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code for review : Prompt : Create a 2D anime short for the web. It must look completely like real Japanese anime, as if it were taken directly from a finished theatrical anime film. This is traditional-looking, hand-drawn 2D anime, not a 3D animation, a moving illustration, or a stylized web graphic. Deliver the final result as a single, self-contained HTML file that plays offline, with a synthesized soundtrack. Use any tools, libraries, references, guides, literally anything etc. Use theatrical mecha and kaiju anime as the art style reference for the design, line work, painted backgrounds, color, and atmosphere. The film is 83 seconds long, in 39 shots. Its characters are a colossal silver archer robot, a fleet of container ships, and a leviathan. No people appear in the film. Use any tools or techniques you want, including 3D, as long as the final result looks 100% like hand-drawn 2D anime. SCENE A blazing sunny day on a coast. A massive armored archer robot, a hundred meters tall, stands in a deep lunge on a headland and draws a bow taller than itself. Close-ups: the hand on the grip, the limb and cable, the foot planted in the surf. Blue energy crawls along the arrow into the chest armor until the arrowhead blazes like crystal. The string snaps forward and a shockwave flattens the sea. The arrow is a harpoon trailing a thin cable. It tears the clouds into two walls above a ship's deck, climbs through the cloud tops, and reaches the edge of space in a blue flash along the planet's limb. Out at sea, container ships cross a colossal shadow. Four humpback whales breach beside a ship, with real arcs and full tail flukes, and dive tail last. From below, shapes move under the bright churning surface. Four whale heads rise from a boiling sea, and a ring of teeth rises around them: they are lures inside a mouth. They drop in and the jaws shut. The leviathan breaches through the fleet in one slow, enormous arc. Its belly slides past the bridge windows. The swell it leaves lifts the ships and stands one on end, spilling containers. Its ridged back and flukes sink into spray fog. High above, the arrow turns over and comes back red-hot through the atmosphere. Below the surface, the leviathan crawls through a luminous canyon on clawed forelimbs and swallows a fleeing whale. A thin streak meets the sea on the horizon and a white plume swells up. The harpoon drives through its back in a blue-white flash, lightning runs along its body, and the barbed tip punches out of its belly into the rock, which bursts apart. The cable stays attached the whole time, rising to the surface. A mountain of water swells from the sea. The dying leviathan erupts, rolls over between the ships and falls, and a wall of water takes the fleet. ANIME QUALITY STANDARD Every frame must look as if it was drawn by professional anime animators and painted by master background artists for a finished theatrical film. Archer: A massive, heavy anime mecha with sculpted overlapping armor plates, panel lines, bolts, markings and a faceted chest reactor that glows blue. Hands really grip the bow and string. The arrow never passes through the armor. Keep it on-model from every angle. Leviathan: Whale-like and colossal, always dwarfing the ships. Rough, dark grey-teal wet hide with barnacles and scars, a pale ribbed throat, a spined back, huge clawed flippers, and a cavernous maw with uneven teeth. A real bending body with weight, never a stiff model hanging on pillars of water. Whales: Real humpback anatomy with tail stock, big notched flukes and long curved flippers rooted in the body. Ships: Detailed container ships with corrugated multicolor containers, lashing bars and a white bridge tower. Line art: Confident, delicate, hand-inked anime line work with subtle variation in thickness and pressure. Coloring: Traditional anime cel coloring with clean color areas, hard-edged cool lavender-blue shadows, crisp highlights, and a bright, high-key, saturated palette. Never gloomy, grey or muddy, even in the darkest moments of the story. Backgrounds: Richly detailed, hand-painted anime backgrounds in a gouache style: towering white cumulus, a cobalt-to-turquoise sea at kilometer scale, a painted coast with a far town, Earth from orbit, a port city from the stratosphere. Underwater: Luminous cyan depth with god rays, a rippling surface seen from below, jagged canyon rock, silt and fish. Bright, not black. Lighting: Summer sun with colorful shadows, and a separate character key light so that nothing sinks into shade. Effects: Bold drawn anime FX on twos and threes. Sharp lightning with a white core, plasma trails, sheets of water pouring off the body, plumes, spray and a wall of water with real mass. Never particle mush or cotton-wool clouds. Animation: Authentic hand-drawn anime timing, with characters on twos, strong key poses, natural holds, and overlapping movement. Huge things move slowly and heavily. Nothing clips, slides or floats. Sound: An original epic score with ominous drones, brass and choir, near silence before the impact, then a colossal hit. Add a recurring whale-song motif, bow creak, charge whine, sonic boom, thunder and the sea, muffled underwater, all timed to the picture. Direction: Cinematic shots, macro close-ups against huge wide shots, thoughtful staging, and pacing that builds from quiet tension to a devastating climax. IT MUST NOT LOOK LIKE - 3D: No plastic materials, CGI shading, visible polygons, game-engine lighting, or computer-perfect perspective. - Blocky "Minecraft" shapes: No plain boxes, empty flat surfaces, or toy-like proportions. Every surface carries design detail. - SVG or vector art: No simple geometric shapes, perfect curves, uniform outlines, flat corporate illustration, or basic gradients. - Web animation: No sliding layers, constant bobbing, floating parts, smooth software easing, or puppet-like joint rotation. - Pasted-on elements: No 2D sprites floating in a 3D scene. - AI art: No warped shapes, melted details, flickering, or changing designs. - Non-anime art: No Western cartoon designs, realistic rendering, soft painterly shading on the characters, or generic digital illustration. - Amateur work: No stiff poses, empty backgrounds, muddy colors, clip art, placeholders, or unfinished details. You are free to change any part of the prompt, if it would result in better results. The result should feel enormous, terrifying and beautiful, a blockbuster in bright anime colors. Before finishing, inspect random frames as still images. If any frame does not look completely like real 2D anime, keep improving it. Do not stop until every frame could pass as a still from a theatrical anime film.
