” She spent over $60,000 on body modifications. Not with doctors - with body modification artists. She was the fifth person in the world to get horns implanted into her cranium. She was the first person ever to have both ears surgically removed for cosmetic reasons. She had her testicles removed and plans a full penectomy. “I will be a genderless dragon,” she says. “That’s what dragons are.” Her son hasn’t spoken to her since the transformation. She did some of the modifications specifically so he could see what his father was becoming. “His weird-looking, strange, used to be a man, is now a woman, is now a reptilian, dad,” she says. She was abandoned in the woods as a child by her birth parents. She denounced them in favor of a snake. She tried to take her own life five times before the transformation gave her a reason to stay. “My transformation is by and large what saved my life after five failed suicide attempts,” she says. “I am truly happy for the first time in my life.” She prefers the pronoun “it.” Just like a snake. She swallows food whole because she only has six teeth left - representing the mouth of a rattlesnake. Sirens drive her crazy because without ears, everything sounds louder. She makes cotton candy for the neighborhood kids, and her neighbors say her energy is “the most gentle and pleasant” they’ve ever been around. In the video below, you can see Tiamat sitting across from the interviewer with her full-face scale tattoos, horn implants, and no ears, calmly describing how she eats, why she removed her teeth, and the moment she decided to stop being human. Some will say she’s mentally ill and needs help, not a body modification studio. Others will say she found the only thing that kept her alive when nothing else could. If removing every trace of your humanity is what finally made you happy - were you ever really human to begin with?

听说很多人喜欢币安的鞋子，那就送一双。👟 来玩个简单粗暴的：评论区猜 BTC 价格。 🎯 猜 2026 年 10 月 1 日 20:00（UTC+8）BTC/USDT 的价格，最接近的人，直接拿走一双 Binance 鞋子。 参与方式： 1️⃣ 关注 @0xVeryBigOrange 和 @binance 2️⃣ 转发本帖 3️⃣ 评论区留下你预测的 BTC 价格，例如：$123,456 ⏰ 竞猜截止：9 月 30 日 23:59（UTC+8） 最终价格以 Binance BTC/USDT 现货 10 月 1 日 20:00（UTC+8）的 1 分钟 K 线收盘价为准。 每个账号只计算第一次有效竞猜，重复评论不算；如果两个人预测价格与最终价格的误差完全相同，评论时间更早的人获胜。 不是比谁看多，也不是比谁看空。 就比谁猜得准。😂 👟 Winner takes the shoes.

A director who doesn't come up to the builder's heels makes a four-hour film about him. Yesterday in Venice, Alex Gibney's nearly four-hour documentary "Musk" had its world premiere. It is a classic case of someone who has spent a career telling other people's stories taking on a man who actually builds those stories with rockets, cars, satellites, and infrastructure, not slides. Alex Gibney is an acclaimed documentarian. An Oscar for Taxi to the Dark Side, Emmys for Going Clear on Scientology, high-profile films on Enron, Elizabeth Holmes and Theranos. His specialty is exposing corporations, cults, and frauds. He does it skillfully and with a thesis. The problem starts when he applies the same method to someone who is not selling an illusion, but hardware that either flies or blows up in front of the entire world. Gibney's fuel is controversy. Elon's fuel is the pursuit of truth hard, engineering truth, the kind that either works on the test stand or it doesn't. It would have been enough to make a film based on facts. Instead we got another rut that fits the slogans of provocation: megalomaniac, confidence man, threat to democracy, an AI avatar reciting old quotes, ex-wives, his father, a former partner. Musk said in 2023 it would be a hit piece. After the premiere, a large share of reviewers effectively agreed with him. I don't know about you, but four hours of falsified formulas would bore me. Instead I watch how much Elon has already done. His energy is extraordinary. Tesla changed the car industry. SpaceX brings rockets back. Starlink works. Starship stands on the pad and prepares for the next flight. This is not a PowerPoint. It is steel, fuel, engines, and people who cannot hide failure in the edit suite. A weak documentary like this is a crumb on the shoulder of his jacket. Now it depends on us when and how quickly that blown-off crumb a utopian attention vampire is simply starved of attention. You could list the names of people who tried to take Elon's energy. Energy is the most precious thing we have. Anyone who steals it with slogans, gossip, and a four-hour indictment that excludes the main subject is sowing under his own feet. Gibney: you reap what you sow. If you have a shred of shame, look at the list of Elon's accomplishments. Look at what kind of person he is for the world and what he does around himself so that things get better cars that drive, internet from orbit, rockets that return, attempts at a brain-computer interface, AI that is supposed to be more than another chatbot. You can dislike his tweets, his political alliances. You cannot honestly erase the scale of what was physically built. A good documentarian should stand, at least for a moment, in the shoes of the person he is portraying. Gibney did not just fail to do that. He took a measure cut for Enron and Holmes and held it up to a man who lands rockets. He left Elon's shoes in the edit suite. Elon walked on barefoot and kept building. One man tells stories about the world from an editing chair. The other moves that world. A four-hour film will not change that. At most it will confirm what people who already disliked Musk already believed. Everyone else can blow the crumb off the jacket and keep going. History does not judge a man by the length of a film. It judges him by what is still in the air when the camera has stopped running. Controversy feeds on attention. Building feeds on repetition. One vanishes when you look away. The other keeps flying. You can cut a man together in four hours. You cannot cut a landing together. A documentary can be switched off. The work cannot.

