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[NOTICE] #gugudan# #HANA#'s Web drama <Yeonnamdong family> OST #Walk_in_space# has been released❣ A sweet song that is delivered with HANA's clear voice🎶 Dear Friends, let's listen together💕 🎧 #Yeonnamdong_family# #OST#

[NOTICE] #구구단# #하나# 가 참여한 웹드라마 <연남동 패밀리> OST #Walk_in_space# 음원이 모든 음원 사이트에 공개되었습니다❣ 하나의 청아한 목소리로 전하는 달달한 감성의 곡🎶 단짝들 우리 같이 들어요💕 🎧 #gugudan# #HANA# #연남동패밀리# #OST#

Hibiya Park is a lush green space in the heart of Tokyo where you can feel the changing seasons. In early summer, fresh greenery fills the park, making it perfect for a walk. The park also offers a pleasant, accessible space for everyone through its barrier-free initiatives.

If you're paying $2T for SpaceX at IPO, this clause is in the S-1. Anthropic pays $1.25B/month to rent SpaceX's Colossus data center. That's $15B/year - the core of the xAI business case. The contract has a 90-day cancellation clause. Either side can walk. @rodriscoll on @20vcFund: one customer and one 90-day window stand between you and losing a third of the valuation argument. Any Anthropic statement on compute strategy - shifting toward AWS, Google, or in-house capacity - is a material event that moves in 90 days. The clause that wasn't discussed when the deal was announced: Source: 20VC with Harry Stebbings -

🍌 nano banana pro prompt 🎬✨ Experience cinematic magic: a stunning split-screen photo seamlessly merging past and present, capturing dynamic interactions across time! ⏳ --- Prompt --- A horizontal split-screen cinematic shot of {Scene}, seamlessly blending two different eras: {Era_A} on the left and {Era_B} on the right (default: about 100 years ago vs. present day). On the left side ({Era_A}): show era-appropriate architecture, interior or environment design, materials, vehicles, and props that clearly belong to that historical period. People wear authentic clothing from {Era_A}, including hairstyles, accessories, and typical items in their hands (such as books, umbrellas, instruments, letters, newspapers, etc.). The overall mood feels nostalgic and historically accurate. On the right side ({Era_B}): show the same {Scene} in the modern era, with updated architecture or renovated structures, contemporary materials (glass, steel, LED screens, modern furniture), modern vehicles or equipment, and current technology (smartphones, laptops, cameras, etc.). People wear contemporary fashion that matches today’s style in this setting. In the center: the two eras merge and overlap organically, without a hard dividing line. Elements from {Era_A} and {Era_B} visually interact: people from different times look at each other, walk through each other’s space, or seem surprised by the other era’s technology and objects. Architecture and environment smoothly morph from old to new (for example, stone gates turning into modern campus gates, classical concert hall décor fading into a futuristic stage, old street shops transforming into neon-lit storefronts). Make sure the scene is not just a simple left/right comparison but a dynamic time-travel interaction where buildings, clothing, props, and human gestures clearly emphasize the contrast and fusion between the two eras. Photorealistic, 8k resolution, cinematic lighting, wide angle, highly detailed textures, rich sense of time-travel storytelling. --- SCENE: Times Square, New York Era Comparison: 1920s and present day Aspect Ratio: 4:3

Over the last ~2 hours I curated a new Podcast of 10 episodes called "Histories of Mysteries". Find it up on Spotify here: 10 episodes of this season are: Ep 1: The Lost City of Atlantis Ep 2: Baghdad battery Ep 3: The Roanoke Colony Ep 4: The Antikythera Mechanism Ep 5: Voynich Manuscript Ep 6: Late Bronze Age collapse Ep 7: Wow! signal Ep 8: Mary Celeste Ep 9: Göbekli Tepe Ep 10: LUCA: Last Universal Common Ancestor Process: - I researched cool topics using ChatGPT, Claude, Google - I linked NotebookLM to the Wikipedia entry of each topic and generated the podcast audio - I used NotebookLM to also write the podcast/episode descriptions. - Ideogram to create all digital art for the episodes and the podcast itself - Spotify to upload and host the podcast I did this as an exploration of the space of possibility unlocked by generative AI, and the leverage afforded by the use of AI. The fact that I can, as a single person in 2 hours, curate (not create, but curate) a podcast is I think kind of incredible. I also completely understand and acknowledge the potential and immediate critique here, of AI generated slop taking over the internet. I guess - have a listen to the podcast when you go for walk/drive next time and see what you think.

why settle for a few images from #stablediffusion# when you can slowly walk your way around the sample space and create hyponotic videos you can't look away from? In this 2min video (~1hr to render on A100) I'm smoothly interpolating between random noise inputs into the model.

