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Everything was calm… until BOOM. #DJIAvata360# captures the exact moment the volcano wakes up. ⚠️ Filmed by professionals. Do not attempt. 🎥: sebastian_schieren, irvingca #DJI# #Drone#

Simple but clear example of how to vary the volume of a sound as it plays. Use your imagination and put it to use in any more complex patch! #korg# #volca# #volcamodular# #modular# #sounds#

高空航拍人像大片，梦幻旅拍质感，无缝匹配剪辑转场🎬 超炫酷超美的有没有❓ 标准化模版，上传自己的图片作为主角输入下面提示词即可的到同款超酷视频📺 prompt 👇 【风格】高空航拍人像大片，梦幻旅拍质感，色彩浓郁通透，人物悬浮空中的失重感，无缝匹配剪辑转场，竖屏9:16 【时长】12秒 【角色】主角（），第一套为角色原本穿着 [00:00-00:03] 镜头1：红色荒漠悬浮（Floating over Red Outback） 画面：主角穿原本服装悬浮在红色巨岩荒漠上空，无人机自拍视角从斜上方俯拍，主角双臂舒展，仰脸看镜头灿笑，发丝衣摆被强风持续吹动 转场1（天空桥接 Sky Tilt Match）：镜头从主角身上缓缓上摇至纯净天空云层占满画面，再以同样速度下摇——摇回时主角已换装换景，以背影入画，长发在风中飘散 音效：高空风声，轻快旅拍音乐起 [00:03-00:06] 镜头2：火山云海日出（Volcano Sunrise） 画面：红白格纹衬衫敞穿、内搭红色小背心、高腰牛仔五分裤、红色小包——主角悬浮在火山尖上空翻涌云海之上，从背影缓缓转过身，抬手在额前远眺，再朝镜头挥手 转场2（手掌遮镜 Hand Lens Cover）：主角笑着朝镜头伸手，手掌完全盖住镜头——手收回的瞬间已换装换景，手臂仍保持伸出的姿势自然放下 音效：云海风声，音乐推进 [00:06-00:09] 镜头3：海崖飞翔（Cliff Coast Glide） 画面：淡紫色吊带荷叶边连衣裙、紫色发饰——主角悬浮在青绿色巨型海崖与湛蓝海湾上空，张开双臂如滑翔，裙摆层层翻飞，镜头缓缓绕行 转场3（转身虚焦 Spin Defocus Match）：主角挥臂开始转身，人物在画面中渐渐虚焦模糊，焦点恢复时已换装换景，转身动作无缝继续完成 音效：海风浪声隐约，音乐铺开 [00:09-00:12] 镜头4：海上落日（Ocean Sunset Finale） 画面：薄荷绿露肩针织开衫、粉色格纹百褶短裙、白色运动鞋——主角转身完成后悬浮在无边大海上空，背对落日单腿后踢的跳跃姿态，太阳在头顶爆出金色光斑，海面碎金波光，海鸥掠过下方，镜头缓慢拉远定格 音效：海浪海鸥声，音乐在重拍收束 【导演备注】1. 人物全程悬浮飞行，绝不站立：四肢失重舒展，发丝裙摆持续被强风吹动，禁止僵直；2. 三个转场机制各不相同且必须严格执行：①镜头上摇天空再下摇（天空为两场景共用画面）②手掌遮满镜头再收回（伸手动作跨切点连续）③人物原地虚焦再回焦（转身动作跨切点连续）——全部禁止硬切、禁止叠化；3. 每个转场的匹配元素（天空/手臂姿势/旋转姿态）在切点前后必须完全衔接，镜头运动方向速度一致；4. 镜头始终在人物斜上方俯拍（无人机自拍角度），每段只做一种运动；5. 光线各场景分明：荒漠暖橙、云海晨金、海崖通透蓝绿、海面落日逆光碎金。