我的男友孙哥(二） 为什么要他这样叫。我不知道。也许是因为我想要一种不一样的关系。不是粉丝和偶像，不是金主和女明星，不是任何一种我经历过的。 也许只是因为，我妈叫田心爱。我想让一个人叫我的时候，带着我妈名字里的那个意思。 也许什么原因都没有。 特纳里费的丽兹卡尔顿，落地窗对着大西洋。我睡觉不能有光。一丝都不行。 这是从小的毛病。拍戏的时候，剧组给我的房间永远要额外处理。有时候是遮光帘，有时候是黑色垃圾袋，有时候是胶带。 他的助理用黑胶带把整个房间封起来。窗框、空调指示灯、插座的小绿点，全部贴死。每天要重贴，因为下午玻璃太烫，胶带会掉。 两个女孩负责这件事。她们试出来早上贴最牢。 我知道她们叫什么。一个叫小林，一个叫阿雯。 他不知道。 泰德公园的公路边，我们停下来看日落。助理搬了玫瑰花，开了香槟。云海很美。 我说，不过不如青海德令哈的日落。 我说完才想起来，他是青海人。 他没有说话。 我不确定我是不是故意的。也许是。也许我想看他听到家乡名字时的反应。他没有反应。或者说，他的反应是没有反应。 这个人很奇怪。他可以为我包下一整层酒店、一整架飞机、一整个电影院，但他不会因为一个地名而动容。 夜里我们在山顶看星星。零下十五度，穿着棉袄还是冷。 我说，许个愿吧。 他问我许了什么。 我没告诉他。 我许的是：让我知道，他是真的喜欢我，还是喜欢2007年那张照片。 我说要彩礼。三千万，人民币。打给我爸景国庆，我妈田心爱。 他说好。 他说好的时候，我在看他的眼睛。我想从里面找到一丝犹豫。 没有。 转完以后，我妈回了两个字：收到。 我把手机递给他看。他看了一眼，没说什么。 有一次我问他，你知道我要这些东西的时候在想什么吗。 他说什么。 我说，我在想，你会不会有一次说不。 他说不会。 我说，那就没意思了。 我说这句话的时候是认真的。 一个永远说好的人，你不知道他的底线在哪里。你不知道他是爱你，还是爱“说好”这件事本身。一个从不拒绝的人，他的每一次答应都是廉价的。 我想找到那条线。 不是为了越过它。是为了知道它在哪里。 知道了，我才能安心。 马尔代夫，索尼娃贾尼。 no news, no shoes。我放心了。 晚上我们交换前任。像两个王朝在核对年号。 他说了几个名字。我说了几个。 有一个人我没提。他也没问。 但我知道他知道。 我背上有一个纹身。面积不小。是那年纹的。 洗不掉。试过一次，太疼了，比纹的时候疼十倍。后来就留着了。 每次他从背后抱我，手一定会碰到那个位置。他从来没有问过那是什么。 我想，他大概早就知道了。 他那份东西——我知道他做了背景调查。四十几页。认识三个月的时候做的。 我不生气。 我也查过他。不过我的方式比较原始：我去翻了他前女友曾颖的社交账号。翻了很多次。 后来她发现了，把访客记录截图发了出来。 这件事后来成了证据。 1月2日，索尼娃贾尼，他向我求婚。 戒指是1月1日早上决定要买的，助理坐水上飞机去马累取的，下午才到。装在酒店信封里。 我打开看了一眼。 我说，钻戒太小了。 我说完就后悔了。不是因为我不在意大小——我在意。是因为我看到他的表情变了一下。很快，不到一秒，就恢复了。 我说，没事，以后补个大的。 他笑了。 那天晚上我问他，你为什么对我这么好。 他说因为我喜欢你。 我说，那你以前对别人也这样吗。 他说没有。 我信。也不信。 一个等了十八年的人，他喜欢的到底是你，还是等待本身？