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晚点关于华为汽车的这篇文章，太敢写了。 而且存活了 4 天，还没有被投诉下架。 里面写道了问界诞生的前因后果，以及为何 3 个月就能造出来一款车。

Extracts from article in Spectator 16th August by Brendan O’Neill: Behold the human wreckage of the cult of diversity. The tragedy of Jason Arday is that he was both built up and destroyed by the ruthless machinery of DEI (Diversity, Equity, and Inclusion). The academy made him into the golden boy of its philistine project of ‘decolonisation’ and gave not one thought to what the consequences might be if his thin story unravelled, as it inevitably would. No one can deny it now: wokeness makes false gods and real tragedies. . . This is the poison chalice of the state religion of diversity. It lays traps for the very people it celebrates. It handpicks members of ‘the oppressed’ for moral anointment and institutional gushing while leaving them open to exposure as others start to query their credentials. That’s the toxic bargain of identity politics: it builds teetering pedestals for ethnic-minority thinkers, meaning their fall from grace is often twice as fatal. And what a pedestal they made for Arday. They worshipped him as ‘the best in the world’. They beatified him as a black wunderkind whose very presence in a place like Cambridge might help to wash away its sins of whiteness. They canonised him as a living monument to ‘decolonisation’. It was precisely this, their giddy, narcissistic desire to manufacture a kind of black saviour, that made them turn a blind eye to the questionable elements of Arday’s CV and life story. They sacrificed their due diligence to the god of decolonisation. And Arday suffered. He was both poster boy and sacrificial lamb of the diversity crusade. Even as he gained from it – reaching the dizzying heights of a Cambridge professorship – he was being damned by it. The foundation of myth and sand his starry career was built on was untenable. Its collapse was a given. It is a testament to the ideological blindness of the inhabitants of our ivory towers that none of them foresaw it. . . . The Faustian ruthlessness of it all is mindblowing. . . . The media is the only institution in this entire tragic scandal that did its job properly. Journalists found a story and they told it. It was the academy and Arday’s colleagues who failed to do their jobs. Who failed to prize merit over identity, and failed to foresee the public embarrassment that would befall their falsely promoted friend. They ignored the truth – the media found it. I and others have been arguing for years that the politics of identity is a disaster for all, black and white alike. White kids are overlooked, black kids are patronised. Whites are branded ‘privileged’, blacks ‘oppressed’. Whites are seen as the beneficiaries of historic crimes who must atone for past sins, blacks as history’s perma-victims who require the gracious helping hand of the state. We are demonised or infantilised according to the accident of our race. Enough. Let our monument to Jason Arday be the restoration of the true ideal of equality. We couldn’t save Jason but we can save merit from the monstrous jaws of identity.

We’re updating Claude Fable 5’s biology safeguards to reduce false positives. In our testing, this update reduced biology-related fallbacks by about 85% across our product surfaces. Fable can now assist on a wider range of everyday health and educational questions. We believe the biggest positive impacts of AI will be in biology and medicine, and we’re committed to putting frontier intelligence safely into the hands of as many researchers as possible. Fable will continue to fallback to Opus 5 for requests we consider dual-use—including virology, toxicology, and molecular design—so it isn't yet usable for professional biology research and drug development. We're committed to closing that gap through trusted access pathways for frontier biology capabilities.

我正处于王虹在北大discouraged的时间。 应试教育cult卷过了，考过全市前二十，考研考过top2，雅思托福gre，cfa都考过了…… 中美big name的大厂也去体验过…… 互联网每个工种都体验过了 卷过…… 做交易一把子梭哈死了算了的日子也体验过了，亏麻。 也体验过某些拜高踩低，结果请客吃饭必开发票的某种金融行业。 总结下来，我的20s前半段完全在体验一种内卷毒化的toxic positivity，一种典型的意识形态，不允许脆弱、必须光鲜、必须积极进取，不能落后要当第一名，完全不可以average，不仅要竞争还要要体面，要不动声色，要融入集体的“奥德赛时期”。 但是你不想做的事情都是消耗你的。 凡是你想做的事情都是滋养你的。 关键是这样的价值观我以前也觉得没什么问题挺好的，直到我考研的时候开始呕吐，一直到我英文面试大厂的时候也会呕吐，一直到我开始排斥用英文。 事到如今感觉early 20s 经历的一切都像是一场邪教，我最震惊的是在我20出头听到一个很厉害的姐姐歇斯底里说她已经25岁了，再不成功就老了。 其实相对来讲我已经是相当松驰的一个人，但不可避免卷入优绩主义的漩涡中也会迷失自己，但是当初最恐惧的事情，比如生存的危机，比如一个人出国留下来，赚钱，这些都解决之后， 还是会怅然想一想自己最擅长最想要的是什么。 决定把最具创造力的年华奉献给什么东西呢，那个东西肯定不应该是赚钱了，但是是什么，我却完全不知道。

A new study published in the Open Access journal Toxins developed a portable air sampling system capable of detecting airborne cyanobacterial toxins in Southwest Florida, USA. Read more here ⬇️

Would you consider this a toxic trait? 🧐 Learn more of the inner workings of @xdavebakerx and @NicoleGoux's minds, only on #CreatorxCreator#! Make sure to enter the #giveaway# for a copy of #PunkNHeads#! Link in our bio. #Podcast# #Comics# #Artists# #GraphicNovels#

Léa Seydoux revealed she felt “like a pr0stitute” while filming Blue Is the Warmest Colour (2013). “One Se× scene took 10 days. We had to lie on the bed..with each other, cold and n@k3d, hour after hour.” Seydoux burst into tears after director Kechiche publicly shamed her for speaking out about the movie's toxic working conditions. “How indecent to talk about pain when doing one of the best jobs in the world,” said the director. Seydoux also said, "Every scene had taken forever... he insisted on take after take until we felt like we were cracking up." "It was horrible. I would never work with him again." Léa Seydoux later reframed her emotional breakdown to de-escalate the explosive public feud with director Abdellatif Kechiche, who dramatically claimed he no longer wanted Blue Is the Warmest Colour to be released because the controversy had "sullied" it. Seydoux clarified that her tears were not meant to sabotage the director or label him a monster, stating: "I have given a year of my life to this film... I have not criticized the director. I'm just complaining about the technique."