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Mark Levin warns America could follow France’s path if Democrats ever take back power, saying the country’s security, culture, and constitutional foundations would be at risk: “If Donald Trump hadn’t won re-election as the 47th president of the United States, we would be France right now. Let’s make no mistake about this. The fact of the matter is, the Marxist-Islamist alliance that I’ve been talking about here for years, on radio for years, and writing about for years, it is here. It’s not coming. It is here.This is what the Democratic Party wants to turn America into. Mr. and Mrs. America, I want you to look at France right now. The military has been undermined. They have a weak military. The police force has been undermined and undermanned. It’s weak. That’s exactly what the Democrats are talking about, defunding the police and so forth and so on. They’re literally bringing migrants into the country who have no intention of assimilating. Quite the contrary, they seek to overthrow our society. They’re doing everything they can to destroy this society.”
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@Remy_OW did u use ur levitate ability to get up there
Fall in love with the problem, not the solution. -- Uri Levine
#Titans# QB Will Levis says he’s “100 percent” a starting QB in the NFL. “There are not 32 quarterbacks in this league better than me. … I know I’ve put the tape out there already that I’m a dang good quarterback in this league.”
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🚨 BREAKING: Armed man with a hammer stormed a Jewish day camp at the Lev Leviev School (Queens Gymnasia) in Queens today. He shoved a child into a fence. Heroic counselors tackled him to the ground one was bitten during the struggle. Child and counselor taken to hospital by Queens Hatzalah. Suspect in NYPD custody. Detectives investigating whether this was a hate crime. Jewish kids can’t even go to summer camp in peace. Share this. Pray for the victims. Demand real answers. @NYCMayorsOffice @NYCMayor This is on your watch. Our schools, synagogues, and camps aren’t safe!! #JewishSafety# #Queens# #ProtectOurKids# Source:
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🚨 The CLARITY Act's Make-or-Break Moment 🚨 Can crypto market structure pass before the August recess? And what's in the new bill draft? With only 14 days left, it's crunch time. Joining us: 🔹 Miller Whitehouse-Levine @millercwl, CEO, Solana Policy Institute @SolanaInstitute 🔹 Amanda Tuminelli @amandatums, Executive Director, DeFi Education Fund @fund_defi 🔹 Adrian Wall @AdrianWall8395, Managing Director, Digital Sovereignty Alliance @DSAForg and Senior Director of U.S. Policy at TRON DAO @trondao 🟢 LIVE TODAY AT 12:30PM ET -- JOIN US 👇
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昨天市场其实过了一次压力测试。 地缘风险、油价反弹、FOMC 纪要一起压上来,但指数没有被砸坏。$SPY 在 740 附近守住并做出双底, $QQQ 也重新站回 714–715。说明这次下跌更像情绪杀,不是趋势直接转空。 FOMC 纪要也没有给出更吓人的新东西。没有明确加息措辞,对现在这种敏感盘面来说,已经算能接受。 今天盘前更明显的信号是,资金又回到 AI 硬件和内存链。 内存板块最强, $SNDK、 $MU、 $STX、 $WDC、 $CLS 都有突破机会。这个方向现在不是看故事,而是看资金有没有继续追 HBM、DRAM、存储这条线。只要开盘能放量站住,就还有动能。 芯片和 AI 硬件也不错, $NVDA、 $DELL、 $ANET、 $PENG 都是今天比较值得盯的突破候选。但这里我不会只看跳空高开,要看是不是真突破,不是开盘冲一下就回落。 财报这边, $LEVI 和 $PEP 这种零售/消费票波动通常不会太夸张,除非指引特别意外。更适合长线或价值交易,不太适合今天做短线主线。 医药这边分化很大。 $AZN 和 $IONS 因为 Wainua 试验失败承压, $IONS 盘前跌幅更重;反过来,竞品方向 $ALNY、 $BBIO 明显走强。这个方向更像事件驱动,短线可以看强弱对冲。 软件股反而偏弱。 $WDAY、 $TEAM、 $SPOT、 $MSFT、 $CRM 这类,如果指数冲高但它们跟不上,反而容易成为做空候选。现在资金更愿意去硬件、内存和 AI 基建,而不是继续追软件。 指数上, $QQQ 关键还是 715。守住就看 720,突破 725 才有机会摸 730。 $SPY 关键支撑 745,上方 748–750 还是压力,强一点先看 753。 我的思路很简单: 今天不是全面做多,而是做资金最强的方向。 内存和 AI 硬件是主线。 软件偏弱,别乱追。 医药看事件分化。 指数不破关键支撑,短线还是偏多。 但开盘第一波我不会急着冲。 真正值得做的,是放量突破后还能站住的票。 不是跳空高开就追。
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