当等待结束，他还剩下什么？ 有一天早上我醒得很早。天还没亮。 我坐在露台上，对着海。整个海是黑的。 我在算日子。 算什么日子——算我的卵巢还剩多少时间。算促排的窗口期。算如果要代孕，最晚什么时候必须开始。 我三十七岁了。 AMH 值每年都在降。医生说过，再拖下去，可能连取都取不出来。 他出来了，问我怎么起这么早。 我说，你回去睡吧。 他在我旁边坐了一会儿。不知道说什么。后来他回去了。 我继续算。 北京。抽血。 月经周期第二天，早上六点出门。冬天，天还没亮。 空腹。八管血。 激素六项、B 超、AMH。 我一个人去的。 不是没人陪。是我不想让人陪。医院的走廊里全是女人，有的挺着肚子，有的抱着孩子，有的和我一样，空着手，空着肚子，等着叫号。 没有人认出我。我戴着口罩和帽子。 抽完血出来，外面天亮了。我在医院门口站了一会儿，想找个地方吃早饭。空腹太久，有点晕。 后来我在一家麦当劳吃了一个麦满分。 那些检查的费用，走的是他助理的月度汇总。几千块。他大概批得很快，不会看明细。 我没有告诉他我在做这些。不是隐瞒。是觉得没必要。这是我的身体，我的卵子，我的时间窗口。他只需要在最后出现就行了。 去洛杉矶之前，他说要在香港买房。 他发了十几套给我看。都是助理挑的。视频里有一套在半山，能看见维港。 我都不喜欢。 不是房子不好。是我不知道自己要什么样的房子。我在北京有房，上海有房，但没有一套是我自己选的。从小到大，所有重要的决定都是别人替我做的。 本文纯属虚构，如有雷同实属巧合

综合这四组公开照片与孙哥小作文叙事对比，它们在时间、地点和先后顺序上形成了连续对应： 2025年12月，景甜公开照片被指向香港瑰丽酒店的维港海景环境，对应文章“瑰丽酒店我们见了第一面”； 2026年1月，她发布特内里费岛度假照片，画面中的海岸、棕榈树和度假酒店环境与文章所写“她在地图上指了一下特纳里费”“丽兹卡尔顿正对着大西洋”相呼应； 2026年2月，她又发布马尔代夫水屋、泻湖和木栈道照片，外界进一步将地点比对为索尼娃贾尼，而文章恰好在特内里费之后写到“最早到索尼娃贾尼的是妈妈的箱子”“no news, no shoes”，不仅国家一致，甚至具体酒店和旅行顺序都高度重合； 到2026年3月，她公开的南加州海岸度假照片又被比对为Laguna Beach一带的Montage度假村，而文章则明确写到“2月28日飞到蒙太奇拉古纳海滩”，并描述酒店位于海崖、面朝太平洋。 公开照片呈现出的轨迹大致是“香港—特内里费—马尔代夫—南加州”，文章的核心旅行路线也基本按照这一顺序展开。 不过，这种对应关系只能佐证文章的现实背景和行程骨架具有真实锚点，不能直接证明文章中的私密核心情节，例如谁与她同行、是否存在恋爱关系、是否在马尔代夫求婚、是否支付3000万元所谓“彩礼”、是否安排代孕、是否在加州取卵，以及所谓“5000万美元”要求等；这些内容如果要从“叙事”升级为“事实”，仍然需要酒店订单、航班和机组记录、转账流水、聊天记录、诊所和代孕机构文件等独立证据。 因此更准确的结论是：四张照片显著增强了文章在地点和时间线层面的可信感，尤其几个具体高端酒店地点与先后顺序的重合，说明文章并非完全脱离现实编造；但它们最多能证明“人去过这些地方”，不能证明“文章所说的那些事情在那里真实发生过”，所以可以把它视为对文章外围事实的较强旁证，而不是对核心指控的直接证据。