Elon Musk reveals the environmentalist viewpoint he says has become total madness "There are 8 billion people on Earth and it would be better if there were none. I'm like, 'hey buddy, you can start with yourself. See if you really want to make a difference'" "That's like a crazy viewpoint. That's like literally saying, let's genocide humanity. How can you say that with a straight face? That sounds like total madness" "In the limit of environmentalism, it becomes like an ingrown toenail. A toenail's fine, but not if it's warped and ingrown. It's just gone too far" "Humanity is not a blight on the face of the Earth" "Even with climate change, life on Earth will still continue. The calamities Earth has suffered where life continued, gigantic meteorite impacts, super volcanoes, continents drifting all over the place" "There've been times in Earth's past where it's been like a total snowball or absolutely sweltering hot. We had many extinction events, but life continued" "We don't see the dinosaurs now, but they had a good run for 100 plus million years" "Even if there's catastrophic climate change, life continues. It just may not be life as we know it. It may not be humans, it'll be something else" "What we're talking about with climate change is not a threat to all life on Earth, but really maybe a threat to humans, a dislocation if low-lying countries end up underwater" "Over time we need to move to a sustainable energy economy. We can't just keep taking billions of tons of carbon from deep underground and putting it in the atmosphere and expect nothing will happen forever" "But we also don't need to be alarmist about it and super negative and massively disrupt people's lifestyles" "People can continue to live a normal life. They shouldn't feel guilty about being human or having a stake. It's fine"

Lava from Mount Etna in Sicily lit up the sky with red flashes as eruptions continued at an altitude of 9,800 feet, Italy's National Institute of Geophysics and Volcanology reported

China・Beihai Weizhou Island, Guangxi China's largest and youngest volcanic island, with black lava rock coasts and turquoise seawater, a quiet coastal paradise on the South China Sea.

History of the Conquest of Mexico, with a Preliminary View of the Ancient Mexican Civilization, and the Life of the Conqueror, Hernando Cortés William H. Prescott (1843; 1891 David McKay edition), Volume II If Volume I introduced readers to the astonishing world of ancient Mexico, Volume II is where the conquest becomes a full-blown collision of civilizations, religions, and empires. Prescott follows Hernán Cortés and his small Spanish force as they march ever deeper into the Mexican interior, accompanied by thousands of indigenous allies and guided by the indispensable interpreter Doña Marina. Every step takes them closer to the heart of an empire ruled by Montezuma II, a monarch increasingly haunted by omens, prophecies, and uncertainty about the strangers advancing toward his capital. What many people never learn is that Prescott does not describe the Mexica merely as warriors. He presents a civilization with laws, courts, schools, merchants, engineers, astronomers, poets, priests, and one of the most impressive cities ever seen in the Americas. Yet woven through every part of society was a powerful religious system centered on gods such as Huitzilopochtli, Tezcatlipoca, and the mysterious feathered serpent Quetzalcoatl. Prescott describes vast temple complexes, an organized priesthood, sacred calendars, fasting, rituals, and ceremonies that governed daily life. The most shocking event of the volume is the infamous Cholula massacre. According to the accounts Prescott follows, Cortés became convinced that a conspiracy had been laid against his army. At a signal, Spanish troops and their Tlaxcalan allies fell upon the city. Panic erupted. Nobles, warriors, and civilians were cut down as buildings burned and the streets filled with the dead. Prescott treats the episode as one of the darkest and most controversial moments of the conquest, a bloodbath whose memory would echo throughout Mexico. The march then continues into the mountains. The Spaniards climb toward the great volcanoes overlooking the Valley of Mexico, enduring cold, altitude, and dangerous terrain before reaching one of the most celebrated moments in conquest literature. Below them lay a breathtaking landscape of lakes, cultivated fields, towns, floating gardens, and, in the distance, the gleaming island city of Tenochtitlan. Nothing prepares them for the capital itself. Crossing the great causeways over the lake, they enter a city that left even hardened conquistadors astonished. Prescott describes broad avenues, canals crowded with traffic, markets overflowing with goods, palaces, gardens, temples, and a population numbering in the hundreds of thousands. At the center of it all stood Montezuma II. Prescott portrays him not as a fool, but as an intelligent and experienced ruler trapped between political reality and spiritual fear. Reports of strange omens, prophecies, and traditions concerning the possible return of Quetzalcoatl weighed heavily on his mind. Whether those traditions truly influenced his decisions remains debated, but Prescott believed they were a crucial part of the emperor’s hesitation. One of the most fascinating aspects of Volume II is that both sides believed they were acting within a divine drama. The Spaniards saw themselves as soldiers of Christianity carrying the Cross into a pagan empire. The Mexica interpreted events through their own sacred traditions, priests, prophecies, and gods. Neither side fully understood the other, yet both believed history and heaven were on their side. This is a clash between two sophisticated worlds, each possessing remarkable achievements, deep religious convictions, extraordinary courage, and terrifying capacities for violence. Volume II is the calm before the storm the tense, unforgettable march from Cholula to Tenochtitlan, where wonder, fear, prophecy, diplomacy, faith, and bloodshed converge before the empire’s fate is decided.