Why Most CIOs Are Quietly Praying for Retirement — And the Few Who Aren’t Are About to Get Very Rich I had a moment this week where I was sitting across from a Director of IT and it hit me — this poor bastard has the toughest job in the entire company. The business folks get to be full-time dreamers: “Hey, can we automate this? Can the AI just know what to do? Can it walk my dog while I’m in this meeting?” Meanwhile he’s over there thinking about data security, system reliability, whether some employee is gonna click on an email that says “You’ve won a $1,000 Walmart gift card!”, whether Ukrainian hackers are going to steal their customer data at 2 a.m., and whether his entire team is about to get replaced by three interns and ChatGPT — all while knowing none of this stuff actually works the way the brochures promised. And here’s the part that makes me feel for the guy — for his entire career he’s been rewarded for keeping the machines running and not getting fired. Now we’re asking him to suddenly become a profit center, to be out over his skis with AI initiatives. It’s like telling the hall monitor he’s now responsible for running the company’s underground poker game. Did I just compare our AI software to an underground poker game? Yeah, probably not the best analogy, but hang with me here, I’m rolling. Meanwhile the C-suite is over there wondering why nothing’s happened yet, completely oblivious to the fact that they’ve spent twenty years brutally punishing IT for not playing defense. Hell, I know CIOs who got fired because Windows 95 sucked. The real kicker is how to even get started. Our philosophy has always been to start small — automate one workflow, prove it works, and then compound fast. Smart in theory. In practice, with a big organization, that feels like bringing a birthday candle to a forest fire. The C-suite doesn’t get excited about incremental. They want to see something that actually moves the needle. So you’re stuck trying to thread this ridiculous gap: build something small enough to actually work, get real user adoption, and make sure the vendor isn’t full of shit. Honestly, I don’t envy that seat one bit. At Collide, we’re committed to being real partners with the folks actually doing the building. I’ve got serious scar tissue from getting fired for not being “openly collaborative” with other oil and gas companies on well spacing back in the shale days, and I’m never making that mistake again. We’re gonna share what we learn, educate when we can, and actually listen — God knows we have a lot to learn too. Truth is, my tech guys are dying to find some partners in crime — and I really gotta stop with the crime analogies, I swear that’s not what we’re doing here — because they get all excited explaining the latest and greatest AI breakthrough and I respond with the technical sophistication of a man asking if his rotary phone has Bluetooth. Sip slowly, my friends.

3 years ago, the world watched him make the longest walk in football history. 💔 A story that deserves the perfect ending. If there’s one player the football world wants to see lift the World Cup this year, it’s him. 🏆🐐

🔴 I'M BUILDING THIS OUT OF HATE! 🔴 I'll be honest. I don't love education. I never have. I grew up inside it, then started my career building more of it. I lasted long enough to learn how it really works, and I left swearing never again. You know the shape of it. A syllabus older than the students. Forty kids taught like they're one kid. Nine hours of school, four of tuition, then a room full of us mugging up the same shit until we could repeat it on cue. It was never built to find smart people. It finds good memorisers. Your Netflix knows you better than your school ever did. And if you didn't fit it, you were told you were the problem. You weren't. The system was just bad at you. I only know it can be different because of design. In design, nobody asks where you studied. You open the portfolio. It either blows them away or it doesn't. The degree doesn't count. The work does. It's the fairest test I know, because it asks one honest question. Can you actually do the thing? For years that was true for design and almost nothing else. So that's what we're building @zero_university for. Proof of work, for everyone. Not a grade. Not a profile you wrote about yourself. A real record of what you can actually do, and how you got good at it. Something you can't fake. Picture what that unlocks. No take-home assignments. No seven rounds of interviews to slowly find out what your work already shows. You stop proving yourself from scratch in every room. You walk in already proven. And we built Zero so we only win when you do. Most schools treat students as customers, so they're built to chase more of them, not to make the ones they have any better. We flipped it. You're not who we sell to. You're what we build. So we'll never trade you a degree, a hostel, and a nice story about your life for four years and a fat bill. Zero is free. And our beta users get a guaranteed interview, the one promise your college couldn't make you after all those years and all that money. This is the first launch. The thing I hated most turned out to be the thing I'm here to build. I'm writing this from a treadmill in Vietnam, and I haven't felt this alive in years.